REVIEWS
The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: DETECTIVE COMICS
Issue Number: 19 (WHOLE NUMBER 900!)
Main Title Story: The 900
Publisher: DC
Creator: Bob Kane
Writer: John Layman
Artist: Jason Fabok
Colors: Jeromy Cox
Letters: Jared Fletcher
Cover Artists: Fabok & Cox
Price (USD): $7.99
Release Date: NOW ON SALE
Genre: Super Hero
This issue has been out for a couple weeks and you would not know it from the
cover that it has historical significance, at least amongst comic book
collectors. Had DC not changed the numbering this would have been the 900th
issue of DETECTIVE COMICS. To celebrate we get an oversized issue - 80 pages for
$8. There is not a lot of filler, mostly story pages and a few pin ups stuck in
there. The main story takes up almost half the issue. The foldout tease cover
asks the question, "What is the 900?" You might suspect from that there is some
major bad guy group invading the city. But that is not it at all. The 900 refers
to a block in uptown Gotham between 9th and 10th Avenues referred to by the
residents as The 900. This is not one of the seedier parts of the city. It
residents are hard-working family types. But it is this block that has been
targeted for a biological weapon spread through the air. Whoever breathes in
enough of it turns into a Man-Bat. I believe this is the introduction of Man-Bat
in the New 52. The prologue introduces Dr. Kirk Langstrom and his wife Francine.
He feels responsible for this outbreak. He created a formula using chiropteran
DNA to help the hearing-impaired. He was trying to cure deafness. But someone
stole it and is using it to create chaos and destruction. If unchecked it will
spread beyond Gotham and be unstoppable. Batman is already on the case and has
managed to get a blood sample from one of the victims to analyze it to create an
antidote. He also is able to isolate the location of the initial contagion and
an old foe that has been transformed. Meanwhile Kirk and Francine are heading
into the 900 with a plan of their own. Batman's plan is good but will take too
long to synthesize. Langstrom however knows what must be done and will make the
sacrifice to set things right, but at a cost. This is a good story that carries
forward elements of the "Death of the Family" arc with other members of the
Batman family so it could have been the only story in a regular sized issue. It
also reveals in the end who was the planner behind this attack and how it was
carried out. The plot will continue in the next issue. If indeed this is the
first appearance of Man-Bat in the New 52, and I don't keep up with all the
Batman titles, it is an appropriate way to introduce the character. Jason Fabok
is a fabulous artist and the finishes do it justice.
But wait; there's more! Backing it up to celebrate the anniversary are four more
stories.
Man-Bat in "Birth of a family" by John Layman, Andy Clarke, Blond and Dave
Sharpe takes Langstrom's story forward from here as well as going back to give
us the background. So we see how he met his future wife and learn more about
his research into a cure for deafness. The story title has a double meaning that
you will learn when you read this story. The ending was not what I was
expecting.
Bane in "War Council" by James Tynion IV, Mikel Janin, Dave McCaig, Brad
Anderson & Sal Cipriano takes place in Santa Prisca as Bane is preparing for his
next move. His scientist is testing variations of the venom serum to build an
army of warriors to go back to Gotham. As they discuss the plan Bane reveals his
initial target is not the Batman but others in Gotham. He learned shortly after
his latest defeat about another force that is thwarting his efforts to control
the city. The person who informed him is only seen in shadows but the new enemy
is made very clear. Bane's story will continue in TALON #7.
Mr. Combustible in "Birdwatching" by John Layman, Henrik Jonsson, Sandu Florea,
Juancho and Taylor Esposito takes a look at what is happening in Gotham while
Batman and Gotham PD is busy with the problem at the 900. Mr. Combustible and
others spread out to conduct a series of robberies while the law is diverted
elsewhere. It is all part of a master plan that netted millions of dollars. But
Mr. Combustible is faithful to the Penguin, currently in Blackgate Prison By the
end of the story Penguin will set in motion his own plan of attack. This is a
good tease of what is to come and will continue later.
Gotham's Finest in "Through a Blue Lens" by John Layman, Jason Masters, Brett
Smith & Carlos Mangual is the final entry in this volume. In this case a group
of police officers are visiting one of their comrades in the hospital. He was
infected at the 900 but has since recovered from the virus. He was wounded by
Batman while he was a Man-Bat. The story title refers to the point of view these
officers have about Batman and his brand of justice. Most are not fans and are
pretty vocal about it. One who hesitates to condemn the vigilante risks becoming
an outcast amongst her fellow officers. It is brief but gives the opposing
arguments on this topic well.
Title: MINIATURE JESUS
Issue Number: 1
Publisher: Image
Creator: Ted McKeever
Cover Artists: Ted McKeever with Dana Moreshead
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Theatre of the bizarre(?)
Black & White
Mature - Comics on the Edge
This one is tough to place in a category. There are elements that would place it
in the supernatural realm but others that are not clear as to whether we are
seeing reality or hallucinations. There are two sub plots. The first is about a
recovering alcoholic named Chomsky. He has been holed up in cheap motel for
about a month though it is not clear if that is his period of sobriety. What
makes us wonder even more is that he begins having a conversation with a dead
cat on the floor. The cat is talking back and even transforming into other
appearances so we wonder if this is some supernatural phenomenon or just Chomsky
imagining things. After an encounter in a small general store he has another
vision of a floating demon, tempting him with liquor. Again is it imagination or
is he literally fighting his demons? The second plot involves a pastor in a
small church talking to the Lord while a young boy watches from the front pew.
They both are rattled when the Jesus on the crucifix on the wall starts to move
and come down from the cross. He is apparently the title character. The pastor's
immediate reaction may not be what you would expect. Chomsky's story is most
interesting and makes you think. The other plot is just a shock and makes you
wonder what will happen next. McKeever's art is wonderful to absorb. In another
form it would not have the same effect. It is an interesting comic that bears
further study as it progresses.
Title: JIRNI
Issue Number: 1
Publisher: Aspen
Creator: J.T. Krul
Writer: J.T. Krul
Artist: Paolo Pantalena
Colors: Brett Smith
Letters: John Reed
Price (USD): $1
Release Date: NOW ON SALE
Genre: Fantasy
The title of this comic is a play on the word journey and it truly is about the
journey the main character is making. The story is a fantasy with elements of
Arabian myth, in particular the genie in the lamp. The main character is Ara, a
princess of the kingdom of Janna. As a young girl she led a life sheltered from
the bad things in the world. At some point that was all shattered when the
sorcerer Torinthal attacked the kingdom and kidnapped her mother. As we start on
the story Ara is a grown woman and is already on her quest to find her mother.
She happens upon some foul creatures who have attacked a tribe of Ontinae, a
feline race, and are in the process of skinning the leader alive while his
daughter watches helplessly. It is this scene that shows us that Ara is more
than just a pretty princess but can transform into a mighty warrior. Even Ara
does not know what she is and how she does this. It is something else she hopes
to find the answer to on her journey. Only the girl, Nylese survives the battle
and Ara invites her to travel with her. Nylese is also seeking the land of her
people, far to the east. Finally we get to look in on Torinthal as he and his
captive travel on great pachyderm of some sort. They are attacked by a band of
Zankaz robbers and this scene serves to show us the wizard's power - the genie
of his lamp. Ara's mother is resigned to her position as captive but her spirit
is not broken. This introductory chapter is properly priced at only one dollar
as part of Aspen's 10 for 10 promotion. The art is very appealing with vibrant
coloring showing it off well. There is not too much to absorb, a major problem
with many first issues. The plots are basic and there are unresolved questions
setting up the things to come. For the price it is well worth your time.
Title: DANGER GIRL: TRINITY
Issue Number: 1
Publisher: IDW
Creators: J. Scott Campbell & Andy Hartnell
Writer: Andy Hartnell
Artists: John Royle, Harvey Tolibao & Stephen Molnar
Inks: Phillip Moy
Colors: Romula Fajardo
Letters: Neil Uyetake
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Adventure
This latest mini-series of the franchise has elements similar to most of the
past ones. Danger Girl is not a person but an organization of adventurers with
three females as lead characters. In this first issue we look in on each one
separately as the plot begins to unfold. Abby Chase is the blond we first see on
a pirated freighter loaded in the Gulf of Aden with priceless antiques. She
apparently stowed away to locate one particular trinket. She has been discovered
and only the rising storm changes her fate allowing her to try a desperate ploy
to escape - but where to? For some reason there is a monkey with an eye patch
along for the ride that may or may not play into the plot. Back in London the
brunette Sydney is called to action as she is in bed with her date. She has kept
her occupation secret from Bryan and he is beginning to suspect she is married.
The phone call was an alert that Abby is missing but as she prepares to answer
the call to arms she finds herself defending herself and Bryan from an intruder
bent on assassination. Meanwhile her sister Soyna is in the Congo having just
tracked down and captured a thief. She too finds herself and her charge in
danger from a band of mercenaries who want her dead. Is this all a plot against
the three? Is the antique necklace Abby was after the key to the attacks? Who
is behind it all? Those questions are unanswered for the moment. The fun of this
comic is mostly visual. The plot is not bad but the art carries the day keeping
the action moving. It does not hurt that the main characters are good looking,
very fit females. The dialogue is natural and offered with a sense of wit that
does not try too hard. It is a good mix for what it is. This is a pleasant
diversion from heavier plots and the normal super hero fare.
Title: IDOLIZED
Issue Number: 5
Title Story: Smells Like Team Spirit
Publisher: Aspen
Creator: David Schwartz
Writer: David Schwartz
Artist: Pasquale Qualano
Colors: David Curiel
Letters: Josh Reed
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
This is one of the better comics using a super hero reality TV show competition
as its premise. In past issues we focused on Joule who has power over
electromagnetic powers and entered the Superhero Idol competition as means to an
end. She seeks revenge on super villain Stasis who killed her parents as she
watched as a young girl. All her life she developed and honed her skills and
the opportunity to gain a position with the Powered Protectors superhero team
meant she could possibly attain her goal. As we open on this last issue of the
arc Joule has indeed won the competition but her outing with the group has gone
horribly wrong. The entire Powered Protectors team may have been killed and
Stasis is about to launch his final attack to destroy society and topple the
world's governments. At this point her guilt is so overwhelming that she just
wants to disappear in the crowds as a normal human and wait the inevitable
destruction. This is the turning point of the story. Imagine her surprise when
at a random point on the street the former contestants she defeated confront her
about her decision. It is a super hero intervention. They all have reason to
dislike even hate her but they also know that she is the only one among them
that can formulate a plan and lead them. With the Protectors gone someone has to
stop Stasis. A good portion of the story is the back and forth, the pro and con
about trying to do this. But it wouldn't be much of an ending to the arc if they
didn't try. So the rest is the plan and execution. It hits on themes of
sacrifice, redemption and the fallacy of revenge. At this point in the story it
is not hard to believe that former competitors would bond for the common good -
for something that matters more that their individual motives for joining the
earlier competition. This is the only comic from Aspen I read on a regular basis
because I like the characters, the plot and the art. It is a well-done package
and the ending of this story is satisfying. It is left for a possible sequel and
I for one would like to see that happen.
Title: DANGER CLUB
Issue Number: 5
Publisher: Image
Writer: Landry Q. Walker
Artist: Eric Jones
Colors: Michael Drake with Garry Black
Letters: Richard Starkings and Jimmy Betancourt
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
This series began with the world's heroes heading off into space to prevent the
destruction of everything - you know the usual stuff. This left only the teenage
sidekicks to keep the peace, and some of them had plans of their own that were
not altruistic. In this world the president is the former super hero who as a
young man fought the Nazis as the super soldier American Spirit. He is secretly
behind a lot of bad things and has turned the country against the good guy
teens, even executing one of them on live TV. He has Jacky Fearless in cuffs in
his office and will force him to watch as he executes two others in another
sealed room. Meanwhile Jacky's comrades still at large are in the middle of
their own plan to thwart the Spirit's plans but time is running out. Jacky will
make a last stand he may not survive while the others need split second timing
to make their play work. As the action increases we are jumping from scene to
scene almost panel by panel but we may not get the satisfaction of the bad guy
getting his due as his final ploy is a doozy. As an alternate super hero comic
this one is pretty good. It is a bit grittier than the mainstream titles, though
not quite as edgy as the BRAT PACK. Still it has some decent plot elements and
lots of twists along the way. The art is spectacular right down to the final
panels that indicate thinks could change drastically next time. I for one want
to see what happens next.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
In CRISIS ON INFINITE EARTHS who killed these heroes?
SUPERGIRL
DOVE
AQUAGIRL
The answers are:
SUPERGIRL - The Anti-Monitor
DOVE - One of the Shadow Demons/Living Shadows
AQUAGIRL - Chemo
The winner by the dice is Erin O'Connor.
Here was your no prize question:
Where was the first US Open in golf held?
The first US Open was held at the Newport Golf and Country Club in Newport, RI.
The thirtieth US Open was held at the Worcester Country Club!
THIS WEEK'S TRIVIA QUESTION:
On the death theme: Which god from New Genesis was the first to die on Earth in
the war with Darkseid's minions?
Here is your no prize question:
What is the highest elevation on the Massachusetts Turnpike?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
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Friday, April 26, 2013
Friday, April 19, 2013
Comic Reviews 4/20/13
REVIEWS
The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: THE COLONIZED
Issue Number: 1
Title Story: A Tale of Zombies vs. Aliens
Publisher: IDW
Writer: Chris Ryall
Artist: Drew Moss
Colors: Jay Photos
Letters: Tom B. Long
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Science Fiction/Horror
All you really need to know about this comic is the story title. It really is
about aliens and zombies. It begins in Montana with an alien ship on a mission
to pick up terran life forms. They happen over a cemetery and while they pick up
movement there is no heat signature. They engage the tractor beam anyway and,
you guessed it, they beam up a zombie. This is the little town of Carbon Falls,
the kind of place people live in to escape the hassles of urban problems. But
people are people and anywhere they come together they have problems. The death
of the town leader is fomenting a power struggle between his son Huxley and some
of the elders who have a different vision for the town's future. Huxley has been
pushing to make the town a truly green community - no carbon footprint. There is
a group of homegrown militia that would wrest control of the town and take it in
another direction. But local politics will have to take a back burner when the
alien ship crashes and everyone rushes to find out what that crash is all about.
Once they see the ship they expect some secret military unit to come out.
Instead the little green men in space suits come running out to escape the
zombie they beamed aboard and things just get crazy after that. The hook of the
story is both the humans and the aliens facing the zombie threat. Once the
conflict begins it makes all the pages taken up with the town politics seem
superfluous. Maybe that will come back into play later. In fact it seems the
militia types would rather kill 'em all - zombies and aliens - and let God sort
it out. It is a somewhat comical premise, or it could be, if it didn't try to
take itself too seriously. So in my opinion it is not as good as it could be.
The art is good enough but I just couldn't get into the story that should carry
the book when people are not fighting off the zombies. You might have a
different opinion.
Title: SEX
Issue Number: 1
Title Story: The Summer of Hard
Publisher: Image
Writer: Joe Casey
Artist: Piotr Kowalski
Colors: Brad Simpson
Letters: Rus Wooton
Price (USD): $2.99
Release Date: NOON SALE
Genre: Super Hero Drama
Mature - Adult situations and nudity
I noticed some coverage of this title on the Internet on the comic news sites
but did not bother to read any of it. So I approached this comic knowing little
more than its title. I was not surprised to see it pre-bagged on the racks at
That's Entertainment given its mature theme. What I found inside was no so much
sex this time around and a surprising backdrop to the story. This is about Simon
Cooke the very rich head of the Cooke Company in Saturn City. What I did not
know going in was that he was also a crime fighter known as the Armored Saint.
However there are no scenes of him in action even in flashback. The introduction
has Simon returning to his city having been away for some seven months. At some
point in the past he gave up his secret life and also suffered a personal loss
in his life. Some flashbacks reveal who it is and heavily suggest the promise he
made at the deathbed is why he gave up the secret life he was leading. We also
get introduced to some underground figures, notably a very old king pin called
the Old Man for good reason, who are pondering what life will be like for them
without the Guardian around. The gambling and sex dens are once again thriving
with a lot of illegal activity. As we eventually get around to the sex part of
the story Simon visits a high-end peep show palace. In a private room he watches
as two females get it on with each other. It is these pages filled with various
lesbian sex scenes that are not for younger eyes. The line work on this book is
pretty good but I found the coloring to be less appealing as it often is just a
shade washing an entire panel for effect though in normal settings it is more
traditional. So we are left with wondering why Simon is so adamant about his new
direction in life. We also wonder why he has a small ball of some sort that he
takes out every now and then. And of course is the voyeurism something new and
if not what is the purpose as he seems to be detached and almost uninterested
during the session. The final page has him meeting the female patron of the
place, someone he already knows so what is their connection? There is not much
here to sink your teeth into yet. You get the feeling he may be forced back into
his costume at some point but even that is not a definite. I would reserve
judgment on the direction of the plot for now but I think the pace needs to be
picked up notch. If the title is meant to be provocative then why are the
actual "adult" scenes almost superfluous? So if you are not off put by the
mature content you might want to check it out but I think a few more issues are
needed to but a stamp on the real nature of this comic.
Title: ULTRON
Issue Number: 1AU - ONE SHOT
Publisher: Marvel
Writer: Kathryn Immonen
Artist: Amilcar Pinna
Letters: Joe Caramagna
Cover Artist: Kalman Andrasofszky
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
I have been enjoying the AGE OF ULTRON series very much. I normally will not get
tie-in comics to these events but I felt it was worthwhile to check out this
one-shot, as I was a fan of the RUNAWAYS series. The lead character in this
story is Victor Mancha who was a member of that group. During the course of that
series Victor found out he was a cyborg created by Ultron himself. He also was
told that at some point he was going to be responsible for the murder of every
hero on the planet. Imagine his frame of mind now that just such a future is
beginning to unfold. It is important when reading these stories to realize that
everything is taking place right now. Ultron's robots overrun the world with all
the major cities in rubble and the world's heroes targeted for extinction. This
seemingly does not fit in with normal continuity on all the other Marvel regular
titles which indicates to me by the end of it all things will be back to
"normal" and the main book has the surviving heroes working toward that goal.
But this is about one teenager just trying to survive while helping others to do
the same. He has a slight advantage against the Ultron henchbots because he does
not register as human or meta-powered to their sensors. In some cases they will
just exterminate individual humans they come across and this story starts with
Victor rescuing one young boy on his own in Los Angeles. Once they elude the
robots he takes Jaime to Bronson Canyon where the Leapfrog ship hides the
entrance to the hideaway he is sharing with three others he brought here. The
others do not know his secret but when he is caught viewing and talking to
projections of his former teammates his secret is lost. So this is more a look
into Victor's thoughts about his past and
always feared what he might become it is clear he is in total control of himself
and is doing the right thing. The others may not have a chance to decide one way
or the other though but we are left with a strong impression that Victor will
fight to the finish. While this story is not really integral to the rest of the
event in the main book you never know if Victor himself will play a part in the
final resolution. I found the story interesting for what it is and the art team
does a great job. I was not disappointed.
Title: BATMAN AND RED ROBIN (BATMAN & ROBIN)
Issue Number: 19
Title Story: Denial
Publisher: DC
Writer: Peter J. Tomasi
Artist: Patrick Gleason
Inker: Mick Gray
Colors: John Kalisz
Letters: Carlos M. Mangual
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
When I heard about the appearance of a certain character in this issue I decided
to check it out. If you haven't heard about it or opened the fold out cover you
may be surprised the guest star is someone from the future - sort of. I am of
course talking about the Robin from THE DARK KNIGHT RETURNS, Carrie Kelley. But
this is the New 52 so this girl with the same name is a student at Gotham
Community College. In one of the two major plots of this issue we learn that she
had been giving Damian lessons, theatrical arts is implied, but she does not
know he is dead when she drops off the bill at Wayne Manor. In a similar manner
Bruce was not aware this was going on and is curious what kind of girl Carrie
is. But the scene when they meet is more revealing about Bruce. This story is
showing the effect of Damian's death on Bruce both consciously and
subconsciously. The main plot has Batman going off to kidnap Frankenstein Agent
of S.H.A.D.E. and bring him to Frankenstein's lab. His plan is to isolate the
life force that animates the monster and reverse engineer it to come up with a
way to resurrect Damian. If you haven't read any of the stories featuring
Frankenstein he is not a barely literal monster as portrayed in the movies. So
there is a major discourse between the two about this plan. Naturally Batman has
the upper hand in keeping things under his control, because he's Batman. But on
the other hand he is really not seeing the logic that this is a really bad idea.
Thankfully Alfred is one step ahead and calls in Red Robin to find out what
Bruce is up to far north in the Arctic. I was really turned off by this story. I
get the story is called "Denial" but Bruce is portrayed as just off the deep end
believing he can somehow bring the dead back to life and that would be a good
idea. Then we have the whole Frankenstein deal as a secret agent, which I find
comical in itself. I don't know if Bruce is being portrayed this way in the
other Batman titles. Maybe it is part of the bigger picture planned for what
comes next but I didn't care for it. The saving grace of this issue is Carrie
Kelley in the opening and closing scenes. They have introduced a pretty decent
character that has personality and drive. Whether or not she eventually becomes
Robin does not take away from this first appearance. I'd like to see more of her
either way. Frankenstein needs to keep to his own book and Bruce needs to snap
out of it.
Title: SUPERBOY
Issue Number: 19
Title Story: Gone But Not Begotten
Publisher: DC
Writer: Scott Lobdell
Artists: Diogenes Neves & R.B. Silva
Inkers: Vicente Cifuentes & Rob Lean
Colors: Richard & Tanya Horie
Letters: Travis Lanham
Cover Artists: Ardian Syrf and Jaime Mendoza with Blond
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
I am a sucker for secret origin stories. So despite not really feeling great
about the last issue I decided to give SUPERBOY a second try. Warning this will
reveal major elements of Superboy's origin. Once you open the WTF fold out cover
the tease is that he is the son of Superman and Lois Lane. Now this is the New
52 so forget about prior versions of Superboy going back to The Reign of
Supermen version. This version was created by Harvest who is a major bad guy in
the titles involving this Superboy. Superboy's story begins with Harvest before
he became what he is. He was from the thirtieth century, a hundred years before
the Legion of Super Heroes emerged. In his century the super powered metas had
somehow gone the route of wanting to rule mankind rather than serve them. Those
who would not accept their position under Meta rule became their enemies and
Haven was a part of the human resistance. When his only son became a casualty of
that war he vowed to kill al metas. His plan involved using the newly emerging,
not yet perfected time travel technology. He would go back to the twentieth
century when the metas first started to appear and kill them before they became
too numerous and strong. This world he came back to was not the present DC
Universe, as we know it. In their twentieth century Superman and Lois were
married and had a son, Jon. But that was not a happy story as Jon fell ill and
apparently died just shy of four years in age. Lois and Superman removed
themselves from public and somehow Harvest knew the boy was only dormant and so
took him to the future. There he revived and became the son Harvest lost. And as
such he came of age and took up his father's cause - controlling the metas as
the most powerful among them. But when his body betrayed him again Harvest knew
he had to go back with Jon to the twentieth century for some of the original DNA
from his parents as part of the cure. This time when they came back it was
Harvest's last trip through time due to the effects time travel had on his body.
But this time they are in the New 52 universe and Harvest still has a plan to
kill the metas to prevent the future he has now left behind and exact his
revenge. The story is actually more convoluted than this and there is a lot of
narrative about a lot of things that have gone on in the RAVAGERS, TEEN TITANS
and SUPERBOY issues. So while Superboy really is the son of Lois and Clark, it
is another Lois and Clark from an alternate timeline. On the plus side this
issue is mostly self-contained and can be followed easily enough. With Harvest
narrating the story we see a whole new perspective on Superboy, even if it takes
a long roundabout route to get there. On the minus side, I don't really care
where the future of this comic is going. I guess it boils down to Lobdell's
writing style. The art is good on the details but the layouts are often
scattered as if just to break things up and the transition to the next panel are
not always clear. So now I know how this Superboy came to be, but I doubt I will
be reading many future issues.
Title: BATMAN: LI'L GOTHAM
Issue Number: 1
Originally published online 2012-2013 as Chapters 1 & 2
Publisher: DC
Writers: Dustin Nguyen & Derek Fridolfs
Artist: Dustin Nguyen
Letters: Saida Temofonte
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero/Humor
All AGES
This is one of those comics that first appeared online as a web comic and has
been compiled into a printed comic for a new audience. As you might guess from
the title the major characters are portrayed as child-like people, except for
Batman who has a more domineering appearance. The art itself is fully painted
which is a good style for this type of characterization. It is not cartoonish
but still evokes a humorous rendering. There are two stories on holiday themes.
The first is about Halloween and most of it involves Batman educating Robin
(Damian) what the holiday is all about. That in itself is rather silly as if
anyone his age would not know anything about Halloween. Anyway, Damian is ready
to capture kids dressed up as major villains until Batman explains the whole
masquerade aspect of the night. It is funnier when he tells him about the trick
or treat aspect, which Damian gets all wrong as well. Toward the end they do
encounter a group of actual villains and the resolution of the situation is not
what you would expect. The second story is about Thanksgiving and it begins
with Oswald Cobblepot, the Penguin, vowing to a group of actual penguins that
Gotham will pay for celebrating the murder and consumption of their brethren
birds. Back at stately Wayne Manor Bruce, Damian and Alfred are enjoying their
holiday feast and watching the Gotham parade on TV when Penguin enters the scene
with an army of turkeys to exact revenge. The balance of the story has the
dynamic duo rushing to the scene with expected results. There is even an epilog
with Penguin in the pen receiving his just desserts. The rest of the issue is
what amounts to a four-page ad for DC Nation cartoons on Cartoon Network. I like
this comic because there is a good focus on entertaining a wide audience. The
stories are intended for all ages but are not dumbed down for the youngest
readers. There is good humor and the art is strong. It is a good comic to share
with everyone.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
Famous LAST words of which character?
"I love you so much for what you are. For how . . .good you are..."
These famous dying words were from Supergirl (Kara) in CRISIS ON INFINITE EARTHS
#7. The winner this week is Gary Katzoff.
Here is your no prize question:
Rhode Island's oldest Catholic Church, St. Mary's in Newport, was the scene of
what famous event?
The wedding of John F. Kennedy and Jacqueline Bouvier was held at St. Mary's.
THIS WEEK'S TRIVIA QUESTION:
I have a multi-part question - all from CRISIS ON INFINITE EARTHS. Get them all
to win the prize.
In CRISIS ON INFINITE EARTHS who killed these heroes?
SUPERGIRL
DOVE
AQUAGIRL
Here is your no prize question:
Where was the first US Open in golf held?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
his possible future. While he has
The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: THE COLONIZED
Issue Number: 1
Title Story: A Tale of Zombies vs. Aliens
Publisher: IDW
Writer: Chris Ryall
Artist: Drew Moss
Colors: Jay Photos
Letters: Tom B. Long
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Science Fiction/Horror
All you really need to know about this comic is the story title. It really is
about aliens and zombies. It begins in Montana with an alien ship on a mission
to pick up terran life forms. They happen over a cemetery and while they pick up
movement there is no heat signature. They engage the tractor beam anyway and,
you guessed it, they beam up a zombie. This is the little town of Carbon Falls,
the kind of place people live in to escape the hassles of urban problems. But
people are people and anywhere they come together they have problems. The death
of the town leader is fomenting a power struggle between his son Huxley and some
of the elders who have a different vision for the town's future. Huxley has been
pushing to make the town a truly green community - no carbon footprint. There is
a group of homegrown militia that would wrest control of the town and take it in
another direction. But local politics will have to take a back burner when the
alien ship crashes and everyone rushes to find out what that crash is all about.
Once they see the ship they expect some secret military unit to come out.
Instead the little green men in space suits come running out to escape the
zombie they beamed aboard and things just get crazy after that. The hook of the
story is both the humans and the aliens facing the zombie threat. Once the
conflict begins it makes all the pages taken up with the town politics seem
superfluous. Maybe that will come back into play later. In fact it seems the
militia types would rather kill 'em all - zombies and aliens - and let God sort
it out. It is a somewhat comical premise, or it could be, if it didn't try to
take itself too seriously. So in my opinion it is not as good as it could be.
The art is good enough but I just couldn't get into the story that should carry
the book when people are not fighting off the zombies. You might have a
different opinion.
Title: SEX
Issue Number: 1
Title Story: The Summer of Hard
Publisher: Image
Writer: Joe Casey
Artist: Piotr Kowalski
Colors: Brad Simpson
Letters: Rus Wooton
Price (USD): $2.99
Release Date: NOON SALE
Genre: Super Hero Drama
Mature - Adult situations and nudity
I noticed some coverage of this title on the Internet on the comic news sites
but did not bother to read any of it. So I approached this comic knowing little
more than its title. I was not surprised to see it pre-bagged on the racks at
That's Entertainment given its mature theme. What I found inside was no so much
sex this time around and a surprising backdrop to the story. This is about Simon
Cooke the very rich head of the Cooke Company in Saturn City. What I did not
know going in was that he was also a crime fighter known as the Armored Saint.
However there are no scenes of him in action even in flashback. The introduction
has Simon returning to his city having been away for some seven months. At some
point in the past he gave up his secret life and also suffered a personal loss
in his life. Some flashbacks reveal who it is and heavily suggest the promise he
made at the deathbed is why he gave up the secret life he was leading. We also
get introduced to some underground figures, notably a very old king pin called
the Old Man for good reason, who are pondering what life will be like for them
without the Guardian around. The gambling and sex dens are once again thriving
with a lot of illegal activity. As we eventually get around to the sex part of
the story Simon visits a high-end peep show palace. In a private room he watches
as two females get it on with each other. It is these pages filled with various
lesbian sex scenes that are not for younger eyes. The line work on this book is
pretty good but I found the coloring to be less appealing as it often is just a
shade washing an entire panel for effect though in normal settings it is more
traditional. So we are left with wondering why Simon is so adamant about his new
direction in life. We also wonder why he has a small ball of some sort that he
takes out every now and then. And of course is the voyeurism something new and
if not what is the purpose as he seems to be detached and almost uninterested
during the session. The final page has him meeting the female patron of the
place, someone he already knows so what is their connection? There is not much
here to sink your teeth into yet. You get the feeling he may be forced back into
his costume at some point but even that is not a definite. I would reserve
judgment on the direction of the plot for now but I think the pace needs to be
picked up notch. If the title is meant to be provocative then why are the
actual "adult" scenes almost superfluous? So if you are not off put by the
mature content you might want to check it out but I think a few more issues are
needed to but a stamp on the real nature of this comic.
Title: ULTRON
Issue Number: 1AU - ONE SHOT
Publisher: Marvel
Writer: Kathryn Immonen
Artist: Amilcar Pinna
Letters: Joe Caramagna
Cover Artist: Kalman Andrasofszky
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
I have been enjoying the AGE OF ULTRON series very much. I normally will not get
tie-in comics to these events but I felt it was worthwhile to check out this
one-shot, as I was a fan of the RUNAWAYS series. The lead character in this
story is Victor Mancha who was a member of that group. During the course of that
series Victor found out he was a cyborg created by Ultron himself. He also was
told that at some point he was going to be responsible for the murder of every
hero on the planet. Imagine his frame of mind now that just such a future is
beginning to unfold. It is important when reading these stories to realize that
everything is taking place right now. Ultron's robots overrun the world with all
the major cities in rubble and the world's heroes targeted for extinction. This
seemingly does not fit in with normal continuity on all the other Marvel regular
titles which indicates to me by the end of it all things will be back to
"normal" and the main book has the surviving heroes working toward that goal.
But this is about one teenager just trying to survive while helping others to do
the same. He has a slight advantage against the Ultron henchbots because he does
not register as human or meta-powered to their sensors. In some cases they will
just exterminate individual humans they come across and this story starts with
Victor rescuing one young boy on his own in Los Angeles. Once they elude the
robots he takes Jaime to Bronson Canyon where the Leapfrog ship hides the
entrance to the hideaway he is sharing with three others he brought here. The
others do not know his secret but when he is caught viewing and talking to
projections of his former teammates his secret is lost. So this is more a look
into Victor's thoughts about his past and
always feared what he might become it is clear he is in total control of himself
and is doing the right thing. The others may not have a chance to decide one way
or the other though but we are left with a strong impression that Victor will
fight to the finish. While this story is not really integral to the rest of the
event in the main book you never know if Victor himself will play a part in the
final resolution. I found the story interesting for what it is and the art team
does a great job. I was not disappointed.
Title: BATMAN AND RED ROBIN (BATMAN & ROBIN)
Issue Number: 19
Title Story: Denial
Publisher: DC
Writer: Peter J. Tomasi
Artist: Patrick Gleason
Inker: Mick Gray
Colors: John Kalisz
Letters: Carlos M. Mangual
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
When I heard about the appearance of a certain character in this issue I decided
to check it out. If you haven't heard about it or opened the fold out cover you
may be surprised the guest star is someone from the future - sort of. I am of
course talking about the Robin from THE DARK KNIGHT RETURNS, Carrie Kelley. But
this is the New 52 so this girl with the same name is a student at Gotham
Community College. In one of the two major plots of this issue we learn that she
had been giving Damian lessons, theatrical arts is implied, but she does not
know he is dead when she drops off the bill at Wayne Manor. In a similar manner
Bruce was not aware this was going on and is curious what kind of girl Carrie
is. But the scene when they meet is more revealing about Bruce. This story is
showing the effect of Damian's death on Bruce both consciously and
subconsciously. The main plot has Batman going off to kidnap Frankenstein Agent
of S.H.A.D.E. and bring him to Frankenstein's lab. His plan is to isolate the
life force that animates the monster and reverse engineer it to come up with a
way to resurrect Damian. If you haven't read any of the stories featuring
Frankenstein he is not a barely literal monster as portrayed in the movies. So
there is a major discourse between the two about this plan. Naturally Batman has
the upper hand in keeping things under his control, because he's Batman. But on
the other hand he is really not seeing the logic that this is a really bad idea.
Thankfully Alfred is one step ahead and calls in Red Robin to find out what
Bruce is up to far north in the Arctic. I was really turned off by this story. I
get the story is called "Denial" but Bruce is portrayed as just off the deep end
believing he can somehow bring the dead back to life and that would be a good
idea. Then we have the whole Frankenstein deal as a secret agent, which I find
comical in itself. I don't know if Bruce is being portrayed this way in the
other Batman titles. Maybe it is part of the bigger picture planned for what
comes next but I didn't care for it. The saving grace of this issue is Carrie
Kelley in the opening and closing scenes. They have introduced a pretty decent
character that has personality and drive. Whether or not she eventually becomes
Robin does not take away from this first appearance. I'd like to see more of her
either way. Frankenstein needs to keep to his own book and Bruce needs to snap
out of it.
Title: SUPERBOY
Issue Number: 19
Title Story: Gone But Not Begotten
Publisher: DC
Writer: Scott Lobdell
Artists: Diogenes Neves & R.B. Silva
Inkers: Vicente Cifuentes & Rob Lean
Colors: Richard & Tanya Horie
Letters: Travis Lanham
Cover Artists: Ardian Syrf and Jaime Mendoza with Blond
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
I am a sucker for secret origin stories. So despite not really feeling great
about the last issue I decided to give SUPERBOY a second try. Warning this will
reveal major elements of Superboy's origin. Once you open the WTF fold out cover
the tease is that he is the son of Superman and Lois Lane. Now this is the New
52 so forget about prior versions of Superboy going back to The Reign of
Supermen version. This version was created by Harvest who is a major bad guy in
the titles involving this Superboy. Superboy's story begins with Harvest before
he became what he is. He was from the thirtieth century, a hundred years before
the Legion of Super Heroes emerged. In his century the super powered metas had
somehow gone the route of wanting to rule mankind rather than serve them. Those
who would not accept their position under Meta rule became their enemies and
Haven was a part of the human resistance. When his only son became a casualty of
that war he vowed to kill al metas. His plan involved using the newly emerging,
not yet perfected time travel technology. He would go back to the twentieth
century when the metas first started to appear and kill them before they became
too numerous and strong. This world he came back to was not the present DC
Universe, as we know it. In their twentieth century Superman and Lois were
married and had a son, Jon. But that was not a happy story as Jon fell ill and
apparently died just shy of four years in age. Lois and Superman removed
themselves from public and somehow Harvest knew the boy was only dormant and so
took him to the future. There he revived and became the son Harvest lost. And as
such he came of age and took up his father's cause - controlling the metas as
the most powerful among them. But when his body betrayed him again Harvest knew
he had to go back with Jon to the twentieth century for some of the original DNA
from his parents as part of the cure. This time when they came back it was
Harvest's last trip through time due to the effects time travel had on his body.
But this time they are in the New 52 universe and Harvest still has a plan to
kill the metas to prevent the future he has now left behind and exact his
revenge. The story is actually more convoluted than this and there is a lot of
narrative about a lot of things that have gone on in the RAVAGERS, TEEN TITANS
and SUPERBOY issues. So while Superboy really is the son of Lois and Clark, it
is another Lois and Clark from an alternate timeline. On the plus side this
issue is mostly self-contained and can be followed easily enough. With Harvest
narrating the story we see a whole new perspective on Superboy, even if it takes
a long roundabout route to get there. On the minus side, I don't really care
where the future of this comic is going. I guess it boils down to Lobdell's
writing style. The art is good on the details but the layouts are often
scattered as if just to break things up and the transition to the next panel are
not always clear. So now I know how this Superboy came to be, but I doubt I will
be reading many future issues.
Title: BATMAN: LI'L GOTHAM
Issue Number: 1
Originally published online 2012-2013 as Chapters 1 & 2
Publisher: DC
Writers: Dustin Nguyen & Derek Fridolfs
Artist: Dustin Nguyen
Letters: Saida Temofonte
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero/Humor
All AGES
This is one of those comics that first appeared online as a web comic and has
been compiled into a printed comic for a new audience. As you might guess from
the title the major characters are portrayed as child-like people, except for
Batman who has a more domineering appearance. The art itself is fully painted
which is a good style for this type of characterization. It is not cartoonish
but still evokes a humorous rendering. There are two stories on holiday themes.
The first is about Halloween and most of it involves Batman educating Robin
(Damian) what the holiday is all about. That in itself is rather silly as if
anyone his age would not know anything about Halloween. Anyway, Damian is ready
to capture kids dressed up as major villains until Batman explains the whole
masquerade aspect of the night. It is funnier when he tells him about the trick
or treat aspect, which Damian gets all wrong as well. Toward the end they do
encounter a group of actual villains and the resolution of the situation is not
what you would expect. The second story is about Thanksgiving and it begins
with Oswald Cobblepot, the Penguin, vowing to a group of actual penguins that
Gotham will pay for celebrating the murder and consumption of their brethren
birds. Back at stately Wayne Manor Bruce, Damian and Alfred are enjoying their
holiday feast and watching the Gotham parade on TV when Penguin enters the scene
with an army of turkeys to exact revenge. The balance of the story has the
dynamic duo rushing to the scene with expected results. There is even an epilog
with Penguin in the pen receiving his just desserts. The rest of the issue is
what amounts to a four-page ad for DC Nation cartoons on Cartoon Network. I like
this comic because there is a good focus on entertaining a wide audience. The
stories are intended for all ages but are not dumbed down for the youngest
readers. There is good humor and the art is strong. It is a good comic to share
with everyone.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
Famous LAST words of which character?
"I love you so much for what you are. For how . . .good you are..."
These famous dying words were from Supergirl (Kara) in CRISIS ON INFINITE EARTHS
#7. The winner this week is Gary Katzoff.
Here is your no prize question:
Rhode Island's oldest Catholic Church, St. Mary's in Newport, was the scene of
what famous event?
The wedding of John F. Kennedy and Jacqueline Bouvier was held at St. Mary's.
THIS WEEK'S TRIVIA QUESTION:
I have a multi-part question - all from CRISIS ON INFINITE EARTHS. Get them all
to win the prize.
In CRISIS ON INFINITE EARTHS who killed these heroes?
SUPERGIRL
DOVE
AQUAGIRL
Here is your no prize question:
Where was the first US Open in golf held?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
his possible future. While he has
Friday, April 12, 2013
Comic Reviews 4/13/13
REVIEWS
The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: POLARITY
Issue Number: 1 (of 4)
Publisher: Boom! Studios
Creator/Writer: Max Bemis
Artist: Jorge Coelho
Colors: Felipe Sobreiro
Letters: Steve Wands
Cover Artists: Frazer Irving & W. Scott Forbes
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Slice of Life
Mature - Comics on the Edge
This is the story of an artist with bipolar disorder. The basic description is
that someone so afflicted has a body chemistry that is out of whack. It can be
controlled with certain meds. If you don't take your meds, or do too many drugs
or even lose too much sleep you will become delusional and manic. Tim discovered
he was bipolar when he woke up in the hospital after he had sat down in the
street with just a shirt on, no underwear, and got hit by a car. Two years later
he has recovered from the injuries and is stable with his meds and is the
darling of the hipster crowd at a local art gallery. His best friend Adam is the
angel on his shoulder helping him along. He knows that Tim does not really fit
in with most of the people in the crowd. Even his girlfriend Alexis is not
really emotionally into him but rather is using him as arm candy because he is
popular. Adam can also see that Tim would rather be with Lily, a more down to
Earth person but is too shy to approach her, or cut things off with Alexis. It
seems that his popularity stems from his affliction. Before his hospital stay,
while in the throes of bipolarity, his artistic expressions of his own psyche
became the rage. His former fine art work was getting him nowhere. So Alexis
clamped on to him and his agent promoted his work to both their benefit. But Tim
is at a crossroads and now that he has his illness under control his work has
lost its edge. It all comes to a head when one evening Alexis admits that his
new work kinda sucks. Seeking solace on his own he runs into Lilly who more or
less opens the door for something more if he wants it. When he fails to make a
move and she leaves he realizes he is a fool. He rationalizes that if he went
off his meds he would be more masculine and confident. This is the point of
decision and unfortunately he cannot resist. He begins the downward spiral with
lots of whiskey and in the days that follow he flushes his meds and goes back to
the old patterns that nearly killed him the first time. This is an interesting
look at something very few people have had to cope with in their lives. The
writing style is compelling as we see things mostly from Tim's point of view.
Adam is the grounding force in his life but as with anyone with an addiction Tim
has to come to his own realization about the destructive path he is on. The art
is decent as well. This is a very good comic for those who venture beyond the
normal super hero and adventure type stories. It is worth the price.
Title: HARBINGER WARS
Issue Number: 1 (of 4)
Publisher: Valiant Entertainment
Story: Joshua Dysart & Duane Swierczynski
Writer: Joshua Dysart
Artists: Clayton Henry, Clayton Crain & Mico Suayan
Colors: Brian Reber
Letters: Dave Lanphear
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
If you have not been reading any of the Valiant comics this might be a good
place to start. Both HARBINGER and BLOODSHOT have been going on for about a year
with separate story lines that are about to cross paths. This crossover event is
designed so that you can read just the four issues of the mini-series and get
the full effect. If you also pick up the individual ongoing titles you will get
more about those characters but those titles are not essential to follow the
main event. After reading this first issue I am guessing that you will want to
see the rest of the action as it plays out in HARBINGER and BLOODSHOT. In a
nutshell we have the Project Rising Spirit that has been finding children with
latent potential for powers and taking them to research facilities to activate
their psiot powers and use them as a private army for clandestine operations.
They created Bloodshot who has Nanobots in his blood that will repair any
injuries he incurs. He is a super soldier that is nearly indestructible. He has
been manipulated by PRS into rounding up psiot children believing he is rescuing
them from the bad guys. He has been fed false memories over and over to keep him
in line. He recently freed himself from their control and is now on a mission to
rescue the psiot children from these research facilities. On the other side of
the coin we have Peter Stanchek who possesses immense telepathic and telekinetic
abilities. He at first used these abilities recklessly and often medicated
himself to silence the voices in his head. Toyo Harada, a survivor of the
Hiroshima bombing, has similar abilities and is possibly the most powerful man
on Earth. He recruited Peter with the promise of helping control and focus his
abilities. Harada's Harbinger Foundation is the front for an organization that
is building its own private army of psiots to help shape the world to Harada's
vision. Peter eventually rejected Harbinger and has formed his own team of
renegades that includes the super strong and durable Torque, the pyrotelekinetic
Flamingo, Zephyr who can fly and the normal human Kris Hathaway who is brilliant
and resourceful. Collectively they have decided to keep psiot children out of
Harada's influence. This opening chapter of the event starts with the story of a
group of psiot warriors under the thrall of Project Rising star. They are all
barely teenagers and are forced to go on a mission in China to clean up a mess
PRS created. That flashback gives us the introduction to this group of kids and
the conditions under which they are controlled. As we get to present day we see
that both Peter's Renegades and Bloodshot want to free this group and that
sequence will lead to partial success and logical paths into what happens next
in each of the ongoing titles. I have been reading the entire Valiant offering
from the beginning and this comic highlights how well the Valiant Universe has
been planned out to get to this point. There are interesting characters both new
and old in this story. But the writing is such that you can pick up this issue
and follow along easily. The art is always pleasing in Valiant comics and this
is no exception. It is worth your time to give Valiant a try by starting here.
As a bonus there is a backup preview of their newest title coming in July -
QUANTUM AND WOODY. They are often referred to as the world's worst superhero
team. The preview is just a taste of what to expect as two normal guys become
empowered by accident, but only if they are in close proximity to each other. It
is one of the fan favorites of the old Valiant comics and I am hoping the new
creative team will do it justice.
Title: THANOS RISING
Issue Number: 1
Publisher: Marvel
Creator: Dedicated to Jim Starlin
Writer: Jason Aaron
Artist: Simone Bianchi
Colors: Simone Peruzzi
Letters: Clayton Cowles
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Villain
Marvel has big plans for Thanos the Destroyer in the near future and this comic
begins by looking at how he became to be what he is. His story begins at birth
on Titan, the largest moon of Saturn. His father is essentially the king of the
planet and Thanos is his son. In fact the story begins at his birth. The Titans
are normal looking humanoids but at birth it is clear that some genetic mutation
has given this baby a much different appearance with purple skin and devilish
eyes. His mother rears in horror at her first glimpse of him and her impulse is
to kill him before he can start to live. Thus Thanos will live a life that is
different from any other. His mother is institutionalized, he is treated with
respect by other kids because of his father's stature and he tries hard to fit
in despite his appearance. The other children are willing to accept him as he is
but one girl knows that he is more than just a mutation with purple skin. She
has plans that begin to play out later on. There is an event that will shape the
future for Thanos. What begins as a field trip to some caves will end in tragedy
but will also become a life-changing event when it is used by that female to set
Thanos on a certain path. It is clear that Jason Aaron is taking his time to
develop the character that will become one of the most feared in the Marvel
Universe. Each phase of his life, the visits to his hospitalized mother, the
uncaring father, and the incident in the caves will all contribute to what he
will become. It is a good start that drags you in so that you want to know what
happens next. Everyone involved puts in a good effort to make this book shine.
For Marvel fans that would like a stand-alone story about a major character this
is the perfect start.
Title: THE LAST OF US
Issue Number: 1 (of 4)
Title Story: American Dreams
Publisher: Dark Horse
Writers: Neil Druckmann & Faith Erin Hicks
Artist: Faith Erin Hicks
Colors: Rachelle Rosenberg
Letters: Clem Robins
Cover Artist: Julian Totino Tedesco
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Survival action thriller/Video Game prequel
Mature - Comics on the Edge
Some time in the near future a parasitic fungal outbreak wiped out the majority
of the Earth's population. This story takes place nineteen years later in Boston
in one of the last remaining quarantine zones. It is the story of Ellie who is
being transferred to the military prep school as is required of all orphaned
thirteen year olds. That is the only information presented about this comic,
other than it is based on the game from Sony and developed by Naughty Dog
Studios that will be in stores June 14. So the story here is another one of
those post-catastrophe tales. As you might expect that kids have to grow up
quick in such a world and even in the confines of a military complex it is a
game of survival of the fittest. Ellie surely has seen horrors in her life and
they continue today. The survivors live in a martial law state where people on
the street are subject to inspection for infection. As Ellie witnesses one such
incident from the bus taking her to her new home there is swift action if indeed
someone is infected. There is also noticeable graffiti around town proclaiming
"The Fireflies Will Save Us". This vigilante group is mentioned elsewhere in the
story but we get the feeling they are hunted by the military. But the first
issue is mostly Ellie's introduction to life at the new school. It is almost
clich‚ that being a smaller person the male bullies start to pick on her looking
to take anything they want from her meager possessions. To her credit she stands
up to the alpha male of the group but is clearly outmatched. It is then that an
older girl, Riley steps in and trounces the bully. In her first day Ellie will
learn a little more about what is expected of her, the horror that occurs when
the military clash with the Fireflies and the necessity to not trust anyone. As
the first issue closes she seizes an opportunity to follow the path she would
rather be on. We get the feeling she will be getting into some deep trouble
before long. This comic is not too bad reading even if it is derivative work.
The art is compelling and after a while you feel compassion for Elle. I found
her a strong lead character that may surprise us later. The other players are
appropriate as well, particularly Riley with whom Ellie forms a bond. This is
the kind of comic that will enhance the experience of the gamers who plan to get
the game as well as provide entertainment for us comic fans who like tales of
this type. Try it and see what you think.
Title: GREEN ARROW
Issue Number: 19
Title Story: Kill Machine (part 3)
Publisher: DC
Writer: Jeff Lemire
Artist: Andrea Sorrentino
Colors: Marcelo Maiolo
Letters: Rob Leigh
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Back to another of the New 52 titles to see how things have progressed. This
month DC is using foldout covers on all the issues that are supposed to give you
a surprise when folded open. That theoretically will compel you to buy that
issue if you normally don't. In this case the fold out promises the shocking
truth about the death of Green Arrow's father. Since this issue is part three of
a larger arc it could be just serendipity that the plot point happens in this
particular month. One thing I noticed after reading this issue is that the first
two pages spoil the aftermath of the end of the issue. Those two pages are in
the present in Arizona. Oliver is following the trail of arrows and calling out
for someone named Magus. So three weeks after the events of the main story he is
alive and able to function at near normal levels. After you read the main story
you will see that the ending is either overly dramatic or like most super heroes
(even non-powered ones) Oliver has incredible healing powers. The main plot has
Green Arrow in a conflict with another Archer named Komodo. Ollie believes
Komodo has killed his two friends Jax and Naomi, though we know Naomi at least
is being held elsewhere by Komodo's daughter. The conflict across the rooftops
has drawn the attention of the police who are following it in helicopters. It is
clear as things progress that Komodo is far more skilled at archery than Oliver.
At one point when he has gotten the better of Oliver we get the revelation
promised on the cover as Oliver learns the truth about how his father died.
Again, we know from the opening sequence that Oliver survives eventually but he
takes a lot of injuries along the way. Meanwhile we are still perplexed about
how the Magnus character, mentioned by Komodo at one point, fits into the big
picture. I really fault DC for how they structure most of their comics. They
are all written in longer arcs (with a few exceptions) with collected trades in
mind. That is not the problem by itself. But if you want to draw in new readers,
especially by using a gimmick on all the books for one month, it would behoove
the editors to provide a brief recap at the beginning. The pace of the story and
the art depicting it are good, I just felt at a loss when done having missed
some crucial bits of information.
Title: MIND THE GAP
Issue Number: 9
Title Story: Speechless
Title Arc: Wish You Were Here
Publisher: Image
Writer: Jim McCann
Artists: Rodin Esquejo and Dan McDaid
Colors: Arif Prianto
Letters: Dave Lanphear
Cover Artist: Rodin Esquejo
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Mystery/Drama/Supernatural
If you write or read enough comic book reviews you will eventually come across a
phrase like "COMICS ARE THE MARRIAGE OF STORY AND ART." Some might misinterpret
that as "dialogue" and art but dialogue, characters speaking, is really not
essential in all cases. The essence of the statement then is the writer tells
the story in text - dialogue, directions for the artist as how to show the
action, colors to use, even specific things to draw in each panel. Some writers
are more detailed than others depending on the artist they are working with. The
flip side is that the artist takes the script and everything outlined in it and
makes the visual representation of the story. Really good artists know enough
not to draw obvious things that are said overtly in the dialogue or explained in
editorial text to be added later. They instead show visuals that complement what
the writer is saying. The end result, hopefully, is a melding of two
interpretations of the same ideas. Getting back to my original thought - the
text on the page is not always essential in telling the story. And so it is the
case with this issue of MIND THE GAP. There is an introductory page that
explains how a man wearing a hoodie attacked Elle Petterssen one day on a subway
platform. She was on the way to work at the Vineyard Theater where she left the
affluent life of her family to be with her best friend Jo and her boyfriend
Dane. Elle is in a coma but her spirit seems to inhabit a limbo like region
where souls go to wait before they have passed on. Unlike the others Elle can
enter the bodies of others near death, a fact that Jo has figured out and is
working with Elle through her communications through third parties to solve the
mystery of her attack. We also are told that the man in the hood is working
behind the scenes for Elle's mother to frame Dane for the crime and has even
recruited Dane's estranged father Lonnie to help him. That is all a recap on
that first page to bring new readers up to speed. After an editorial comment
from the creator on the next page we get into the story - told entirely without
dialogue. The only thing close to it is a close up of some text messages in a
few panels, and a brief recording is played but no one talks and there are no
thought balloons or editorial comments at all. Rodin Esquejo does the framing
pages 1-3 and 24 with color by Arif Prianto. Dan McDaid does the rest in mostly
black and white with a third blue tone. The two styles are a great contrast. The
story being told here is what the hooded man is told to do to Lonnie before he
becomes a problem. Visually we see him enter Lonnie's apartment and contaminate
certain items Lonnie is likely to touch or ingest and his own allergic reaction
will take care of the rest. But we also follow Jo who has decided to look for
something in Lonnie's apartment. She will stay too long and be forced to hide
under the bed when Lonnie gets home. The rest of the issue is really a lesson in
how to properly do sequential art. I won't reveal what happens next but it does
advance the story to the point where Jo has a very important piece of
information now and the promo for the next issue is that the Hoodie's identity
will be revealed. I am presuming revealed only to us readers, or maybe to Elle
who is in a coma anyway so what's the harm? We'll see. This series has been a
good thriller from the start. There have been strong characters developed, a few
surprises and a supernatural twist that often takes a back seat, as in this
issue, to the what is going on in the real world. It is an excellent comic and
this particular issue is a stand out. Check it out and see.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
Another Superman/Batman team-up book is coming out soon. Let's go back to the
original Batman team-up book for this week's question. Who was the first hero to
team up with BATMAN in BRAVE and the BOLD?
It was Green Lantern in B&B #59. The winner this time is Steven Berk.
Here was your no prize question:
What is the only college to host a major sporting event at a national Hall of
Fame location?
Salve Regina College in Newport, RI hosts a tennis tournament at the Tennis Hall
of Fame.
THIS WEEK'S TRIVIA QUESTION:
Famous LAST words of which character?
"I love you so much for what you are. For how . . .good you are..."
Here is your no prize question:
Rhode Island's oldest Catholic Church, St. Mary's in Newport, was the scene of
what famous event?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: POLARITY
Issue Number: 1 (of 4)
Publisher: Boom! Studios
Creator/Writer: Max Bemis
Artist: Jorge Coelho
Colors: Felipe Sobreiro
Letters: Steve Wands
Cover Artists: Frazer Irving & W. Scott Forbes
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Slice of Life
Mature - Comics on the Edge
This is the story of an artist with bipolar disorder. The basic description is
that someone so afflicted has a body chemistry that is out of whack. It can be
controlled with certain meds. If you don't take your meds, or do too many drugs
or even lose too much sleep you will become delusional and manic. Tim discovered
he was bipolar when he woke up in the hospital after he had sat down in the
street with just a shirt on, no underwear, and got hit by a car. Two years later
he has recovered from the injuries and is stable with his meds and is the
darling of the hipster crowd at a local art gallery. His best friend Adam is the
angel on his shoulder helping him along. He knows that Tim does not really fit
in with most of the people in the crowd. Even his girlfriend Alexis is not
really emotionally into him but rather is using him as arm candy because he is
popular. Adam can also see that Tim would rather be with Lily, a more down to
Earth person but is too shy to approach her, or cut things off with Alexis. It
seems that his popularity stems from his affliction. Before his hospital stay,
while in the throes of bipolarity, his artistic expressions of his own psyche
became the rage. His former fine art work was getting him nowhere. So Alexis
clamped on to him and his agent promoted his work to both their benefit. But Tim
is at a crossroads and now that he has his illness under control his work has
lost its edge. It all comes to a head when one evening Alexis admits that his
new work kinda sucks. Seeking solace on his own he runs into Lilly who more or
less opens the door for something more if he wants it. When he fails to make a
move and she leaves he realizes he is a fool. He rationalizes that if he went
off his meds he would be more masculine and confident. This is the point of
decision and unfortunately he cannot resist. He begins the downward spiral with
lots of whiskey and in the days that follow he flushes his meds and goes back to
the old patterns that nearly killed him the first time. This is an interesting
look at something very few people have had to cope with in their lives. The
writing style is compelling as we see things mostly from Tim's point of view.
Adam is the grounding force in his life but as with anyone with an addiction Tim
has to come to his own realization about the destructive path he is on. The art
is decent as well. This is a very good comic for those who venture beyond the
normal super hero and adventure type stories. It is worth the price.
Title: HARBINGER WARS
Issue Number: 1 (of 4)
Publisher: Valiant Entertainment
Story: Joshua Dysart & Duane Swierczynski
Writer: Joshua Dysart
Artists: Clayton Henry, Clayton Crain & Mico Suayan
Colors: Brian Reber
Letters: Dave Lanphear
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
If you have not been reading any of the Valiant comics this might be a good
place to start. Both HARBINGER and BLOODSHOT have been going on for about a year
with separate story lines that are about to cross paths. This crossover event is
designed so that you can read just the four issues of the mini-series and get
the full effect. If you also pick up the individual ongoing titles you will get
more about those characters but those titles are not essential to follow the
main event. After reading this first issue I am guessing that you will want to
see the rest of the action as it plays out in HARBINGER and BLOODSHOT. In a
nutshell we have the Project Rising Spirit that has been finding children with
latent potential for powers and taking them to research facilities to activate
their psiot powers and use them as a private army for clandestine operations.
They created Bloodshot who has Nanobots in his blood that will repair any
injuries he incurs. He is a super soldier that is nearly indestructible. He has
been manipulated by PRS into rounding up psiot children believing he is rescuing
them from the bad guys. He has been fed false memories over and over to keep him
in line. He recently freed himself from their control and is now on a mission to
rescue the psiot children from these research facilities. On the other side of
the coin we have Peter Stanchek who possesses immense telepathic and telekinetic
abilities. He at first used these abilities recklessly and often medicated
himself to silence the voices in his head. Toyo Harada, a survivor of the
Hiroshima bombing, has similar abilities and is possibly the most powerful man
on Earth. He recruited Peter with the promise of helping control and focus his
abilities. Harada's Harbinger Foundation is the front for an organization that
is building its own private army of psiots to help shape the world to Harada's
vision. Peter eventually rejected Harbinger and has formed his own team of
renegades that includes the super strong and durable Torque, the pyrotelekinetic
Flamingo, Zephyr who can fly and the normal human Kris Hathaway who is brilliant
and resourceful. Collectively they have decided to keep psiot children out of
Harada's influence. This opening chapter of the event starts with the story of a
group of psiot warriors under the thrall of Project Rising star. They are all
barely teenagers and are forced to go on a mission in China to clean up a mess
PRS created. That flashback gives us the introduction to this group of kids and
the conditions under which they are controlled. As we get to present day we see
that both Peter's Renegades and Bloodshot want to free this group and that
sequence will lead to partial success and logical paths into what happens next
in each of the ongoing titles. I have been reading the entire Valiant offering
from the beginning and this comic highlights how well the Valiant Universe has
been planned out to get to this point. There are interesting characters both new
and old in this story. But the writing is such that you can pick up this issue
and follow along easily. The art is always pleasing in Valiant comics and this
is no exception. It is worth your time to give Valiant a try by starting here.
As a bonus there is a backup preview of their newest title coming in July -
QUANTUM AND WOODY. They are often referred to as the world's worst superhero
team. The preview is just a taste of what to expect as two normal guys become
empowered by accident, but only if they are in close proximity to each other. It
is one of the fan favorites of the old Valiant comics and I am hoping the new
creative team will do it justice.
Title: THANOS RISING
Issue Number: 1
Publisher: Marvel
Creator: Dedicated to Jim Starlin
Writer: Jason Aaron
Artist: Simone Bianchi
Colors: Simone Peruzzi
Letters: Clayton Cowles
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Villain
Marvel has big plans for Thanos the Destroyer in the near future and this comic
begins by looking at how he became to be what he is. His story begins at birth
on Titan, the largest moon of Saturn. His father is essentially the king of the
planet and Thanos is his son. In fact the story begins at his birth. The Titans
are normal looking humanoids but at birth it is clear that some genetic mutation
has given this baby a much different appearance with purple skin and devilish
eyes. His mother rears in horror at her first glimpse of him and her impulse is
to kill him before he can start to live. Thus Thanos will live a life that is
different from any other. His mother is institutionalized, he is treated with
respect by other kids because of his father's stature and he tries hard to fit
in despite his appearance. The other children are willing to accept him as he is
but one girl knows that he is more than just a mutation with purple skin. She
has plans that begin to play out later on. There is an event that will shape the
future for Thanos. What begins as a field trip to some caves will end in tragedy
but will also become a life-changing event when it is used by that female to set
Thanos on a certain path. It is clear that Jason Aaron is taking his time to
develop the character that will become one of the most feared in the Marvel
Universe. Each phase of his life, the visits to his hospitalized mother, the
uncaring father, and the incident in the caves will all contribute to what he
will become. It is a good start that drags you in so that you want to know what
happens next. Everyone involved puts in a good effort to make this book shine.
For Marvel fans that would like a stand-alone story about a major character this
is the perfect start.
Title: THE LAST OF US
Issue Number: 1 (of 4)
Title Story: American Dreams
Publisher: Dark Horse
Writers: Neil Druckmann & Faith Erin Hicks
Artist: Faith Erin Hicks
Colors: Rachelle Rosenberg
Letters: Clem Robins
Cover Artist: Julian Totino Tedesco
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Survival action thriller/Video Game prequel
Mature - Comics on the Edge
Some time in the near future a parasitic fungal outbreak wiped out the majority
of the Earth's population. This story takes place nineteen years later in Boston
in one of the last remaining quarantine zones. It is the story of Ellie who is
being transferred to the military prep school as is required of all orphaned
thirteen year olds. That is the only information presented about this comic,
other than it is based on the game from Sony and developed by Naughty Dog
Studios that will be in stores June 14. So the story here is another one of
those post-catastrophe tales. As you might expect that kids have to grow up
quick in such a world and even in the confines of a military complex it is a
game of survival of the fittest. Ellie surely has seen horrors in her life and
they continue today. The survivors live in a martial law state where people on
the street are subject to inspection for infection. As Ellie witnesses one such
incident from the bus taking her to her new home there is swift action if indeed
someone is infected. There is also noticeable graffiti around town proclaiming
"The Fireflies Will Save Us". This vigilante group is mentioned elsewhere in the
story but we get the feeling they are hunted by the military. But the first
issue is mostly Ellie's introduction to life at the new school. It is almost
clich‚ that being a smaller person the male bullies start to pick on her looking
to take anything they want from her meager possessions. To her credit she stands
up to the alpha male of the group but is clearly outmatched. It is then that an
older girl, Riley steps in and trounces the bully. In her first day Ellie will
learn a little more about what is expected of her, the horror that occurs when
the military clash with the Fireflies and the necessity to not trust anyone. As
the first issue closes she seizes an opportunity to follow the path she would
rather be on. We get the feeling she will be getting into some deep trouble
before long. This comic is not too bad reading even if it is derivative work.
The art is compelling and after a while you feel compassion for Elle. I found
her a strong lead character that may surprise us later. The other players are
appropriate as well, particularly Riley with whom Ellie forms a bond. This is
the kind of comic that will enhance the experience of the gamers who plan to get
the game as well as provide entertainment for us comic fans who like tales of
this type. Try it and see what you think.
Title: GREEN ARROW
Issue Number: 19
Title Story: Kill Machine (part 3)
Publisher: DC
Writer: Jeff Lemire
Artist: Andrea Sorrentino
Colors: Marcelo Maiolo
Letters: Rob Leigh
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Back to another of the New 52 titles to see how things have progressed. This
month DC is using foldout covers on all the issues that are supposed to give you
a surprise when folded open. That theoretically will compel you to buy that
issue if you normally don't. In this case the fold out promises the shocking
truth about the death of Green Arrow's father. Since this issue is part three of
a larger arc it could be just serendipity that the plot point happens in this
particular month. One thing I noticed after reading this issue is that the first
two pages spoil the aftermath of the end of the issue. Those two pages are in
the present in Arizona. Oliver is following the trail of arrows and calling out
for someone named Magus. So three weeks after the events of the main story he is
alive and able to function at near normal levels. After you read the main story
you will see that the ending is either overly dramatic or like most super heroes
(even non-powered ones) Oliver has incredible healing powers. The main plot has
Green Arrow in a conflict with another Archer named Komodo. Ollie believes
Komodo has killed his two friends Jax and Naomi, though we know Naomi at least
is being held elsewhere by Komodo's daughter. The conflict across the rooftops
has drawn the attention of the police who are following it in helicopters. It is
clear as things progress that Komodo is far more skilled at archery than Oliver.
At one point when he has gotten the better of Oliver we get the revelation
promised on the cover as Oliver learns the truth about how his father died.
Again, we know from the opening sequence that Oliver survives eventually but he
takes a lot of injuries along the way. Meanwhile we are still perplexed about
how the Magnus character, mentioned by Komodo at one point, fits into the big
picture. I really fault DC for how they structure most of their comics. They
are all written in longer arcs (with a few exceptions) with collected trades in
mind. That is not the problem by itself. But if you want to draw in new readers,
especially by using a gimmick on all the books for one month, it would behoove
the editors to provide a brief recap at the beginning. The pace of the story and
the art depicting it are good, I just felt at a loss when done having missed
some crucial bits of information.
Title: MIND THE GAP
Issue Number: 9
Title Story: Speechless
Title Arc: Wish You Were Here
Publisher: Image
Writer: Jim McCann
Artists: Rodin Esquejo and Dan McDaid
Colors: Arif Prianto
Letters: Dave Lanphear
Cover Artist: Rodin Esquejo
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Mystery/Drama/Supernatural
If you write or read enough comic book reviews you will eventually come across a
phrase like "COMICS ARE THE MARRIAGE OF STORY AND ART." Some might misinterpret
that as "dialogue" and art but dialogue, characters speaking, is really not
essential in all cases. The essence of the statement then is the writer tells
the story in text - dialogue, directions for the artist as how to show the
action, colors to use, even specific things to draw in each panel. Some writers
are more detailed than others depending on the artist they are working with. The
flip side is that the artist takes the script and everything outlined in it and
makes the visual representation of the story. Really good artists know enough
not to draw obvious things that are said overtly in the dialogue or explained in
editorial text to be added later. They instead show visuals that complement what
the writer is saying. The end result, hopefully, is a melding of two
interpretations of the same ideas. Getting back to my original thought - the
text on the page is not always essential in telling the story. And so it is the
case with this issue of MIND THE GAP. There is an introductory page that
explains how a man wearing a hoodie attacked Elle Petterssen one day on a subway
platform. She was on the way to work at the Vineyard Theater where she left the
affluent life of her family to be with her best friend Jo and her boyfriend
Dane. Elle is in a coma but her spirit seems to inhabit a limbo like region
where souls go to wait before they have passed on. Unlike the others Elle can
enter the bodies of others near death, a fact that Jo has figured out and is
working with Elle through her communications through third parties to solve the
mystery of her attack. We also are told that the man in the hood is working
behind the scenes for Elle's mother to frame Dane for the crime and has even
recruited Dane's estranged father Lonnie to help him. That is all a recap on
that first page to bring new readers up to speed. After an editorial comment
from the creator on the next page we get into the story - told entirely without
dialogue. The only thing close to it is a close up of some text messages in a
few panels, and a brief recording is played but no one talks and there are no
thought balloons or editorial comments at all. Rodin Esquejo does the framing
pages 1-3 and 24 with color by Arif Prianto. Dan McDaid does the rest in mostly
black and white with a third blue tone. The two styles are a great contrast. The
story being told here is what the hooded man is told to do to Lonnie before he
becomes a problem. Visually we see him enter Lonnie's apartment and contaminate
certain items Lonnie is likely to touch or ingest and his own allergic reaction
will take care of the rest. But we also follow Jo who has decided to look for
something in Lonnie's apartment. She will stay too long and be forced to hide
under the bed when Lonnie gets home. The rest of the issue is really a lesson in
how to properly do sequential art. I won't reveal what happens next but it does
advance the story to the point where Jo has a very important piece of
information now and the promo for the next issue is that the Hoodie's identity
will be revealed. I am presuming revealed only to us readers, or maybe to Elle
who is in a coma anyway so what's the harm? We'll see. This series has been a
good thriller from the start. There have been strong characters developed, a few
surprises and a supernatural twist that often takes a back seat, as in this
issue, to the what is going on in the real world. It is an excellent comic and
this particular issue is a stand out. Check it out and see.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
Another Superman/Batman team-up book is coming out soon. Let's go back to the
original Batman team-up book for this week's question. Who was the first hero to
team up with BATMAN in BRAVE and the BOLD?
It was Green Lantern in B&B #59. The winner this time is Steven Berk.
Here was your no prize question:
What is the only college to host a major sporting event at a national Hall of
Fame location?
Salve Regina College in Newport, RI hosts a tennis tournament at the Tennis Hall
of Fame.
THIS WEEK'S TRIVIA QUESTION:
Famous LAST words of which character?
"I love you so much for what you are. For how . . .good you are..."
Here is your no prize question:
Rhode Island's oldest Catholic Church, St. Mary's in Newport, was the scene of
what famous event?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
Friday, April 5, 2013
Comic Reviews 4/5/13
Title: GUARDIANS OF THE GALAXY
Issue Number: 1
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: Steve McNiven
Inker: John Dell
Colors: Justin Ponsor
Letters: Cory Petit
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
This is issue #1 but it is not the first issue. The Point One issue detailed the
origin of the leader of the Guardians, Peter Quill a.k.a. Star-Lord. In that
issue he recounts that story shortly after the events of this issue. The other
members at this point are the assassin Gamora, Groot the tree being, Rocket
Raccoon and Drax the Destroyer. As we begin their story they will eventually
enter into a battle in space and be joined by Iron Man. If you have been
following his story in his own title you will know more about his current
status. This is a good introductory issue in that it addresses a reunion of
sorts that Peter has with his father, the King of the Spartax planetary system.
The King has sought out Peter in a bar on a remote planet of the galaxy to warn
him to stay away from Earth. This is the set up for the series. A council of
galactic empires declares Earth off limits to all extraterrestrial interaction.
He wants Peter to join him. Peter is the first-born of Spartax and Star-Lord is
his birthright. Peter views the situation differently. He believes the council
has put a target on Earth and he and the Guardians will do all they can to
defend it. It is not a happy reunion. Meanwhile, on his own, Tony Stark has
taken his leave of Earth, and ten Avenger teams, to seek another destiny among
the stars. When he is suddenly targeted by a starship of the Badoon, the sworn
enemies of Spartax, he goes into defensive mode and to his surprise another ship
appears to lend a hand. This is the grand entrance of the Guardians. It will be
their first battle to defend Earth. Without realizing it they have stumbled on
the secret mission of the Badoon. There is plenty of action and not everyone
will come out of it unscathed. It is not a bad first issue as it gets right to
the heart of their mission while setting up the main plot point involving Peter
and his father. The art is exceptional with the various settings involved. If
you are at all interested in the upcoming movie it is worth your time to get
more familiar with the characters that will be involved.
Title: FANTASTIC FOUR
Issue Number: 5 AU
Title Story: The Death of the Family Richards During the Bloody Age of Ultron!
Or "Everything's Going To Be Okay."
Publisher: Marvel
Creator: Lee & Kirby
Writer: Matt Fraction
Artist: Andre Araujo
Colors: Jose Villarrubia
Letters: Clayton Cowles
Cover Artist: Mark Bagley, Scott Hanna & Rain Beredo
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
It is apparent already that the comic titles involved with the Age of Ultron
event are crossing over but the events are not interrupting the regular
continuity or numbering of those titles. This issue of FANTASTIC FOUR is
numbered 5 AU but there is also a regular issue #5. The same thing occurred with
SUPERIOR SPIDERMAN - the regular numbering maintains the current plot lines
while the AU issue shows how the main characters became or are involved in the
event. We know right from the first AGE OF ULTRON issue that Sue Storm is among
the survivors on Earth looking for a way to defeat Ultron. But how did she get
there and what about the other members of the group? This AU issue begins to
answer those questions. But if regular readers of the title think they should
just skip this book because they are not interested in the Age of Ultron event
they will miss a key plot point revealed that goes back to the origin of the
Fantastic Four and it involves Doctor Doom. We know that Reed Richards has
discovered his breaking down on a molecular level and fears the same is
happening to his teammates. Under the guise of an educational adventure for
Franklin and Valeria he has convinced the family to head of across space and
time while he secretly searches for a possible cure. They left the Future
Foundation and their duties on Earth to another team as chronicled in the
companion title FF. They are now hundreds of thousands of light years from Earth
hundreds of years earlier. This basic plot of this issue is that Reed has
received a transmission via a chronostellar radio; leave it to Reed to make sure
Black Panther could contact him in a dire emergency. T'Challa has indeed sent
the word that it could be the end of the world and they are needed back on
Earth. So while the kids sleep the adults have taken a jump ship and are
crossing time and space to come to the aid of Earth. Rather than tell the kids
in person they have left behind holographic messages. Part of this book deals
with what they find when they reach Earth in Ultron time and the rest deals with
those messages. Now the Richard children are very smart so even if the messages
are hopeful that all will be fine, as indicated by the story subtitle, they know
there is trouble ahead. The most interesting parts of this book are the messages
left by Ben and Reed. Ben has a shocking admission that he has never told anyone
about Doctor Doom. This is what I alluded to earlier and it is a doozy. Reed on
the other hand is more philosophical in his message and it is very fitting for a
man of science. The other plot indeed shows us how the team fares back on Earth
and why indeed it appears only Sue made it to safety. I think this is a good way
to participate in the event and I am not sure how it will affect the next
regular issue of the FANTSTIC FOUR, if at all. But it is worth followers of
either title to pick this one up. And I can say the same for SUPERIOR SPIDER-
MAN #6 AU. Both are worth your time.
Title: THE GREEN HORNET
Issue Number: 1
Title Story: The Sting
Publisher: Dynamite Entertainment
Writer: Mark Waid
Artist: Daniel Indro
Colors: Marcio Menyz
Letters: Troy Peteri
Cover Artist: Paolo Rivera - alt: Alex Ross
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Crime Drama
Dynamite has started another Green Hornet series this time in the capable hands
of Mark Waid. The classic hero is of course Britt Reid, the great nephew of the
Lone Ranger. He wages war against his enemies on two fronts. One is through his
newspaper The Daily Sentinel exposing criminals and political corruption. The
other is as the man of mystery, the Green Hornet with his valet Kato as his
sidekick. Waid gets the essence of the character just right. Unlike many masked
avengers the Hornet poses as a criminal himself. His reputation among the
underworld allows him to access to other crime bosses who respect it. In this
debut issue he learns from a local mobster that the best way to move goods
through the docks is through the corrupt dock commissioner Melvin Penwick. He is
essential running a sting on the underworld as Chicago's super criminal. By
posing as one of them, running bluffs and taking credit for certain crimes they
trust and fear him. Meanwhile he gains information to bring down the worst
either directly but carefully so no one knows it was him, or indirectly by
getting enough information to set them up for the cops or expose them in his
paper. He also has a private eye, who thinks he is just working for Britt Reid
to get the goods on some of the bad guys - in this case a photo of Penwick
taking a bribe from a known mobster. But this arouses the ire of the governor
who makes a personal visit to demand Reid stop harassing and smearing public
servants. It looks like Britt has a new fight on his hands. It is fun to see
the clever ways Waid has Britt overcomes obstacles in his way. But looking to
the future he has planted plot threads that will pose even larger problems for
our hero. Everything about this comic is well done. The art is detailed and
dynamic. The flashback scenes are done in two tones with the visuals and
narrative matching perfectly. Waid sticks to the main points without
sidetracking to personal relationship issues that would distract from the crime
drama. I recommend this one for fans of the genre.
Title: EAST OF WEST
Issue Number: 1
Title Story: Out of the Wasteland
Publisher: Image
Writer: Jonathan Hickman
Artist: Nick Dragotta
Colors: Frank Martin
Letters: Rus Wooton
Price (USD): $3.50
Release Date: NOW ON SALE
Genre: Apocalyptic Future
You look at the cover of this comic and figure it is a western. In a sense it is
but the setting is in the year 2064. And this is a slightly altered America as
well. Early in the twentieth century a comet hit the center of the United
States, which had already been fractured by Civil War and Native American
uprisings. The cosmic event was viewed by all as divine intervention and an
armistice was signed in 1908 ending hostilities and forming what would become
the Seven Nations of America. Around that time a self-styled prophet in Atlanta
penned the Second book of Revelation, the Indian Chief of Chiefs shared a waking
dream with the elders. The two stories were interlocking apocrypha but the final
part of the Message was not finished until a half a century later when Chairman
Mao penned an addendum to his little red book and the three became one. It was
the story of the end of the world. This is indeed a story of a different version
of the apocalypse. The civilization for some reason is still very much like the
Wild West with future technology mashed in. Out in the wasteland in the middle
of a monument of stone obelisks three children rise out of the ground. They
appear to be about six years old but as we learn from their talk and their
actions they are three of the four horsemen of the apocalypse - War, Famine and
Pestilence. The man on the cover is Death. Most of the book is about him. He has
a stark appearance, an albino dressed entirely in white western garb. He travels
with an Indian, similarly dressed in mostly white with white skin as well, and a
female who in stark contrast is coal black all over with white hair and bits of
clothing and jewelry. He is looking for something and it is clear he will get
what he wants. The other three horsemen have a plan of their own. I like the
elements of this whole composition separately. The history of the world as it
came to be, the mystery of the three, why they came to life at this point, and
the so-called Death who acts more like the villain in a spaghetti western than a
biblical icon are all compelling narratives. Hickman still has a way to go to
bring it all together and it will be a strange ride. The art team is up for the
task. This is a sometimes-violent story and they manage to emphasize the horror
of it all in a very subtle way. It will be worth reading several issues to see
the bigger picture.
Title: Dia de los Muertos
Issue Number: Dos (2)
Publisher: Image
Artist: Riley Rossmo
Letters: Kelly Tindall
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Horror
MATURE READERS - Comics on the Edge
This anthology is a series of stories based around the Mexican "Day of the
Dead." Various writers team up with artist Rossmo to give their take on the
supernatural aspect of that day.
"Mine" by Joshua Williamson and colored by Megan Wilson
This is a tale narrated by a man who is looking for a girl who went missing in a
small town in Mexico on the Day of the Dead. He had noticed her from afar and
fell in love with her laugh. But he never saw her again after that day. After a
year of the Mexican's not caring and the FBI failing to find anything he started
digging on his own. He found two connections with other girls that had also
disappeared in this town, one every year on the same date. They all were blondes
and they all had their faces painted in the traditional fashion just before the
event. He eventually will find the artist and the motivation behind it all but
there is a good twist ending that is not expected. It is scripted in the right
fashion to slowly give the details and make a few revelations along the way
until we hit the climax, a satisfying resolution and then suddenly the twist is
revealed. Well done!
"The Skinny One" by Ed Brisson and colored by Megan Wilson
We don't realize it at first but the young boy with his face smashed in on one
side is actually a ghost. As he makes his way to the local police station we get
flashbacks of how he came to his condition. Like many other young refugees he
rode the freight trains but was caught by this cop and then kicked and beaten.
The cop also does not realize the boy is a ghost but others he was cruel to also
walk in. They all have the same tale to tell but there is one soul that enters
last with another tale. That story is the payback for all the cruelty and why
they all appeared to him on this particular day. This one is sometimes hard to
follow as it jumps back and forth with no clear art distinction between the
present and the flashback. Further the flashbacks are not chronologically in
order. In the end it is a satisfying tale as the cop gets what he deserves, not
what you might expect though.
"Hellqueen" by Jeff Mariotte and colored by Jean-Paul Csuka
This story takes place in a border town. Gilberto is taking his younger brother
Gabriel with him as he conducts business on behalf of the El Jefe Cartel he
works for. They stop on a bridge with a pile of severed heads of the cartel's
enemies and proceed to impale them on the spiked fence. This is Gabriel's chance
to prove his worth to the cartel. His older brother promises Gabriel plenty of
action, money and women if he follows his brother's lead. Once they are done
they pay a visit to the grave of their grandmother. They even agree that their
grandmother would be proud of her grandsons for gaining respect and wealth in
their life. But this is the Day of the Dead and soon they will learn what she
really thinks. This story is also a good one, though you can see where it is
going before too long. The art style is appealing for the subject matter and
for a change the ending is not tragic.
The entire issue is decent reading. I am not sure it is really worth five bucks
but it is an anthology on a theme and holds to that theme very well.
Title: TIME WARP
Issue Number: 1-SHOT
Publisher: DC/Vertigo
Price (USD): $7.99
Release Date: NOW ON SALE
Genre: Science Fiction
MATURE READERS - Comics on the Edge
This anthology contains nine stories mostly based on the concept of time travel,
but not entirely. It also is the first time Damon Lindelof and Gail Simone have
been published in a Vertigo title. Here is a sample of what you will find.
"R.I.P." by Damon Lindelof and Jeff Lemire
The title of this one has a double meaning. It stands for the famous time
traveler Rip Hunter and it also stands for "Rest in Peace". In the latter case
the story indeed chronicles how and where Rip will eventually die. It involves
the old time paradox of meeting yourself. It begins with Rip getting stranded in
the age of dinosaurs when his machine is crushed. In a series of events he keeps
meeting himself showing up and helping him get past dangers then the counterpart
gets away in a time machine. It is essentially Rip coming back to the same time
several times in his life to help himself survive to make those trips. The
ending reveals how it all ends. It is a clever story that is illustrated
wonderfully.
"It's Full of Demons" by Tom King and Tom Fowler
This story starts in 1901 as a little girl, Paula, is playing cowboys and
Indians with her brother Addie. Literally out of thin air a man in space suit
appears and shoots Addie through the head, killing him. When the father later is
trying to find out what happened the terrified Paula could only say it was a
demon. This one event follows her all through her life leading her being
committed to an institution for the mentally disturbed. After she is released
she finds she cannot follow the vocation she most desires due to her history and
while she is now functional on her own her life will always be haunted by that
memory of a demon. The final two pages reveal that the man in the space suit
was a time traveler, how his act changed the world and who Paula and Addie
really are. It is a clever use of the time travel idea and executed so we do not
realize what it is all about until the very end.
"I Have What You Need" by Gail Simone and Gael Bertrand
There is a candy store with the name and philosophy stated in the title. But the
candy is more than it seems. The latest customers, a young boy with his father
and a man who misses his dead wife, find that just one piece of candy can give
them experiences that will make them smile. As if thrown back in time they both
experience a joyful time with the thing they love most. But there is a greedy
man who witnesses the events and wants the candy for his own selfish purpose. He
always gets what he wants. Through a clever twist he does not get what he wants,
but he gets what he needs.
"The Grudge" by Simon Spurrier and Michael Dowling
This is a story of two brilliant scientists whose motivation for advancing their
research started with a rivalry for the same girl. One finds a way to broadcast
a message in the air of the other's classroom disparaging his rival it begins a
series of tit for tat that escalates with each iteration. As each one tries to
out do the other with more spectacular ways to dis they advance science and
become famous. In the end neither gets the girl but that does not stop things.
I found this to be the least interesting of the book.
"Dead Boy Detectives" (part 2) by Toby Litt, Mark Buckingham & Victor Santos
This is the continuation of a story that ran in a previous Vertigo anthology and
will be continued in later in the WITCHING HOUR ANTHOLOGY. Previously Charles
and Edwin where searching for a lost cat when they were abducted by the ghost of
a psychopathic schoolteacher. They are forced into a classroom with many others
in a similar fate. When one classmate tries to escape the teacher sends vicious
dogs after him and the boys follow. I could go on but the point is this story
really does not fit into the theme of this anthology. It has nothing to do with
time travel or science fiction. It is as if the editors committed to running the
story and are throwing pieces of it into each title they can whether or not it
makes sense. Feh.
"She's Not There" by Pete Milligan & M.K. Perker
James Loftis goes to the company called Your Ghost Inc. Their technology takes
all the traces, all the electronic activity of a now dead person and for a fee
creates a ghost facsimile of that person. The client is able to have their lost
dear one "haunt" their house. That is to say they can once again interact with
them, talk with them and enjoy their company. It is an interesting concept. But
like better stories of this type you can count on something going wrong. It
starts out strong and delivers in the end, though not entirely.
"00:00:03" by Ray Fawkes and Andy MacDonald
This is a story that takes place far in the future in 3828 as force of the
United Global Space Defense Forces come across a derelict ship that was clearly
attacked. It turns out to be a lure into a trap as they are attacked. This is
the story of one of the pilots realizing they have been hit by a force blast
that will be fatal. But the technology she has allows her to dilate time. She
will experience twenty minutes of perceived time for each second thus stretching
out what she can do in the real time three minutes she has left. There are
defensive protocols, data collection and transmission and other things to
accomplish aimed at helping future pilots fare better. But this pilot also
decides there is one personal thing to do and that is the gist of the story.
"Warning Danger" by Matt Kind
This science fiction story is also set in the far future where war has become
civilized. But war is war and weapons always developed in a never-ending spiral
with one concept in mind - build a defense against the enemy's latest weapon and
develop a new weapon to penetrate his latest defense. The scene is set on a
world that two civilizations want for their own. The war will decide who gets it
but each side will only send one soldier to fight it out. As we watch each
warrior utilize his or her latest and greatest we wonder which will come out
ahead. There is a unique resolution to the story. It is a better story of the
anthology.
"The Principle" by Dan Abnett and Inj Culbard
This is one of my favorites of the book. It involves time cops essentially. As a
new member of the "protection detail" arrives his new partner explains how
things operate. In their case they are preventing the alteration of history by
protecting their assigned historical figure or "principle." Certain people seem
to be likely and frequent targets for illegal time travelers. They want to alter
the course of history by killing the right person or in some cases prevent a
death. Our time cops have the means to detect such illegal time travel. They go
back to the time shortly before the altered event and then prevent it from
happening. The dialog between the two explains that having to go back to the
same event over and over has a slight effect on history - just not a
catastrophic butterfly effect. There is also the moral question they struggle
with. They agree history should not be changed but is it right to allow clearly
evil people to live to carry out their crimes because that is what happened
originally? Once all those concepts are explored we get to find out just whom
their "principle" is.
Overall I give a recommendation on this title. The good stuff far out weighs the
mediocre in it.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week's trivia question:
When Jack Kirby switched to DC in the 70's he introduced many new characters to
the DC Universe. Which major supporting character was introduced in Jack's
debut issue at DC in 1970?
In his first issue for DC, SUPERMAN'S PAL JIMMY OLSEN, Kirby introduced the
supporting character Morgan Edge. Darkseid, a lead villain character, appeared
in the following issue. The winner by the dice is Gregory Goding.
THIS WEEK'S TRIVIA QUESTION:
Another Superman/Batman team-up book is coming out soon. Let's go back to the
original Batman team-up book for this week's question. Who was the first hero to
team up with BATMAN in BRAVE and the BOLD?
Here is a no prize question:
What is the only college to host a major sporting event at a national Hall of
Fame location?
Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.
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