REVIEWS
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: A VOICE IN THE DARK
Issue Number: 1
Title Arc: Blood Makes Noise
Publisher: Image/Top Cow
Creator: Larime Taylor
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Life/Crime Drama
Mature – Comics on the Edge
I put this review first because it is the pick of the week. Indeed I believe it
is the best comic I have read in a long time. It is not the usual super hero,
horror, comedy or action comic found mostly on the racks. I knew it would be
special from the endorsement on the front by the A-list creator Terry Moore. The
cover itself may not be enough to entice you to pick it up but trust me it is
worth every bit of the asking price. Larime Taylor is a most extraordinary
creator. If like me you read through the entire issue before reading the text in
the back you will be astounded by the quality of the art and its composition
considering the very unique way he works due to his disability. Adding to that
the story is told in black & white with grayscales in such detail and flow that
it is worth rereading, not for comprehension but appreciation. This is a
psychological thriller of sorts with a mostly female cast. The twist is that the
lead character, Zoey Aarons, admits right up front that she has committed
murder. She is only eighteen and about to head off far from home to freshman
year in college. She is the only child of a mixed marriage – a black father and
white mother. Her only friend is Seven, her Asian adopted sister. It is Seven’s
story that prompted the murder. Seven had to hide her homosexuality from her
biological parents but was accidently outed by the high school counselor to her
parents and the rest of the school. They promptly disowned her and she tried to
kill herself that night in Zoey’s bathroom. Zoey’s parents stepped up and
proceeded to adopt Seven and Zoey stepped up and stabbed the counselor for what
she had done. This all takes place or is explained in the first few pages and
there is much more story in this double-sized first issue. Most of it is an
examination of Zoey’s psyche. She talks to her image in the mirror as if it were
the separate personality that committed the murder. She often daydreams of
killing people – teachers, roommates, classmates and others if she gets annoyed
with them. At first it is shocking to the reader, as if it is actually
happening, but then she draws back and we realize it is what she is seeing in
her mind. Indeed, the more we listen to her thoughts the more we are convinced
she could kill again, but not for trivial reasons. There is a large supporting
cast that are all unique characters Her three new roommates are at first glance
stereotypical characters – the party-girl blond, the fiery Latino and the Goth
chick. Larime promises they are more than what they seem at first glance. She is
a thousand miles from home but fortunately she has her uncle Ezekiel nearby. He
just happens to be homicide detective who happens to be gay himself. There is a
lot to discover in these pages, too much to get into in a review. But to explain
the title – it is the name of a radio talk show that Zoey is going to host on
the college radio station. She invites anyone to call in, anonymously if they
choose, and talk about anything they like. It is not an advice format, just an
open forum within the bounds of FCC rules and good taste. She even uses an alias
the first time out calling herself Veronica. I was not prepared for the last
page as Zoey takes a caller who has a startling announcement to make. This book
is clever, fascinating, funny at times, touching at others and keeps us guessing
if Zoey had a one-time moment of passion or if she is truly deep down a serial
killer in the making. We will find out as the story continues. I will be there
all the way.
Title: AFTERLIFE WITH ARCHIE
Issue Number: 1
Title Story: This is How the End of the World Begins…
Publisher: Archie Comics
Writer: Roberto Aguirre-Sacasa
Artist: Francesco Francavilla
Letters: Jack Morelli
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Horror!
Teen+ - Violence & Mature Themes
It is odd to see an Archie comic not made for all ages but to do a zombie comic
that is not entirely for laughs a Teen+ rating is appropriate. You will find
this one on the racks with the rest of the action/adventure comics rather than
the all-ages section. The mood is set right away with the art a muted four color
basic using reds and blues to finish off the greytones. It is very fitting and
lets you know right up front that this is not your normal Archie comic. In fact
you will not find much humor of the usual type in this story though the
characters are all familiar from that genre. It begins simply enough when Hot
Dog, Jughead’s dog, is struck by a hit-and-run driver. As the story begins
Jughead has carried his beloved pet to his friend, Sabrina the teenaged witch,
in hopes that she can do something to save him. Her aunts try their best but
alas Hot Dog was already dead when he arrived and they refuse to use dark magic
to restore the pet. This sets up the premise that bringing the dog back to life
would unleash bad consequences on everyone involved and beyond that the rest of
the town. The rest of the characters are involved with preparing for a Halloween
dance and as usual the rivalry for Archie between Betty and Veronica has a part
to play. This adds a little bit of humor to the comic. As Archie takes center
stage he is caught in the middle of girls’ attention but is soon takes a more
serious turn as we learn who is responsible for the accident as well as
Jughead’s sudden absence from school. With the dance rapidly approaching we
guess that it will be the first major scene involving zombies. Who will be
attacked and who will survive is foremost in our minds. I was not sure how this
could be done in the Archie universe but I found the story interesting right
from the start. It is odd seeing some of these characters not up to their usual
hijinks but that is easily overlooked. This is a fun title for anyone who ever
enjoyed Archie comics, except for the very young ones right now. I recommend you
do not pass it by.
Title: HARLEY QUINN
Issue Number: 0
Title Story: Picky Sicky
Publisher: DC
Creators: Paul Dini & Bruce Timm
Writers: Amanda Conner & Jimmy Palmiotti
Artists: Amanda Conner, Becky Cloonan, Tony S. Daniel, Sandu Florea, Stephane
Roux, Dan Panosian, Walter Simonson, Jim Lee, Scott Williams, Bruce Timm,
Charlie Adlard, Adam Hughes, Art Baltazar, Tradd Moore, Dave Johnson, Jeremy
Roberts, Sam Kieth, Darwyn Cooke and Chad Hardin
Colors: Paul Mounts, Tomeu Morey, John Kalisz, Lovern Kindzierski, Alex
Sinclair, Lee Loughridge, Dave Stewart and Alex Sollazzo.
Letters: John J. Hill
Cover Artists: Amanda Conner & Paul Mounts – variant: Stephane Roux
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Villain/humor
This is one of the most atypical “zero” issues I have ever read. Usually the
concept of numbering a comic this way is used to present the story that occurred
before the first issue of the run. Sometimes it is an origin story, but that has
already been done in another comic in the NEW 52 continuity. Sometimes it is
used just to tell events that led up to later issues. Instead this comic tells
you what happened as if Harley herself had a hand in deciding who the artist
would be on her own comic book series about to start. That is why you see some
seventeen artists listed above. Each of them contributed a page or two to this
story that is set up by Conner and Palmiotti. It starts with Harley imaging that
she would have her own comic book and wondering just who would be the best to
draw her comic. That is when the fourth wall is broken with a running dialogue
between Harley and the writers as they discuss alternate artists and their
unique interpretations. Thus begins a whirlwind tour of different styles and set
ups. Harley is seen as a rock artist that kills her band, a giant robot, a MAD
MEN sixties style office worker, a ninja warrior and even a Teen Titans Go
cartoon character. There are many more and it is fun to see her portrayed by the
various artists in their own very recognizable fashion all why Harley vamps on
the pluses and minuses of each style. Obviously this zero issue is not necessary
reading to keep up with the series about to debut in December, with the art
chores going to Chad Hardin by the way. But it is a fun comic at a reasonable
price. Completists and Harley fans will want to get it anyway. Casual readers
will find it to be a pleasant diversion from the norm.
Title: TRINITY OF SIN: PANDORA
Issue Number: 5
Title Story: Great Legends
Title Arc: End the Curse
Publisher: DC
Writer: Ray Fawkes
Artist: Francis Portela
Colors: Hi-Fi
Letters: Carlos M. Mangual
Cover Artist: Julian Totino Tedesco
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Now that Forever Evil is in full swing I thought it would be good to look in on
the character who was instrumental in the events that brought it about. This
comic is up to issue number five and starts with Pandora confronting the
Outsider, who is actually Alfred from the alternate world Earth 3. She has one
thought in mind – find a way to reopen the gateway to Earth 3 to send back all
the evil that has befallen our Earth. He is strangely confident despite being
held at gunpoint and he has a lot to tell her. Maybe it is truth or just
deflection but the first revelation is that Pandora committed no sin, the box
opened itself when she first picked it up. The real question is why did it open
for her? Meanwhile in Baltimore a familiar character is examining the remains of
the now shattered devise seeking his own way to get it to work again. Through
this issue Pandora will be shown key scenes of her life and given even more
questions to ponder before she is brought before a group of people that are
seeking to unite with the Trinity of Sin to tackle evil head on. This issue is a
lead-in to the next mystical character crossover in the NEW 52 beginning in
JUSTICE LEAGUE DARK # 24. I am particularly impressed by the art in this issue
Portela has a very appealing style and Hi-Fi does a great job on the coloring.
This title is not entirely integral in the whole Forever Evil event but it is
more important than most and impacts the NEW 52 a lot.
Title: BEN 10
Issue Number: 1
Publisher: IDW
Creator: Man of Action
Writer: Jason Henderson
Artist: Gordon Purcell
Inker: Scott Macrae
Colors: Jason Lewis
Letters: Neil Uyetake
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero/TV Animation Adaptation
ALL AGES
I have never seen an episode of BEN 10 on the Cartoon Network so I am not one to
judge whether this comic book adaptation is true to the character and the series
in general. I will leave that judgment to fans of the show. Instead I decided to
read this to see if it makes for a decent all-ages comic on its own merits. The
first plus is that the story is easy enough to get into without any knowledge of
the characters. They appear to be a super hero team called the Plumbers who have
a good degree of fame and are heading off on vacation to sunny southern
California. Ben is the lead character, a young boy who with the power of the
Omnitrix strapped to his wrist can transform into various characters with
different powers. He has to use the powers right off the bat as he is attacked
on the plane by an old foe who wants the Omnitrix. The main action though comes
much later once the gang is on a cruise ship out of San Diego. While Ben gets
involved with another passenger who is trying to destroy an ice sculpture of a
mermaid the evil Ssserpent is setting his own plan in motion that will involve
the cruise ship though his actual target is something else. We really don’t get
to see the rest of the team in action except for the girl that has magical
powers. The girl Ben meets on the cruise will play a far more important role in
the story that we first thought. Rather than spend a lot of time in back story
and exposition about the team the writer instead is telling the story he wants
and revealing what we need to know along the way. So far it is working well. The
characters are likable and the dialogue is not dumbed down so it appeals to all
ages. The art is top notch with a decent style that fits the theme without
looking too much like a cartoon. I‘d say the creators have accomplished what I
hoped. They have presented a new comic that anybody can pick up and enjoy. You
do not need to know the cartoon to get into it and I would guess fans of the
cartoon will be delighted with it as well.
Title: TEEN TITANS ANNUAL
Issue Number: 2
Title Story: My Future, My Enemy
Publisher: DC
Writer: Scott Lobdell
Layouts: Barry Kitson
Finishes: Art Thibert, Jesus Merino, Scott Hanna & Barry Kitson
Colors: Pete Pantazis
Letters: Travis Lanham
Cover Artist: Eddy Barrows, Eber Ferreira & Pete Pantazis
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Super Hero
The NEW 52 version of the Teen Titans has been around for a couple of years now.
I do not follow the series but was intrigued by the cover showing Superboy
fighting Superboy. That is to say it is Kon-El of this team and his own comic
fighting the Son of Superman, the Superboy of an alternate future from whom Kon
was cloned. That confrontation happens later in this annual but the story begins
as Kon, Red Robin and Wonder Girl materialize into the Batcave some twenty years
in the future. It is in ruins and most of the tech is inoperable. The Teen
Titans have been tossed about through time and are trying to get back together.
These three have been kept together and are working with Raven, who shows up
later to try and get everyone back to present day Earth. It seems the future is
no more pleasant than the Forever Evil present they left. Is this also an
alternate future? Red Robin hopes so based on what he sees in this once
familiar haunt. They soon find out that is indeed what it is. This destruction
and its victims are not the work of the Crime Syndicate but happened more
recently in this timeline. When they are suddenly teleported aboard the Justice
League satellite they will meet the current Teen Titans of this time headed up
by Beast Boy and his wife Rose. But his is not a story of the other Titans they
have assembled as they are mostly supporting characters. It is the Son of
Superman who is responsible for this bleak future and eventually the two
namesakes have an epic battle in space, with a most unusual outcome. The key to
the plot is that Garfield has been expecting their visit. He reveals this and
more to Red Robin in private while Cassie makes a discovery on her own in a
secluded section of the satellite. While the story in this issue makes sense for
the most part it is not entirely self-contained. It is set up by the status quo
in the main issues up to this point and will carry forward into the next issue
in December. It is essential for regular readers of the comic not to skip as the
climax of the story has real consequences going forward. As in other mainstream
NEW 52 comics the art is exceptional. I think sometimes an annual may be used in
the hope of bringing in new readers. That was my first impression from the cover
illustration. Maybe this plot is enough to get some of the curious to take a
chance on the next issue to see what will happen. We’ll see.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
What was the occupation of the person who became Concrete?
Ron was a political speech writer before he was transformed into Concrete. The
winner by the dice is Stan Hosmer.
Here was your no prize question:
What two independent sovereign states have square flags?
The flag of Switzerland consists of a red flag with a white cross (a bold,
equilateral cross) in the center. It is one of only two square sovereign-state
flags, the other being the flag of Vatican. David McBarron earns a spot in the
no prize hall of fame for getting this one.
THIS WEEK’S TRIVIA QUESTION:
By what name was Guy Gilden better known?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
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Wednesday, November 27, 2013
Friday, November 22, 2013
Comic Reviews 11/22/13
REVIEWS
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: MANIFEST DESTINY
Issue Number: 1
Publisher: Image
Creator: Chris Dingess
Writer: Chris Dingess
Artist: Matthew Roberts
Colors: Owen Gieni
Letters: Pat Brosseau
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Historical Science Fiction
Mature – Comics on the Edge
This series is an alternate take on the famous Lewis & Clark expedition
exploring the Louisiana Purchase as commissioned by President Jefferson. We get
the gist of the supposed mission as Merriweather Lewis writes in his journal
early on in this chapter. He records that the task of his troop is to destroy
monsters and clear the way for the expansion of the United States. So far their
biggest obstacle is boredom. The expedition is composed of a volunteer army and
mercenaries. Soldiers of fortune and convicts were brought along as expendable
manpower in anticipation of the struggles they would encounter. Just keeping the
seedier element among them occupied is of concern to Lewis. Already they have
had to discipline some for theft and other bad behavior. He fears they may only
be cataloging new species of animals and Indians rather than encounter the
mythological beasts the President is convinced exist. Part of the plot details
the kinds of things you would expect from actual accounts of this historic
mission. The first scene has Clark shooting a new type of heron for Lewis to
sketch and name. But that soon changes when they come across an unnatural
structure on the shores of the river. It is reminiscent of the current St. Louis
Arch towering high above them hundreds of feet high. Clearly this is nothing
anyone has ever scene and is not a natural phenomenon though it is constructed
of trees and wrapped in vegetation – something any known Native Americans could
not have the technology to accomplish. It seems they have found the first
indication that Jefferson may have been right. Even one of the flowers growing
on the arch is nothing anyone has ever scene – looking oddly like a skull in
shape. As the soldiers and conscripts are set around the perimeter to guard
against attack while Lewis begins his analysis we learn that those men who are
not soldiers have already been talking about their fate and purpose on the
mission. Most of them have no families to miss them if they never return. This
structure is their first inclination that there is more to the mission than they
have been told. Some are even talking about escape but that will have to be
dealt with later when they learn the camp is suddenly attacked by… what? I like
the premise of the story and the execution so far is done well. There are good
and bad elements among the men and the problem facing the leaders is whether
they will band together against a common foe or fall into self-preservation
mode. The art is delightful with good characterization and detailed scenery.
When the unexpected antagonist appears everything gets very exciting. It is a
thriller with many elements that kept me interested right to the end. This could
be an unexpected hit once again for Image and I urge you to check it out.
Title: WRAITH
Issue Number: 1
Title Story: Fantoms
Title Arc: Welcome to Christmasland
Publisher: IDW
Creator: Joe Hill
Writer: Joe Hill
Artist: Charles Paul Wilson III
Colors: Jay Fotos
Letters: Shawn Lee & Robbie Robbins
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Horror
Mature – Comics on the Edge
This comic is a prelude to the new novel by Joe Hill called NOS4A2. Hill is the
co-creator of the comic hit LOCKE & KEY among other comics and novels. It turns
out NOS4A2 is the license plate of the automobile featured in this story and is
also a pneumonic of Nosferatu, the famous vampire of movies long ago. The story
detailed in this first chapter is that of the driver, Charlie Manx, and his
Rolls Royce Wraith. The bookend sequences have him driving through Colorado with
a young girl in the back seat. He is an evil-looking person with sharp yellow
teeth and long fingernails. Even his eye whites are tinted yellow. His demeanor
toward the girl is out of character in that regard as he promises the terrified
child that she will be grinning big when they reach their destination. He
explains he is taking her to Christmasland, a wondrous amusement park she has
dreamed about and if she promises not to cry he will explain about how he knows
her dreams, who he is and the history of Christmasland. The rest of the book
goes back in time to a time when Charlie was a young boy. His single mother
worked as a housemaid with other duties as the town whore working in a local inn
that doubled as a mortuary. The seminal incident in his life came shortly after
he had saved up his meager earnings to by a black sled for himself, a Black
Fantom. At one point while sliding down a hill lined with snowmen he realized
that the barrier between his dreams and reality began to cross. It was shortly
after that he was accosted by a disgruntled customer of his mother who decided
to take it out on him. It was the blurring of dream and reality that allowed him
to escape both that man and his abusive mother and head out to find his fortune.
After fifteen years or so he eventually became a driver for a very rich man in
Kansas. This brought him close to the man’s daughter and eventually they
married. But when the rich old man died after the stock market collapse the Manx
family was reduced to working as farm labor to get by. This will set up the
circumstances that will lead Manx to invest all he had into a new amusement park
being built called Christmasland. The promise of getting back his investment in
months and then a large income for life was too big a temptation for Manx. He
secretly took out a second mortgage to make the investment and when word came
that the opening day was coming he could not resist buying the Wraith. It was
lightly used but was being offered very cheaply because the previous owner had
killed himself and his children in it and no one wanted such a vehicle. You can
see where this story may be heading at this point but Hill puts a different
twist to it that is worth following. This is a very dense story for only the
first issue. There is a lot of detail in the background of the main character’s
history that is worthwhile as it adds to the climax of this first chapter as
events unfold. The elements of horror added to the promise of the fulfillment of
childhood dreams is particularly creepy. Charles Wilson has a great style that
fits well with the story while the coloring adds yet another dimension
perfectly. This is a well-done horror, which is what I expected from Mr. Hill.
If you are a fan this one is one of the best you will find.
Title: X-MEN: GOLD
Issue Number: 1-SHOT
Publisher: Marvel
Cover Artist:
Price (USD): $5.99
Release Date: NOW ON SALE
Genre: Super Hero
The X-Men have reached their 50th anniversary and Marvel has responded with an
oversized special featuring X-Men stories by some of the creators that built the
franchise over the years.
The untitled opening story is by Chris Claremont & Bob McLeod with Israel Silva.
It is the centerpiece of the volume done by the writer who took a once-cancelled
title and made it dominant in the comic book marketplace for more than a decade.
McLeod is a classic X-MEN artist and co-created the NEW MUTANTS. Fans of the
Claremont era will enjoy seeing the lineup for this story – Colossus,
Nightcrawler, Storm, Wolverine, Rogue, Kitty Pride, Lilandra, Professor Xavier
and Cyclops who is with Madelyn. The story is narrated by Kitty who alerts the
team about a distress call from a remote industrial site that has since gone
silent. She also detected major explosions. Xavier and Madelyn are moved aboard
the Starjammer with Corsair, Lilandra and Hepzibah as the rest of the team take
the Blackbird to investigate. This is an action-packed adventure that features a
previously unknown type of sentinel that not only tasks the team on the ground
but also the not so safe after all Starjammer. There are some side moments
between Kitty and Rogue and even Lockheed the pet dragon gets in on the act. It
is a fun story and fits well into the history of the team at that time.
“The Sorrow Beneath the Sport” is by Stan Lee & Louise Simonson, art by Walt
Simonson & Bob Wiacek and colored by Andres Mossa. Stan’s story features the
original five X-Men and is plotted and drawn by the couple that brought these
characters back together in the pages of X-FACTOR. It is a simple story about a
little contest among the boys as they race to the danger room. It seems Jean
promised to date the first one to reach the room and so the young mutants are
very enthusiastic about gaining the prize. In a few short pages Stan recaptures
the early excitement of the book and leaves them all with something to think
about at the end.
An untitled prelude to GIANT-SIZE X-MEN #1 is by Roy Thomas & Pat Olliffe with
colors by Chris Sotomayor. It is about the first meeting between Banshee and
Sunfire and is written by the second man to ever write the X-Men. The story
takes place in Memphis as both Banshee and Sunfire arrive to do some
sightseeing. They bump into each other exiting the plane and later their cabs
arrive at the same place almost simultaneously. This arouses Sunfire’s suspicion
enough to provoke Sean into letting out a sonic scream. It is a classic set-up
for a conflict of misunderstanding among super heroes who only two days later
will be joining a band of mutants in GIANT-SIZE XMEN.
“Options” is by Len Wein with art by Jorge Molina. Wein, co-creator of
Wolverine, of course wrote GIANT SIZE X-MEN which started the second life for
the title. This story takes place right in the middle of GSXM. It is at a point
in the story when the team is preparing to go to Krakoa to rescue the X-Men.
Cyclops will lead the team that now includes Banshee, Thunderbird, Colossus,
Sunfire, Nightcrawler and Storm. A comment from the professor that they have to
be prepared for anything, including the possibility of having to fight their own
gets Wolverine thinking about just how would he defeat these teammates if he had
to. It is the same theme we have seen Batman consider about the JLA and is fun
reading. I wish I could say the same for the art, which is the weakest of the
book.
“Dreams Brighten” is by Fabian Nicieza with art by Salvador Larroca and color by
David Ocampo. Fabian was the popular X-Men scribe in the 90’s, which included
the famous “X-Cutioner’s Song.” This final entry has decent art but the story is
not as fun. It involves a seemingly ideal scene as Xavier, able to walk, is
addressing a crowd in front of the United Nations with Magneto, Beast and
Wolverine alongside him in civilian garb. It is in the middle of this that
Magnus begins to fall into a death throe and Wolverine apparently is bleeding
out adamantium through his skin. It is Xavier’s doing. I am thoroughly stumped
but it no doubt ties in with the continuity at the time when Nicieza was on the
book. A placard being held among the crowd reads, “Onslaught is coming!” and so
I presume this ties in with that arc. For those not familiar with that story
this seems like an odd inclusion in a volume celebrating the team’s longevity
with mostly upbeat stories.
The end of the book includes previews of AMAZING X-MEN #1 and ALL NEW X-MEN #18
now on sale. As a whole the art is very good, except for the one I noted, and
this issue is a decent tribute to the book that changed the fortunes of Marvel.
Title: CLOWN FATALE
Issue Number: 1 (of 4)
Publisher: Dark Horse
Writer: Victor Gischler
Artist: Maurizio Rosenzweig
Inker: Moreno Dinisio
Colors: Moreno Dinisio
Letters: Nate Piekos
Cover Artist: Tim Seeley
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Crime Adventure
Mature – Comics on the Edge
If you like comics that are a bit over the top you would probably go for this
one. Sometimes I like to read comics that are not regular formula super hero,
science fiction, horror, mystery or the usual genres. This one is basically a
comedy around a plot that has four good-looking babes that for various reasons
ended working as sexy clowns in a circus. They have varied backgrounds. Chloe
the blond dream of an acting career that never happened. The buxom redhead Candy
was a hooker who gave it up for a new life. Tina ran away with the circus to
escape an abusive husband and the Asian Aya, well no one really can figure her
out except that she does not like to be touched. They dress very sexy for clowns
and they all can handle themselves in a brawl. They are also not angels taking
to drink and other substances for recreational purposes. So after the characters
are established we get into the main plot. One of the power brokers in the town
the circus is visiting sends a nephew to contact a group working for the circus.
He has heard that this group uses the circus as a cover to work off the books on
criminal endeavors for the right price. The plot twist is that the nephew thinks
the girls are the people he is looking for and offers them fifty thousand
dollars to make a problem go away. So they are put in the situation that their
new friend Wayne wants them to take care of the local drug dealer to prove they
can handle the big job for the big bucks. This is real tempting – a chance to
get away from the circus life. On the other hand the target is also their
personal pot connection. On the third hand the “real” muscle for hire group will
not take likely to the girls horning in on their business. It seems a little
complicated but it is not. The characters are interesting and each have little
quirks that make you smile. The art is decent and definitely done with fan boys
in mind. It is a pleasant diversion worth checking out.
Title: PROTOCOL: ORPHANS
Issue Number: 1 (of 4)
Publisher: BOOM! Studios
Writer: Michael Alan Nelson
Artist: Mariano Navarro
Colors: Gabriel Cassata
Letters: Deron Bennett
Cover Artist: Stephane Roux
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Action/Adventure
One of the staples of the action type comics is black ops groups. This
particular group is in the midst of an operation that involves a plot to set off
a bomb somewhere in Los Angeles. They have learned who might be planning it but
they don’t know where. They have to sneak into a business office to find the
evidence they need and then race to the place where the bomb is and defuse it to
avoid tragedy. The twist on this group is the way they refer to each other. The
man running the operation over their communication devices is only referred to
as dad. Occasionally he mentions that some of the protocols the “children” must
follow came down from the grandparents. Without other information you would
think this is just a convenient set of code names to use. But mixed in with the
action scenes in the present are glimpses of the operatives as children. They
are obviously being trained at a very early age in an extreme fashion. A girl
has to break a code on a computer while holding her breath as the room fills up
with a gas she is told will kill her. A young boy is given two minutes to solve
a puzzle or a puppy will be killed in front of him. We are obviously left to
infer that these operatives where recruited at a very early age and brought up
to work well under extreme pressure. Perhaps they are orphans, hence the title
and the whole code name thing. What they are is very good at what they do. The
clandestine tricks, the skill in battle and escape as well as technical skills
prove to be top notch. Not too much is revealed about the organization or who is
behind it and the story builds to two climaxes and an unexpected cliffhanger.
The art is well composed and moves things along nicely. There is a good mix of
exposition and mystery to keep you interested the whole time. This is a solid
first issue.
Title: UMBRAL
Issue Number: 1
Title Story: The Day Dawned Twice
Title Arc: Out of the Shadows
Publisher: Image
Creators: Antony Johnston & Christopher Mitten
Writer: Antony Johnston
Artist: Christopher Mitten
Painter: John Rauch
Letters: Thomas Mauer
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Fantasy
Mature – Comics on the Edge
It is often difficult for a new comic based on a world created specifically for
the story to capture a large initial readership. Fantasy comics probably are the
hardest type to accomplish this. They are typically conceived by the creators
with many details about the geography, plot points, and even key characters
slowly revealed over time. The challenge is to immediately engage the readers
with enough characterization in a story that engages their interest enough to
make them want to come back to see the layers peeled off issue after issue. The
trap some writers fall into is being so familiar with the big picture they
forget the reader lacks some of the basic knowledge the writer has. He or she
has to give readers a reason to be interested rather than make them wait several
issues to explain minor things brought up early that are not critical to telling
or spoiling the complete story too soon. Johnston & Mitten are the creators of
the post-apocalyptic series WASTELAND that began in 2006 and is just know
reaching its conclusion. It is clear from the longevity of that comic that
Johnston has a handle on how to build a different universe while telling a
compelling story over time. This story is set in the mythical island realm of
the Kingdom of Fendin. He even includes a map of the nation that identifies all
the major cities and geography of the kingdom. Though it adds little to advance
the story right away it will likely be helpful as he and his characters expose
more of the kingdom to the readers down the road. The main character of the
story is a young girl called Rascal. She is a member of the thieves’ guild and
also a close friend of Prince Arthir. This is a medieval type land where there
are wizards among the guild. While she is not a true wielder of magic she can
cast minor spells. The opening story takes place on the day of an eclipse – the
day it dawns twice. This is a special day of celebration in the kingdom when
the king and queen appear to the public with the king holding the showing off
the magical staff called the Mordent. It is on this day that Arthir plans to
sneak Rascal into the palace and into the special room where the magical orb
called the Oculus is kept. He will need her magical totem the Mist to get
through the cage it is kept in. But other forces are at work on this day of days
and not only is it missing when they arrive but they discover a murdered servant
indicating evil forces are at work. The plot involves supernatural forces, a
gateway to another dimension and a threat that endangers not just the royal
family but everyone in the kingdom. Having a young girl at the center of the
story emphasizes the overwhelming forces at play and she is a symbol of how
little strength many will have against it. She will need major allies and
perhaps growth in knowledge and courage if she or anyone else can survive. The
art is attractive right from the beginning. It draws you in and then delivers
when the horrific elements of the story are revealed. Johnston succeeds in
giving us a paced plot that gets us involved right away, provides a lot of
action and danger and ends with a splash page cliffhanger that emphasizes the
seriousness of Rascal’s predicament. This is bound to be another long-running
series for Johnston and the time to check it out is now.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
What is Millie the Model's last name?
Her last name is Collins. The winner by the dice is Gary Katzoff.
THIS WEEK’S TRIVIA QUESTION:
What was the occupation of the person who became Concrete?
Here is your no prize question:
What two independent sovereign states have square flags?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: MANIFEST DESTINY
Issue Number: 1
Publisher: Image
Creator: Chris Dingess
Writer: Chris Dingess
Artist: Matthew Roberts
Colors: Owen Gieni
Letters: Pat Brosseau
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Historical Science Fiction
Mature – Comics on the Edge
This series is an alternate take on the famous Lewis & Clark expedition
exploring the Louisiana Purchase as commissioned by President Jefferson. We get
the gist of the supposed mission as Merriweather Lewis writes in his journal
early on in this chapter. He records that the task of his troop is to destroy
monsters and clear the way for the expansion of the United States. So far their
biggest obstacle is boredom. The expedition is composed of a volunteer army and
mercenaries. Soldiers of fortune and convicts were brought along as expendable
manpower in anticipation of the struggles they would encounter. Just keeping the
seedier element among them occupied is of concern to Lewis. Already they have
had to discipline some for theft and other bad behavior. He fears they may only
be cataloging new species of animals and Indians rather than encounter the
mythological beasts the President is convinced exist. Part of the plot details
the kinds of things you would expect from actual accounts of this historic
mission. The first scene has Clark shooting a new type of heron for Lewis to
sketch and name. But that soon changes when they come across an unnatural
structure on the shores of the river. It is reminiscent of the current St. Louis
Arch towering high above them hundreds of feet high. Clearly this is nothing
anyone has ever scene and is not a natural phenomenon though it is constructed
of trees and wrapped in vegetation – something any known Native Americans could
not have the technology to accomplish. It seems they have found the first
indication that Jefferson may have been right. Even one of the flowers growing
on the arch is nothing anyone has ever scene – looking oddly like a skull in
shape. As the soldiers and conscripts are set around the perimeter to guard
against attack while Lewis begins his analysis we learn that those men who are
not soldiers have already been talking about their fate and purpose on the
mission. Most of them have no families to miss them if they never return. This
structure is their first inclination that there is more to the mission than they
have been told. Some are even talking about escape but that will have to be
dealt with later when they learn the camp is suddenly attacked by… what? I like
the premise of the story and the execution so far is done well. There are good
and bad elements among the men and the problem facing the leaders is whether
they will band together against a common foe or fall into self-preservation
mode. The art is delightful with good characterization and detailed scenery.
When the unexpected antagonist appears everything gets very exciting. It is a
thriller with many elements that kept me interested right to the end. This could
be an unexpected hit once again for Image and I urge you to check it out.
Title: WRAITH
Issue Number: 1
Title Story: Fantoms
Title Arc: Welcome to Christmasland
Publisher: IDW
Creator: Joe Hill
Writer: Joe Hill
Artist: Charles Paul Wilson III
Colors: Jay Fotos
Letters: Shawn Lee & Robbie Robbins
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Horror
Mature – Comics on the Edge
This comic is a prelude to the new novel by Joe Hill called NOS4A2. Hill is the
co-creator of the comic hit LOCKE & KEY among other comics and novels. It turns
out NOS4A2 is the license plate of the automobile featured in this story and is
also a pneumonic of Nosferatu, the famous vampire of movies long ago. The story
detailed in this first chapter is that of the driver, Charlie Manx, and his
Rolls Royce Wraith. The bookend sequences have him driving through Colorado with
a young girl in the back seat. He is an evil-looking person with sharp yellow
teeth and long fingernails. Even his eye whites are tinted yellow. His demeanor
toward the girl is out of character in that regard as he promises the terrified
child that she will be grinning big when they reach their destination. He
explains he is taking her to Christmasland, a wondrous amusement park she has
dreamed about and if she promises not to cry he will explain about how he knows
her dreams, who he is and the history of Christmasland. The rest of the book
goes back in time to a time when Charlie was a young boy. His single mother
worked as a housemaid with other duties as the town whore working in a local inn
that doubled as a mortuary. The seminal incident in his life came shortly after
he had saved up his meager earnings to by a black sled for himself, a Black
Fantom. At one point while sliding down a hill lined with snowmen he realized
that the barrier between his dreams and reality began to cross. It was shortly
after that he was accosted by a disgruntled customer of his mother who decided
to take it out on him. It was the blurring of dream and reality that allowed him
to escape both that man and his abusive mother and head out to find his fortune.
After fifteen years or so he eventually became a driver for a very rich man in
Kansas. This brought him close to the man’s daughter and eventually they
married. But when the rich old man died after the stock market collapse the Manx
family was reduced to working as farm labor to get by. This will set up the
circumstances that will lead Manx to invest all he had into a new amusement park
being built called Christmasland. The promise of getting back his investment in
months and then a large income for life was too big a temptation for Manx. He
secretly took out a second mortgage to make the investment and when word came
that the opening day was coming he could not resist buying the Wraith. It was
lightly used but was being offered very cheaply because the previous owner had
killed himself and his children in it and no one wanted such a vehicle. You can
see where this story may be heading at this point but Hill puts a different
twist to it that is worth following. This is a very dense story for only the
first issue. There is a lot of detail in the background of the main character’s
history that is worthwhile as it adds to the climax of this first chapter as
events unfold. The elements of horror added to the promise of the fulfillment of
childhood dreams is particularly creepy. Charles Wilson has a great style that
fits well with the story while the coloring adds yet another dimension
perfectly. This is a well-done horror, which is what I expected from Mr. Hill.
If you are a fan this one is one of the best you will find.
Title: X-MEN: GOLD
Issue Number: 1-SHOT
Publisher: Marvel
Cover Artist:
Price (USD): $5.99
Release Date: NOW ON SALE
Genre: Super Hero
The X-Men have reached their 50th anniversary and Marvel has responded with an
oversized special featuring X-Men stories by some of the creators that built the
franchise over the years.
The untitled opening story is by Chris Claremont & Bob McLeod with Israel Silva.
It is the centerpiece of the volume done by the writer who took a once-cancelled
title and made it dominant in the comic book marketplace for more than a decade.
McLeod is a classic X-MEN artist and co-created the NEW MUTANTS. Fans of the
Claremont era will enjoy seeing the lineup for this story – Colossus,
Nightcrawler, Storm, Wolverine, Rogue, Kitty Pride, Lilandra, Professor Xavier
and Cyclops who is with Madelyn. The story is narrated by Kitty who alerts the
team about a distress call from a remote industrial site that has since gone
silent. She also detected major explosions. Xavier and Madelyn are moved aboard
the Starjammer with Corsair, Lilandra and Hepzibah as the rest of the team take
the Blackbird to investigate. This is an action-packed adventure that features a
previously unknown type of sentinel that not only tasks the team on the ground
but also the not so safe after all Starjammer. There are some side moments
between Kitty and Rogue and even Lockheed the pet dragon gets in on the act. It
is a fun story and fits well into the history of the team at that time.
“The Sorrow Beneath the Sport” is by Stan Lee & Louise Simonson, art by Walt
Simonson & Bob Wiacek and colored by Andres Mossa. Stan’s story features the
original five X-Men and is plotted and drawn by the couple that brought these
characters back together in the pages of X-FACTOR. It is a simple story about a
little contest among the boys as they race to the danger room. It seems Jean
promised to date the first one to reach the room and so the young mutants are
very enthusiastic about gaining the prize. In a few short pages Stan recaptures
the early excitement of the book and leaves them all with something to think
about at the end.
An untitled prelude to GIANT-SIZE X-MEN #1 is by Roy Thomas & Pat Olliffe with
colors by Chris Sotomayor. It is about the first meeting between Banshee and
Sunfire and is written by the second man to ever write the X-Men. The story
takes place in Memphis as both Banshee and Sunfire arrive to do some
sightseeing. They bump into each other exiting the plane and later their cabs
arrive at the same place almost simultaneously. This arouses Sunfire’s suspicion
enough to provoke Sean into letting out a sonic scream. It is a classic set-up
for a conflict of misunderstanding among super heroes who only two days later
will be joining a band of mutants in GIANT-SIZE XMEN.
“Options” is by Len Wein with art by Jorge Molina. Wein, co-creator of
Wolverine, of course wrote GIANT SIZE X-MEN which started the second life for
the title. This story takes place right in the middle of GSXM. It is at a point
in the story when the team is preparing to go to Krakoa to rescue the X-Men.
Cyclops will lead the team that now includes Banshee, Thunderbird, Colossus,
Sunfire, Nightcrawler and Storm. A comment from the professor that they have to
be prepared for anything, including the possibility of having to fight their own
gets Wolverine thinking about just how would he defeat these teammates if he had
to. It is the same theme we have seen Batman consider about the JLA and is fun
reading. I wish I could say the same for the art, which is the weakest of the
book.
“Dreams Brighten” is by Fabian Nicieza with art by Salvador Larroca and color by
David Ocampo. Fabian was the popular X-Men scribe in the 90’s, which included
the famous “X-Cutioner’s Song.” This final entry has decent art but the story is
not as fun. It involves a seemingly ideal scene as Xavier, able to walk, is
addressing a crowd in front of the United Nations with Magneto, Beast and
Wolverine alongside him in civilian garb. It is in the middle of this that
Magnus begins to fall into a death throe and Wolverine apparently is bleeding
out adamantium through his skin. It is Xavier’s doing. I am thoroughly stumped
but it no doubt ties in with the continuity at the time when Nicieza was on the
book. A placard being held among the crowd reads, “Onslaught is coming!” and so
I presume this ties in with that arc. For those not familiar with that story
this seems like an odd inclusion in a volume celebrating the team’s longevity
with mostly upbeat stories.
The end of the book includes previews of AMAZING X-MEN #1 and ALL NEW X-MEN #18
now on sale. As a whole the art is very good, except for the one I noted, and
this issue is a decent tribute to the book that changed the fortunes of Marvel.
Title: CLOWN FATALE
Issue Number: 1 (of 4)
Publisher: Dark Horse
Writer: Victor Gischler
Artist: Maurizio Rosenzweig
Inker: Moreno Dinisio
Colors: Moreno Dinisio
Letters: Nate Piekos
Cover Artist: Tim Seeley
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Crime Adventure
Mature – Comics on the Edge
If you like comics that are a bit over the top you would probably go for this
one. Sometimes I like to read comics that are not regular formula super hero,
science fiction, horror, mystery or the usual genres. This one is basically a
comedy around a plot that has four good-looking babes that for various reasons
ended working as sexy clowns in a circus. They have varied backgrounds. Chloe
the blond dream of an acting career that never happened. The buxom redhead Candy
was a hooker who gave it up for a new life. Tina ran away with the circus to
escape an abusive husband and the Asian Aya, well no one really can figure her
out except that she does not like to be touched. They dress very sexy for clowns
and they all can handle themselves in a brawl. They are also not angels taking
to drink and other substances for recreational purposes. So after the characters
are established we get into the main plot. One of the power brokers in the town
the circus is visiting sends a nephew to contact a group working for the circus.
He has heard that this group uses the circus as a cover to work off the books on
criminal endeavors for the right price. The plot twist is that the nephew thinks
the girls are the people he is looking for and offers them fifty thousand
dollars to make a problem go away. So they are put in the situation that their
new friend Wayne wants them to take care of the local drug dealer to prove they
can handle the big job for the big bucks. This is real tempting – a chance to
get away from the circus life. On the other hand the target is also their
personal pot connection. On the third hand the “real” muscle for hire group will
not take likely to the girls horning in on their business. It seems a little
complicated but it is not. The characters are interesting and each have little
quirks that make you smile. The art is decent and definitely done with fan boys
in mind. It is a pleasant diversion worth checking out.
Title: PROTOCOL: ORPHANS
Issue Number: 1 (of 4)
Publisher: BOOM! Studios
Writer: Michael Alan Nelson
Artist: Mariano Navarro
Colors: Gabriel Cassata
Letters: Deron Bennett
Cover Artist: Stephane Roux
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Action/Adventure
One of the staples of the action type comics is black ops groups. This
particular group is in the midst of an operation that involves a plot to set off
a bomb somewhere in Los Angeles. They have learned who might be planning it but
they don’t know where. They have to sneak into a business office to find the
evidence they need and then race to the place where the bomb is and defuse it to
avoid tragedy. The twist on this group is the way they refer to each other. The
man running the operation over their communication devices is only referred to
as dad. Occasionally he mentions that some of the protocols the “children” must
follow came down from the grandparents. Without other information you would
think this is just a convenient set of code names to use. But mixed in with the
action scenes in the present are glimpses of the operatives as children. They
are obviously being trained at a very early age in an extreme fashion. A girl
has to break a code on a computer while holding her breath as the room fills up
with a gas she is told will kill her. A young boy is given two minutes to solve
a puzzle or a puppy will be killed in front of him. We are obviously left to
infer that these operatives where recruited at a very early age and brought up
to work well under extreme pressure. Perhaps they are orphans, hence the title
and the whole code name thing. What they are is very good at what they do. The
clandestine tricks, the skill in battle and escape as well as technical skills
prove to be top notch. Not too much is revealed about the organization or who is
behind it and the story builds to two climaxes and an unexpected cliffhanger.
The art is well composed and moves things along nicely. There is a good mix of
exposition and mystery to keep you interested the whole time. This is a solid
first issue.
Title: UMBRAL
Issue Number: 1
Title Story: The Day Dawned Twice
Title Arc: Out of the Shadows
Publisher: Image
Creators: Antony Johnston & Christopher Mitten
Writer: Antony Johnston
Artist: Christopher Mitten
Painter: John Rauch
Letters: Thomas Mauer
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Fantasy
Mature – Comics on the Edge
It is often difficult for a new comic based on a world created specifically for
the story to capture a large initial readership. Fantasy comics probably are the
hardest type to accomplish this. They are typically conceived by the creators
with many details about the geography, plot points, and even key characters
slowly revealed over time. The challenge is to immediately engage the readers
with enough characterization in a story that engages their interest enough to
make them want to come back to see the layers peeled off issue after issue. The
trap some writers fall into is being so familiar with the big picture they
forget the reader lacks some of the basic knowledge the writer has. He or she
has to give readers a reason to be interested rather than make them wait several
issues to explain minor things brought up early that are not critical to telling
or spoiling the complete story too soon. Johnston & Mitten are the creators of
the post-apocalyptic series WASTELAND that began in 2006 and is just know
reaching its conclusion. It is clear from the longevity of that comic that
Johnston has a handle on how to build a different universe while telling a
compelling story over time. This story is set in the mythical island realm of
the Kingdom of Fendin. He even includes a map of the nation that identifies all
the major cities and geography of the kingdom. Though it adds little to advance
the story right away it will likely be helpful as he and his characters expose
more of the kingdom to the readers down the road. The main character of the
story is a young girl called Rascal. She is a member of the thieves’ guild and
also a close friend of Prince Arthir. This is a medieval type land where there
are wizards among the guild. While she is not a true wielder of magic she can
cast minor spells. The opening story takes place on the day of an eclipse – the
day it dawns twice. This is a special day of celebration in the kingdom when
the king and queen appear to the public with the king holding the showing off
the magical staff called the Mordent. It is on this day that Arthir plans to
sneak Rascal into the palace and into the special room where the magical orb
called the Oculus is kept. He will need her magical totem the Mist to get
through the cage it is kept in. But other forces are at work on this day of days
and not only is it missing when they arrive but they discover a murdered servant
indicating evil forces are at work. The plot involves supernatural forces, a
gateway to another dimension and a threat that endangers not just the royal
family but everyone in the kingdom. Having a young girl at the center of the
story emphasizes the overwhelming forces at play and she is a symbol of how
little strength many will have against it. She will need major allies and
perhaps growth in knowledge and courage if she or anyone else can survive. The
art is attractive right from the beginning. It draws you in and then delivers
when the horrific elements of the story are revealed. Johnston succeeds in
giving us a paced plot that gets us involved right away, provides a lot of
action and danger and ends with a splash page cliffhanger that emphasizes the
seriousness of Rascal’s predicament. This is bound to be another long-running
series for Johnston and the time to check it out is now.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
What is Millie the Model's last name?
Her last name is Collins. The winner by the dice is Gary Katzoff.
THIS WEEK’S TRIVIA QUESTION:
What was the occupation of the person who became Concrete?
Here is your no prize question:
What two independent sovereign states have square flags?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
Friday, November 15, 2013
Comic Reviews 11/15/13
REVIEWS
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: PROTECTORS, INC.
Issue Number: 1
Publisher: Image/Joe’s Comics
Creator: J. Michael Straczynski
Writer: J. Michael Straczynski
Artist: Gordon Purcell
Colors: Michael Atiyeh
Letters: Troy Peteri
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Straczynski has recently put out new comics under his Joe’s Comics imprint
through Image. This is the latest entry and it deals with a familiar theme – a
world were super heroes emerged. The book is set up with two main plots. The
first is the origins of the heroes starting with the first that appeared during
World War Two right after the Normandy invasion. An average sergeant in the US
Army was caught in an explosion when something fell out of the sky. He
immediately gained super powers. Soon after he donned a mask and with a US flag
across the chest of his newly designed fatigues aided the allied effort in
winning the war as The Patriot. Unlike Captain America he has flight and super
strength along with invulnerability. After the war more heroes began to emerge,
as if some extraterrestrial intelligence had a plan for the people of Earth. The
interesting thing is that they all arose in the US and most of them were rich
Americans who fought for freedom and the good of mankind. If you believed the
press there were no super bad guys. Eventually a group of them banded together
and formed Protectors. Soon they incorporated and fame and fortune followed.
Public appearances, books, endorsements, merchandising and fan clubs made them
all richer. Most of them were publicly known but the Patriot, who never actually
joined the group, always kept his identity a secret. He wanted to remain a
symbol rather than cash in. In fact we see him in his civilian identity as
Detective John Riley in Chicago. The heroes are all in the major cities around
the US and occasionally would visit another city where one would challenge the
local hero battling in the sky just for fun and to see who was top dog. The
citizens and the cities loved the drama for the entertainment and tourist
dollars it brought in. As the story begins the Patriot has been off the grid for
ten years choosing to remain a civilian. The other plot is a second mystery as
two people disappear in a flash of light. One is under the custody of the CIA
rendition agent on his way to Washington, DC. The other is a seemingly normal
twenty-something office worker on a night on the town with her friends. What
these two may have in common and how it involves the super heroes is left for
future issues. Well, so far it is a typical super hero story that has been
tweaked a little. The Patriot is clearly the only altruistic hero of the bunch
so far. Since it is all set up at this point we have no idea what direction the
story will take. Purcell’s art is terrific and is ably colored for the right
effects. I like it so far but will have to see more to gain more interest it
the characters and plot.
Title: CATACLYSM: THE ULTIMATES’ LAST STAND
Issue Number: 1
Title Story: Part One
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: Mark Bagley
Inker: Andrew Hennessy
Colors: Jason Keith
Letters: Cory Petit
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
We still don’t know if CATACLYSM is a device being used to end the Ultimate
Universe or perhaps its current version of the Ultimates. We saw the first
encounter with Galactus who managed to cross over from the regular Marvel
Universe in last week’s Point One issue and that ended in a hint of just who
might be able to stop him from devouring Earth or the whole universe. This event
will encompass the major players in the Ultimate Universe. We have already seen
Rick Jones and the Watcher among others in HUNGER and the Vision last week.
Aside from this main title the story will tie-in with the characters in their
own renumbered books – THE ULTIMATES, THE X-MEN AND SPIDER-MAN. This issue is
the first encounter on Earth. It begins quietly as Miles Morales relates to his
friend Ganke his concern over the time-displaced vision he had of some huge guy
in the sky. Well this story is about to begin as that vision becomes reality. As
Galactus begins raining havoc on New York, (why is it always New York?), Spider-
Man quickly realizes there is not much he can do about it but help save the
innocent. This calls for the Ultimates who soon appear to take up the battle
after the might of S.H.I.E.L.D. proves to be ineffective. Can Thor, Iron Man,
Captain America, Hawkeye and the Fantastic Four, now without Reed Richards,
prevail? That is what this is all about. This is fine as a lead in for an event
such as this. We will have to see a lot more before reaching the climax. For now
be satisfied with the initial reactions of all involved and the seemingly
hopeless battle at this point. Bagley has returned to these characters and does
a spectacular job in conveying the action and drama. The supporting artists are
very good on the finishes as well. If you are an Ultimate Universe fan as I am
you will want to see it through to the end.
Title: ALEX + ADA
Issue Number: 1
Publisher: Image
Story & Script: Jonathan Luna & Sarah Vaughn
Artist & Letters: Jonathan Luna
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Science Fiction
TEEN + - Comics on the Edge
This story is set in a technologically advanced future with advances that are
not really far-fetched. It follows the main character Alex through his typical
day, although it happens to be his birthday. It is clear right from the
beginning that his is a world where nearly everything is automated and
controlled from an implant in his brain. He can flush the toilet, turn on the
shower adjusting the temperature, have the closet present him with the proper
shirt and even have a small robot perk and fetch his coffee all by just thinking
the proper commands. It was only a year ago that a new piece of software
artificial intelligence became self-aware, uploaded itself to dozens of robots
and attacked human workers. Thirty-four people died before the police contained
the rogues and shut them down. That company was closed down and the government
put restrictions on artificial intelligence and the robotics industry but the
lingering question is still on everyone’s mind. Could another A.I. attack happen
in the future? This is a world very dependent on robots for a lot of the menial
and service jobs. That is the background in which the main story takes place. As
I said it is Alex’s birthday. His birthday party with family and friends is
nice, but it is also a reminder of how empty his life is after his relationship
with Claire ended several months ago. So he needs something or someone in his
life again and that fact is very clear to his grandmother who urges Alex to get
an android lover like she has. Their video conversation is amusing and creepy
at the same time. But it is clear by the end of the story what the birthday
present from Grandma will be when Alex gets home that night. The concept is not
a new one but this one is told with interesting characters and dialogue and the
very pleasing art of Johnathan Luna. I have always been a fan of science fiction
that is close to what really might happen as opposed to speculation of what is
out there. This world is believable as are the characters. Of course the
emphasis on the A.I. problem could pose a major plot point going forward and
that will be interesting to see how it is integrated into the story of Alex and
Ada. I like it a lot and will be staying to see what comes next.
Title: PAINKILLER JANE: THE PRICE OF FREEDOM
Issue Number: 1
Title Story: Part One
Publisher: Marvel/Icon
Creator: Jimmy Palmiotti
Writer: Jimmy Palmiotti
Artist: Juan Santacruz
Colors: Paul Mounts
Letters: Bill Tortolini
Cover Artists: Amanda Conner & Dave Johnson
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Science Fiction/Crime
Mature – Comics on the Edge
Jimmy Palmiotti has returned to one of his more famous characters. Jane Vasko
was working undercover for the NYPD when her cover was blown. She was injected
with a cocktail of deadly drugs and left for dead. Her family and friends were
lead to believe that she died for their own protection but she actually emerged
from a six-month coma with a killer immune system that gave her the ability to
rapidly heal from any injury. Now she works with her best friend on the force,
Maureen Fernandez, as her off-the-books operative that can work outside the law
to get the bad guys. The latest mission will have Jane trying to keep an eye on
a very rich, very important Saudi princess. She is visiting New York on her own
and her father refused police protection. So Jane is supposed to tail her in
case her own body guard is not enough. This story is at first glance about
cultural differences but it goes deeper as we get into it. Jane is running late
to get to the hanger where the private jet landed and witnesses an attack on the
limo as it pulls away by what appear to be NYPD cruisers. This causes chaos as
the chase leads unto one runway ending with the limo crashing into a fence with
the fake cops right behind. She manages to help the bodyguard stop the bad guys
but not before the bodyguard is wounded badly. With the appearance of an armed
drone coming at them she has no choice but to grab the princess and run. This
is an interesting contrast between a hard-boiled, do what it takes operative and
a spoiled rich kid who does not understand the gravity of her situation. Maureen
makes a good partner for our heroine as she easily fends off requests by the FBI
to turn over the princess from wherever she is. At this point no one knows who
is behind the plot to kill the princess and she is far better off with Jane
where no one but Maureen knows where to look. But off course the last panel
indicates there is another problem looming close by. I like the story and the
pace of it. Palmiotti takes time to re-introduce his hero adding dialogue to
familiarize new readers about the kind of person she is. This is also true of
the other main players. There is enough mystery concerning the plot to kill the
princess that we are not sure that even her father may be behind it. The art is
very detailed and brilliantly colored with a hint of naughtiness here and there.
It is a fine beginning for new and old readers alike.
The back-up story, “From the Beginning” by Palmiotti with art by Sam Lofti
explores the relationship between Jane and Maureen from there early days as Jane
thinks back on how they met and then became roommates and then partners in crime
prevention. The memories are prompted after they take down some bad guys and
Maureen is hit. Like her life flashing before her eyes Jane sees the highlights
of their time together, though we do not see the incident that changed her life
forever. It is decent filler material that adds new dimension to their
relationship. While the art is dynamic and well laid out the pencils are a bit
crude in places making it less appealing than the main story. Still the entire
issue is entertaining and worth a look.
Title: AMAZING X-MEN
Issue Number: 1
Title Story: Part One
Title Arc: The Quest for Nightcrawler
Publisher: Marvel
Writer: Jason Aaron
Artist: Ed McGuinness
Inker: Dexter Vines
Colors: Marte Gracia
Letters: Joe Caramagna
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
Is anyone else getting tired of Marvel starting new X-Men books that throw
different members together and give it a new title, or reuse an old one? I am
just saying that there are enough X-Men (and Avengers for that matter) comics
around without having a new first issue with a different title every three
months. From the future plans I see this trend is not going to be stopping. As
you can guess from the story arc the excuse to use a new first issue rather than
incorporate the story into an existing one is the reappearance of Nightcrawler
who has been dead for some time now. As the issue opens he appears to be in
heaven and is satisfied with his fate. He is where he knows he was always meant
to be but yet somehow it is missing something. Well, that something is not a
bunch of demon pirates who suddenly appear to breach the tranquility followed by
Azazel and the Bamfs who plan to grab as many souls as they can before the
archangels find out. I can’t begin to wonder how wrong that would be, if this
truly were heaven, but I digress… The more interesting, to me, plot is in the
present as Angelica Jones, aka Starfire, arrives at the Jean Grey School for
Higher Learning to begin her tenure on the faculty. For those not currently
reading WOLVERINE AND THE X-MEN it is a good introduction to some of the
characters and craziness going on at the school. Angelica is startled by both
the students and some of the faculty who are all mostly wrapped up in their own
problems to pay her much attention. All except for Hank McCoy who whisks her off
to help him with a recurring problem that she might be able to help with. It
seems the school has been infested with bamfs and Henry has decided to take
decisive action against their thievery. What the two discover in the underground
chambers of the school will require them to alert the others, presumably the
lineup for this book. Will the nine mutants on this team be enough to counter
the gateway they have discovered or what may be on the other side? While I am
not averse to having Nightcrawler come back I think the constant start of new X-
books for the sake of a new number one is wearing thin. Is this Marvel’s formula
for sales – start a new book, drop an old one only to restart it a month or two
later with a new number one? Anyway, I like the characterizations and the art
more than I did the plot. No doubt the fuzzy elf will eventually be back in the
real world but that is not enough, either way, to keep me interested. Maybe the
next new X-book will be more to my liking.
Title: LONGSHOT SAVES THE MARVEL UNIVERSE
Issue Number: 1
Title Story: Part One
Publisher: Marvel
Writer: Christopher Hastings
Artist: Jacopo Camagni
Colors: Matt Milla
Letters: Joe Caramagna
Cover Artist: David Nakayama
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Longshot has been around for a long time and is one of those characters who come
and go as needed. As the opening text explains he is not a mutant though he has
been a member of X-Men and X-Factor in the past. He is a genetically engineered
being from another universe who has extremely good luck, can read past events
from touching objects involved and is unnaturally attractive to men and women
alike. The title of this comic intrigued me as I wondered how someone with those
“super powers” could save the entire universe. Alright, the extreme luck thing
must factor into that and as it turns out luck is the main theme of the plot. As
the story opens we see an old man buying a scratch ticket, hitting a big winner
and then dropping dead. As part of that scene a man appears behind him and is
apparently the cause of that untimely death. He is not visible to others as
surely someone would remark about his face being all black on one side and ashen
white on the other. Even his word balloons are half black on white and half
white on black, an interesting touch. He is some kind powerful being from
another world or dimension looking for someone with extraordinary luck and his
trail has lead from upstate, through Manhattan and into Brooklyn. The media has
taken note of instances where people have won at gambling, escaped harrowing
accidents and otherwise had very good luck only to suddenly drop dead. We can
guess our antagonist is seeking Longshot by sensing luck wherever he goes. In a
subplot that intersects later Tony Stark and Reed Richards are inspecting a rare
object that suddenly appeared at the Metropolitan Museum in the Sphinx. Reed
detected it and brought it to Tony. The two decide they need to transport it to
a secure facility in New Jersey and embark on the road trip in a large truck.
Meanwhile Longshot himself is in Brooklyn and gets involved with a scientist and
his daughter when an explosion draws his attention. You see his power can
backfire if he tries to use his luck for personal gain. He was wishing for some
cash to buy a taco when the blast went off and he figured he caused it. It is
this particular place where all the characters come together, Longshot, the
scientist, the evil dimension guy, Tony and Reed which may or may not be
construed as a lucky coincidence. What it is for sure is a plot device to get
Longshot to handle what Reed and Tony were transporting for that is what will
move the plot forward. There is a lot going on here and the last few pages are
the most important and too good to spoil. At first it seemed like a lighter
comic that would have some entertainment value but as the end nears we find a
much deeper plot and a few clever twists one after the other. By the time I was
finished I thought a lot more of the title and where it is going. Kudos to the
art team as well for doing a splendid job. I would much rather read this kind of
story than another series that is full of mutants.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
In the original Valiant Universe the last line of the UNITY SAGA refers to what
other familiar work of fiction?
The reference to the robot that raised Magnus compares him to the Tin Man in the
Wizard of Oz. No winner this week.
Here was your no prize question:
What does the word MODEM stand for?
A modem is a Modulator-demodulator.
THIS WEEK’S TRIVIA QUESTION:
What is Millie the Model's last name?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: PROTECTORS, INC.
Issue Number: 1
Publisher: Image/Joe’s Comics
Creator: J. Michael Straczynski
Writer: J. Michael Straczynski
Artist: Gordon Purcell
Colors: Michael Atiyeh
Letters: Troy Peteri
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Straczynski has recently put out new comics under his Joe’s Comics imprint
through Image. This is the latest entry and it deals with a familiar theme – a
world were super heroes emerged. The book is set up with two main plots. The
first is the origins of the heroes starting with the first that appeared during
World War Two right after the Normandy invasion. An average sergeant in the US
Army was caught in an explosion when something fell out of the sky. He
immediately gained super powers. Soon after he donned a mask and with a US flag
across the chest of his newly designed fatigues aided the allied effort in
winning the war as The Patriot. Unlike Captain America he has flight and super
strength along with invulnerability. After the war more heroes began to emerge,
as if some extraterrestrial intelligence had a plan for the people of Earth. The
interesting thing is that they all arose in the US and most of them were rich
Americans who fought for freedom and the good of mankind. If you believed the
press there were no super bad guys. Eventually a group of them banded together
and formed Protectors. Soon they incorporated and fame and fortune followed.
Public appearances, books, endorsements, merchandising and fan clubs made them
all richer. Most of them were publicly known but the Patriot, who never actually
joined the group, always kept his identity a secret. He wanted to remain a
symbol rather than cash in. In fact we see him in his civilian identity as
Detective John Riley in Chicago. The heroes are all in the major cities around
the US and occasionally would visit another city where one would challenge the
local hero battling in the sky just for fun and to see who was top dog. The
citizens and the cities loved the drama for the entertainment and tourist
dollars it brought in. As the story begins the Patriot has been off the grid for
ten years choosing to remain a civilian. The other plot is a second mystery as
two people disappear in a flash of light. One is under the custody of the CIA
rendition agent on his way to Washington, DC. The other is a seemingly normal
twenty-something office worker on a night on the town with her friends. What
these two may have in common and how it involves the super heroes is left for
future issues. Well, so far it is a typical super hero story that has been
tweaked a little. The Patriot is clearly the only altruistic hero of the bunch
so far. Since it is all set up at this point we have no idea what direction the
story will take. Purcell’s art is terrific and is ably colored for the right
effects. I like it so far but will have to see more to gain more interest it
the characters and plot.
Title: CATACLYSM: THE ULTIMATES’ LAST STAND
Issue Number: 1
Title Story: Part One
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: Mark Bagley
Inker: Andrew Hennessy
Colors: Jason Keith
Letters: Cory Petit
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
We still don’t know if CATACLYSM is a device being used to end the Ultimate
Universe or perhaps its current version of the Ultimates. We saw the first
encounter with Galactus who managed to cross over from the regular Marvel
Universe in last week’s Point One issue and that ended in a hint of just who
might be able to stop him from devouring Earth or the whole universe. This event
will encompass the major players in the Ultimate Universe. We have already seen
Rick Jones and the Watcher among others in HUNGER and the Vision last week.
Aside from this main title the story will tie-in with the characters in their
own renumbered books – THE ULTIMATES, THE X-MEN AND SPIDER-MAN. This issue is
the first encounter on Earth. It begins quietly as Miles Morales relates to his
friend Ganke his concern over the time-displaced vision he had of some huge guy
in the sky. Well this story is about to begin as that vision becomes reality. As
Galactus begins raining havoc on New York, (why is it always New York?), Spider-
Man quickly realizes there is not much he can do about it but help save the
innocent. This calls for the Ultimates who soon appear to take up the battle
after the might of S.H.I.E.L.D. proves to be ineffective. Can Thor, Iron Man,
Captain America, Hawkeye and the Fantastic Four, now without Reed Richards,
prevail? That is what this is all about. This is fine as a lead in for an event
such as this. We will have to see a lot more before reaching the climax. For now
be satisfied with the initial reactions of all involved and the seemingly
hopeless battle at this point. Bagley has returned to these characters and does
a spectacular job in conveying the action and drama. The supporting artists are
very good on the finishes as well. If you are an Ultimate Universe fan as I am
you will want to see it through to the end.
Title: ALEX + ADA
Issue Number: 1
Publisher: Image
Story & Script: Jonathan Luna & Sarah Vaughn
Artist & Letters: Jonathan Luna
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Science Fiction
TEEN + - Comics on the Edge
This story is set in a technologically advanced future with advances that are
not really far-fetched. It follows the main character Alex through his typical
day, although it happens to be his birthday. It is clear right from the
beginning that his is a world where nearly everything is automated and
controlled from an implant in his brain. He can flush the toilet, turn on the
shower adjusting the temperature, have the closet present him with the proper
shirt and even have a small robot perk and fetch his coffee all by just thinking
the proper commands. It was only a year ago that a new piece of software
artificial intelligence became self-aware, uploaded itself to dozens of robots
and attacked human workers. Thirty-four people died before the police contained
the rogues and shut them down. That company was closed down and the government
put restrictions on artificial intelligence and the robotics industry but the
lingering question is still on everyone’s mind. Could another A.I. attack happen
in the future? This is a world very dependent on robots for a lot of the menial
and service jobs. That is the background in which the main story takes place. As
I said it is Alex’s birthday. His birthday party with family and friends is
nice, but it is also a reminder of how empty his life is after his relationship
with Claire ended several months ago. So he needs something or someone in his
life again and that fact is very clear to his grandmother who urges Alex to get
an android lover like she has. Their video conversation is amusing and creepy
at the same time. But it is clear by the end of the story what the birthday
present from Grandma will be when Alex gets home that night. The concept is not
a new one but this one is told with interesting characters and dialogue and the
very pleasing art of Johnathan Luna. I have always been a fan of science fiction
that is close to what really might happen as opposed to speculation of what is
out there. This world is believable as are the characters. Of course the
emphasis on the A.I. problem could pose a major plot point going forward and
that will be interesting to see how it is integrated into the story of Alex and
Ada. I like it a lot and will be staying to see what comes next.
Title: PAINKILLER JANE: THE PRICE OF FREEDOM
Issue Number: 1
Title Story: Part One
Publisher: Marvel/Icon
Creator: Jimmy Palmiotti
Writer: Jimmy Palmiotti
Artist: Juan Santacruz
Colors: Paul Mounts
Letters: Bill Tortolini
Cover Artists: Amanda Conner & Dave Johnson
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Science Fiction/Crime
Mature – Comics on the Edge
Jimmy Palmiotti has returned to one of his more famous characters. Jane Vasko
was working undercover for the NYPD when her cover was blown. She was injected
with a cocktail of deadly drugs and left for dead. Her family and friends were
lead to believe that she died for their own protection but she actually emerged
from a six-month coma with a killer immune system that gave her the ability to
rapidly heal from any injury. Now she works with her best friend on the force,
Maureen Fernandez, as her off-the-books operative that can work outside the law
to get the bad guys. The latest mission will have Jane trying to keep an eye on
a very rich, very important Saudi princess. She is visiting New York on her own
and her father refused police protection. So Jane is supposed to tail her in
case her own body guard is not enough. This story is at first glance about
cultural differences but it goes deeper as we get into it. Jane is running late
to get to the hanger where the private jet landed and witnesses an attack on the
limo as it pulls away by what appear to be NYPD cruisers. This causes chaos as
the chase leads unto one runway ending with the limo crashing into a fence with
the fake cops right behind. She manages to help the bodyguard stop the bad guys
but not before the bodyguard is wounded badly. With the appearance of an armed
drone coming at them she has no choice but to grab the princess and run. This
is an interesting contrast between a hard-boiled, do what it takes operative and
a spoiled rich kid who does not understand the gravity of her situation. Maureen
makes a good partner for our heroine as she easily fends off requests by the FBI
to turn over the princess from wherever she is. At this point no one knows who
is behind the plot to kill the princess and she is far better off with Jane
where no one but Maureen knows where to look. But off course the last panel
indicates there is another problem looming close by. I like the story and the
pace of it. Palmiotti takes time to re-introduce his hero adding dialogue to
familiarize new readers about the kind of person she is. This is also true of
the other main players. There is enough mystery concerning the plot to kill the
princess that we are not sure that even her father may be behind it. The art is
very detailed and brilliantly colored with a hint of naughtiness here and there.
It is a fine beginning for new and old readers alike.
The back-up story, “From the Beginning” by Palmiotti with art by Sam Lofti
explores the relationship between Jane and Maureen from there early days as Jane
thinks back on how they met and then became roommates and then partners in crime
prevention. The memories are prompted after they take down some bad guys and
Maureen is hit. Like her life flashing before her eyes Jane sees the highlights
of their time together, though we do not see the incident that changed her life
forever. It is decent filler material that adds new dimension to their
relationship. While the art is dynamic and well laid out the pencils are a bit
crude in places making it less appealing than the main story. Still the entire
issue is entertaining and worth a look.
Title: AMAZING X-MEN
Issue Number: 1
Title Story: Part One
Title Arc: The Quest for Nightcrawler
Publisher: Marvel
Writer: Jason Aaron
Artist: Ed McGuinness
Inker: Dexter Vines
Colors: Marte Gracia
Letters: Joe Caramagna
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
Is anyone else getting tired of Marvel starting new X-Men books that throw
different members together and give it a new title, or reuse an old one? I am
just saying that there are enough X-Men (and Avengers for that matter) comics
around without having a new first issue with a different title every three
months. From the future plans I see this trend is not going to be stopping. As
you can guess from the story arc the excuse to use a new first issue rather than
incorporate the story into an existing one is the reappearance of Nightcrawler
who has been dead for some time now. As the issue opens he appears to be in
heaven and is satisfied with his fate. He is where he knows he was always meant
to be but yet somehow it is missing something. Well, that something is not a
bunch of demon pirates who suddenly appear to breach the tranquility followed by
Azazel and the Bamfs who plan to grab as many souls as they can before the
archangels find out. I can’t begin to wonder how wrong that would be, if this
truly were heaven, but I digress… The more interesting, to me, plot is in the
present as Angelica Jones, aka Starfire, arrives at the Jean Grey School for
Higher Learning to begin her tenure on the faculty. For those not currently
reading WOLVERINE AND THE X-MEN it is a good introduction to some of the
characters and craziness going on at the school. Angelica is startled by both
the students and some of the faculty who are all mostly wrapped up in their own
problems to pay her much attention. All except for Hank McCoy who whisks her off
to help him with a recurring problem that she might be able to help with. It
seems the school has been infested with bamfs and Henry has decided to take
decisive action against their thievery. What the two discover in the underground
chambers of the school will require them to alert the others, presumably the
lineup for this book. Will the nine mutants on this team be enough to counter
the gateway they have discovered or what may be on the other side? While I am
not averse to having Nightcrawler come back I think the constant start of new X-
books for the sake of a new number one is wearing thin. Is this Marvel’s formula
for sales – start a new book, drop an old one only to restart it a month or two
later with a new number one? Anyway, I like the characterizations and the art
more than I did the plot. No doubt the fuzzy elf will eventually be back in the
real world but that is not enough, either way, to keep me interested. Maybe the
next new X-book will be more to my liking.
Title: LONGSHOT SAVES THE MARVEL UNIVERSE
Issue Number: 1
Title Story: Part One
Publisher: Marvel
Writer: Christopher Hastings
Artist: Jacopo Camagni
Colors: Matt Milla
Letters: Joe Caramagna
Cover Artist: David Nakayama
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
Longshot has been around for a long time and is one of those characters who come
and go as needed. As the opening text explains he is not a mutant though he has
been a member of X-Men and X-Factor in the past. He is a genetically engineered
being from another universe who has extremely good luck, can read past events
from touching objects involved and is unnaturally attractive to men and women
alike. The title of this comic intrigued me as I wondered how someone with those
“super powers” could save the entire universe. Alright, the extreme luck thing
must factor into that and as it turns out luck is the main theme of the plot. As
the story opens we see an old man buying a scratch ticket, hitting a big winner
and then dropping dead. As part of that scene a man appears behind him and is
apparently the cause of that untimely death. He is not visible to others as
surely someone would remark about his face being all black on one side and ashen
white on the other. Even his word balloons are half black on white and half
white on black, an interesting touch. He is some kind powerful being from
another world or dimension looking for someone with extraordinary luck and his
trail has lead from upstate, through Manhattan and into Brooklyn. The media has
taken note of instances where people have won at gambling, escaped harrowing
accidents and otherwise had very good luck only to suddenly drop dead. We can
guess our antagonist is seeking Longshot by sensing luck wherever he goes. In a
subplot that intersects later Tony Stark and Reed Richards are inspecting a rare
object that suddenly appeared at the Metropolitan Museum in the Sphinx. Reed
detected it and brought it to Tony. The two decide they need to transport it to
a secure facility in New Jersey and embark on the road trip in a large truck.
Meanwhile Longshot himself is in Brooklyn and gets involved with a scientist and
his daughter when an explosion draws his attention. You see his power can
backfire if he tries to use his luck for personal gain. He was wishing for some
cash to buy a taco when the blast went off and he figured he caused it. It is
this particular place where all the characters come together, Longshot, the
scientist, the evil dimension guy, Tony and Reed which may or may not be
construed as a lucky coincidence. What it is for sure is a plot device to get
Longshot to handle what Reed and Tony were transporting for that is what will
move the plot forward. There is a lot going on here and the last few pages are
the most important and too good to spoil. At first it seemed like a lighter
comic that would have some entertainment value but as the end nears we find a
much deeper plot and a few clever twists one after the other. By the time I was
finished I thought a lot more of the title and where it is going. Kudos to the
art team as well for doing a splendid job. I would much rather read this kind of
story than another series that is full of mutants.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
In the original Valiant Universe the last line of the UNITY SAGA refers to what
other familiar work of fiction?
The reference to the robot that raised Magnus compares him to the Tin Man in the
Wizard of Oz. No winner this week.
Here was your no prize question:
What does the word MODEM stand for?
A modem is a Modulator-demodulator.
THIS WEEK’S TRIVIA QUESTION:
What is Millie the Model's last name?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
Friday, November 8, 2013
Comic Reviews 11/8/13
REVIEWS
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: THE SANDMAN: OVERTURE
Issue Number: 1 (of 6)
Title Story: Chapter One
Publisher: DC/Vertigo
Creators: Neil Gaiman, Sam Kieth & Mike Dringenberg
Writer: Neil Gaiman
Artist: J.H. Williams III
Colors: Dave Stewart
Letters: Todd Klein
Cover Artists: J.H. Williams III/Dave McKean
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Supernatural Fantasy
Mature Readers – Comics on the Edge
It has been a long time since I have read PRELUDES AND NOCTURNES, the opening
arc of Neil Gaiman’s epic SANDMAN series. So much has been said about that
series. It is held up as one of the greatest comic stories of all times with
good reason. It was constructed in rich and deliberate fashion to lead the
reader on a wondrous journey from beginning to end. I wondered how Gaiman could
add to that experience so long after it finished. It has been suggested that
this mini-series is like a gift to the legions of fans of the original. That
does not mean that curious new readers will not enjoy this new comic. It just
means those more familiar with the entire breadth of the original will enjoy it
even more. It does not begin with any central plot. Rather it wanders through
various scenes and realities between the world, other worlds and the dreaming.
The opening scene may even seem odd at first as it is set on a faraway world
with three sentient life forms and it focuses on the intelligent plants and one
in particular. The end of that scene is perhaps a hint of what is to come at the
finish of this chapter. As I said there are changes of scenes and some old
familiar faces appear in them. One of those is the Corinthian who is setting a
plan in motion but it will be interrupted when he is unceremoniously transported
to Dream’s London office in the early 1900s. This series is set prior to the
events in PRELUDES AND NOCTURNES so it is a prelude to the main SANDMAN body of
work, hence the title Overture. We see two other members of the Endless, Destiny
and Death. She has come to her brother for advice and alludes to the opening
scene on that planet far away. We also see interactions between Dream and those
who serve him from his office manager to his librarian. The dialogue serves to
add some characterization and plot points to ponder as Dream is compelled to
journey half a universe away where he will meet the beings at the heart of the
major plot to come. JH Williams III is a good choice to carry the art chores on
this story. There are many changes of scene, each with its own distinct style.
It is amazing how Williams can vary things so much and do each one equally well.
From an alien planet to scenes in black and white with the panels drawn into the
individual teeth of the Corinthian in a two-page spread. The closing major scene
is a double fold out with multiple characters and it is splendid. Williams does
more than compliment the words. He also tells the story through the layout,
depictions and art choices. Those who may have feared a return to this series
after so many years would not live up to the legend can rest those fears. It is
hard to find anything wrong with this book.
Title: CATACLYSM
Issue Number: 0.1
Title Story: Vision
Publisher: Marvel
Writer: Joshua Hale Fialkov
Artists: Mico Suayan, Mirco Pierfederici and Leonard Kirk
Colors: Nolan Woodard
Letters: Clayton Cowles
Cover Artist: Michael Komarck
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
Perhaps the seminal event of the Ultimate Universe is about to take place. The
set up was put in motion in the Marvel 616 Universe as the abuse of time travel
fractured space and time allowing Galactus to pass from the normal Marvel
Universe to the Ultimate Universe. The first interaction with creatures of this
other universe occurred in the mini-series HUNGER and now the main event will
run in the restarted Ultimate titles, X-MEN, SPIDER-MAN AND ULTIMATES. In fact
the subtitle of CATACLYSM is “The Ultimates Last Stand.” Galactus has not
reached Earth yet but he is on the way. This prelude issue is the story of his
encounter with the Ultimate version of The Vision. In the Ultimate Universe the
Vision is a female sentient robot who was created to warn the world of
apocalyptic threats, specifically the world-devouring drone swarm called Gah Lak
Tus. That swarm was previously defeated but as we saw in HUNGER not completely
destroyed. It brief return appearance was enough to set off a reaction inside
Vision and she and her lover Sam Wilson, aka the Falcon, head off to the Bahamas
where Tony Stark and Sue Richards are examining the ashen remains of the Gah Lak
Tus swarm. But it is Vision who is able to interface with the microscopic
remains of sentience and that alerts her to the main threat approaching Earth,
Galactus! Through the mind contact she learns of the history of Galactus in
Universe 616 and the terrible power he holds. If he is not stopped it could mean
the end of the Ultimate Universe. That is the setup of the plot. This story
deals with her confrontation with the situation. Just as importantly it explores
the concept of artificial intelligence. Do androids Dream? Can they feel
emotions? Can they truly love another? Is there a difference between choosing a
course of action because it is the only logical thing to do and doing it because
one is selfless and brave? Rather just give us a “prelude” point one story prior
to the main event Fialkov tells a deeper story with strong characterizations and
meaning. You may not need to read this to follow the events in CATACLYSM but I
highly recommend it as a self-contained story worth reading.
Title: FOREVER EVIL: A.R.G.U.S.
Issue Number: 1 (of 6)
Title Story: Issues of Trust
Publisher: DC
Writer: Sterling Gates
Artists: Philip Tan, Neil Edwards & Javier Pina
Inkers: Jason Paz, Jay Leisten & Javier Pina
Colors: Nathan Eyring, Romulo Fajardo Jr. & Hi-Fi
Letters: Dezi Sienty
Cover Artists: Brett Booth, Mark Irwin & Andrew Dalhouse
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
When the NEW 52 began we first met Steve Trevor as a liaison between the Justice
League and the government. More recently he has been working with Amanda Waller
in ARGUS and helped put together and lead the team that is the Justice League of
America. But the story of how he got mixed in with super heroes goes back six
years ago and it involves Wonder Woman. This comic actually details the first
meeting between Steve Trevor and Wonder Woman. Preserving the old canon he is
flying a search and rescue mission in a jet when the plane is struck by
lightning and he crash lands on Paradise Island. She saves him by pulling him
from the wreckage. This is the first detailing of the incident in the NEW 52 and
it plays on the story title as do other events further in the issue. The
Steve/Diana plot moves forward elsewhere in the issue as the two have become
close. It also reveals how and why ARGUS was formed. But this is primarily a
tie-in to FOREVER EVIL and soon we are back in the present as Steve wakens at
ARGUS headquarters having survived the clash between the Justice Leagues and the
Crime Syndicate when Zatanna teleported him away. Now he is dealing with other
issues – the explosion around Dr. Light’s body that destroyed a building leaving
some still buried in the rubble and the compromising of the identities of every
ARGUS agent around the world. Most of those agents have been hunted down and
killed by the Society of Evil. Steve is torn between helping out at HQ and
hunting down the Secret Society to help the Leagues. But his priorities are
changed when communications are partially restored and he learns of a major
threat at the White House. Too bad he is going to miss the big event back at
ARGUS HQ shortly after he leaves. Sterling Gates has given us a fast-paced story
that really shines a bright light on Steve Trevor and the mission of ARGUS. It
exists not only to deal with the super human allies of the government but also
to be America’s second line of defense should the heroes fail. Well that has
happened in FOREVER EVIL but ARGUS is devastated. Can Trevor still make a
difference somehow? Perhaps that is the basis of the mini-series. I was
surprised that there are three artists and three inkers but the do a pretty
decent job keeping things interesting visually. I have a feeling this series
will have more importance to the event going on than some of the other off shoot
series. Especially when you consider the final splash page cliff hanger. I
suggest you might want to get this one if not some of the others.
Title: SUPERIOR SPIDER-MAN TEAM-UP SPECIAL
Issue Number: 1
Title Story: With Mercy for the Greedy
Title Arc: The Arms of the Octopus
Publisher: Marvel
Writer: Mike Costa
Artist: Michael Dialynas
Colors: Rachelle Rosenberg
Letters: Cory Petit
Cover Artist: Alexander Lozano
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Super Hero
It began in ALL NEW X-MEN SPECIAL, continued into THE INDESTRUCTIBLE HULK
SPECIAL and ends here in SUPERIOR SPIDER-MAN TEAM-UP SPECIAL. It features a
team-up with the major characters of those three titles and surprisingly it is a
very entertaining crossover. It began as the time-displaced X-Men, minus Angel
who has gone off with the older Cyclops’ X-Men, are relaxing in New York City,
if that is possible, when they are attacked by a gamma-irradiated young Doctor
Octopus. This draws the attention of the Superior Spider-man whom we all know is
actually Otto Octavius in the body of Peter Parker. Together they defeated the
young Doc Oc. Since they need an expert in Gamma Rays they call in Bruce Banner
to help and then are attacked by the Abomination. After defeating him as well
they discover both are actually robots built by Hank McCoy’s former professor,
Dr. Jude. As the second chapter ended Dr. Jude managed to explode the helicopter
carrying the X-Men and Spider-Man. Meanwhile Hank McCoy has been back at Jude’s
lab with a young student of Jude’s trying to figure out what his end game is.
During the course of the story they all discover that Jude is generating gamma
rays and can use it to give himself super-human strength or create explosions by
super heating the air around him. Spider-man and the X-Men need to track him
down and contain him until Banner and McCoy can figure out a way to counter his
powers and capture Jude. As I said this is surprisingly entertaining. The
teaming of Banner and McCoy makes perfect sense and actually provides some
humorous moments as at one point Banner is so wrapped up in solving Jude’s
journal he does not even realize he is walking around naked having just
transformed back from being the Hulk. The other surprise is the attitude of
Otto/Spider-Man. In most of his stories he has had the superior attitude and
snarkiness of Dr. Octopus but in this story he takes on the role of mentor to
the very inexperienced X-Men and is even complimentary to them as he recognizes
there ability and innate intelligence. There is even a touching moment between
the young Scott and Dr. Banner when Scott seeks the answer to a logical
question. If there is a flaw here it is the art. It is not as polished as the
other two chapters of the story. Dialynas has a more ragged line style that is
less appealing but still carries the story forward with good execution of all
the basics otherwise. This whole series is a worthwhile effort and a fun story.
You can actually read this part without losing much of the plot. If you are a
Superior Spider-Man fan you may be put off by the seeming change in his attitude
but I wouldn’t let that stop you from getting this comic.
Title: THOR: CROWN OF FOOLS
Issue Number: One-Shot
Title Story: Thor: Crown of Fools
Publisher: Marvel
Writer: Bryan J.L. Glass
Artist: Andrea DiVito
Colors: Laura Villari
Letters: Joe Sabino
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Mythical Super Hero
As usual when one of their movies is about to debut Marvel puts out extra comics
featuring the movie characters. In this case it is Thor. The lead story is about
a quest about to be undertaken by the Lady Sif and the Warriors three. An
unnatural flocking of birds is occurring in Asgard and the innocent are in need
of protection by our heroes. As the birds start to leave Lady Sif urges the
others to join her in following them to the source of their enchantment. Thor at
first forbids the quest but since Odin has not ruled on it he cannot stop them
and so reluctantly joins them. They meet other enchanted animals along the way
that also attack and eventually arrive at a castle in a newly opened crevasse, a
fortress with no record of existing. It turns out the magic taking place not
only effects animals but also people as one by one the companions see visions of
their heart’s desire and turn on Thor who is not swayed so easily. But in the
end even he is tempted by a vision. It turns out there is another in the castle
who is using an ancient object of magical power. To save the day Thor will have
to resist the spell and somehow free his companions from its grip. This is an
adequate story. It is not bad for new readers who may have a new interest in the
character after seeing the latest movie. It is not great drama and wraps up
nicely in the end. Likewise the art is adequate, the characters are well defined
and the coloring is sharp but the script does not call for much background as
most of the action takes place in an empty castle. Fans looking for more depth
of story and art will be disappointed.
Back up story: “Whatever Happened to Balder the Brave?” by Walt Simonson, John
Workman Jr. and Christie Scheele with remastered coloring by Steve Oliff. This
is a reprint from an old THOR issue that is not credited. It is from the Jim
Shooter era at Marvel during Simonson’s run on the title. Further research
reveals it to be the first appearance of Malekith the Dark Elf in Thor #344 in
1984. This story was chosen because it is Malekith who plays a big role in THOR
– THE DARK WORLD, now showing at a theater near you. I find it odd that this
back up story is not highlighted on the cover of the comic to draw more
potential readers to it. The basic plot occurs at a time when Balder has passed
from the realm and is living in Nornkeep, the fortress of the Norn Queen,
Karnilla. Odin has discovered a dark secret and summons Balder from his self-
imposed exile to carry a message to none other than Loki, the person responsible
for Balder’s death. So dire is the message Odin believes even Loki will believe
Balder, known for his honesty. There is danger afoot that will affect the nine
realms and Balder will have to brave many dangers if he even wants to reach
Loki. But he has been changed since his death and has vowed never to harm
another having foresworn all violence. If he can get through many perils while
keeping this pledge he will find the very danger foretold by Odin right at the
side of Loki, the Dark Elf Malekith. The story plays out and has a few surprises
before a tragic ending. But this is an issue of Thor and so the sub plot in this
case has Thor at a time when he has taken a new human identity as construction
worker Sigurd Jarlsun. He has been keeping company with Melodi, whom is actually
Lorelei in a human guise. This is one of those issues where the lead character
spends less time in his own comic that the other characters. It is interesting
to take a look back to this comic from nearly thirty years ago. The main story
holds up well but the Thor subplot will may be confusing to new readers and of
course that plot is only three pages because it continued in the next issue in
1984. Still Simonson did a good job with the title and this inclusion makes the
comic worth the price.
Title: THOUGHT BUBBLE ANTHOLOGY
Issue Number: 3
Publisher: Image
Cover Artist: Alice Duke
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Anthology
This unusual comic has a lot going for it. It is the third annual anthology
collecting and showcasing new work from top industry professionals, favorite
independent comic creators and the winners of the Thought Bubble Comic Art
Competition from 2012 held at the Leeds Comic Art Festival, the United Kingdom’s
largest comic book convention. The contributing artists donated their
submissions free of charge and all profits from the sale go to Barnado
Children’s Charity. The Arts Council of England, Image Comics, Travelling Man
and Comicraft put it all together in a double-sized format, similar to a tabloid
newspaper in size. You get thirty two separate comic creations in this large
format for only $3.99 and the money made goes to a worthy cause. That in itself
is worthy of you time and money. That many entries are too numerous to review or
even list but in this volume you will find work from Jeffrey Brown, Richard
Starkings, Carlos Ezquerra, Fabio Moon, Gabriel Ba and many more. The opening
strip is a Judge Dredd/Elephantmen crossover written by Richard Starkings with
art by Boo Cook. It has Judge Dredd and Judge Anderson chasing after Hip Flask
who for some reason is himself dressed as a Judge with full uniform and
motorcycle. The puzzle is the characters exist a century apart so what is going
on? One of the cleverest comics I have ever read is “One Night in Comicopolis”
by Cameron Stewart. It follows a lady dressed in black and a wide-brimmed hat
who crosses the border carrying a “caption box” and is chased. The clever part
is that the dialogue and editorial comments are all related to the comic craft
and its conventional fundamentals. For example as she crosses the border the
visual has her stepping across from one panel to the other and her “variant
cover” worked perfectly. But soon a “thought bubble” chases after her. At one
point a character looking very much like Andy Capp sees the thought bubble
passing by and exclaims, “Hey, what’s the big idea?” while our heroine tries to
slow down the bubble by literally throwing “insults” at it. In the end it is the
caption box she has been carrying that will change everything. This is a fun
strip, well-constructed and perfectly executed. The two page “Rain Falling Like
Hammers” by Oliver Redding and Lee Barnett is a tale of an impending world
ending event and the reaction of one couple as it approaches. The art is
different but attractive to me and the ending is dramatic. The one page entry by
Nicholas Gurewitch is one explanation as to what caused the continental drift –
it is worth a chuckle. The first place winner in the 18+ category is called
“Believe in Yourself” by David Parkinson. It is the story of a small girl
attempting to shoot a basketball while the big and tall older boys continue
laughing at her. In a clever twist she uses their words, literally, to enable
herself to perform beyond all expectations. It is clever and the art is
spectacular. As I said, there is too much here to review in depth. Just the ones
I have mentioned make it worth your time and money. I guarantee you won’t be
disappointed with this comic.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
If you wrote "E-MAIL" on your envelope in the 1980's, you were writing to the
letter section of which comic book series?
"E-MAIL" was the letter section of "E-MAN" (First comics). The winner by the
dice is Mike Dooley.
Here was your no prize question:
Where was the first water supply system developed in New England?
In 1620 the Plymouth Colony established the first water supply system in New
England.
THIS WEEK’S TRIVIA QUESTION:
In the original Valiant Universe the last line of the UNITY SAGA refers to what
other familiar work of fiction?
Here is your no prize question:
What does the word MODEM stand for?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: THE SANDMAN: OVERTURE
Issue Number: 1 (of 6)
Title Story: Chapter One
Publisher: DC/Vertigo
Creators: Neil Gaiman, Sam Kieth & Mike Dringenberg
Writer: Neil Gaiman
Artist: J.H. Williams III
Colors: Dave Stewart
Letters: Todd Klein
Cover Artists: J.H. Williams III/Dave McKean
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Supernatural Fantasy
Mature Readers – Comics on the Edge
It has been a long time since I have read PRELUDES AND NOCTURNES, the opening
arc of Neil Gaiman’s epic SANDMAN series. So much has been said about that
series. It is held up as one of the greatest comic stories of all times with
good reason. It was constructed in rich and deliberate fashion to lead the
reader on a wondrous journey from beginning to end. I wondered how Gaiman could
add to that experience so long after it finished. It has been suggested that
this mini-series is like a gift to the legions of fans of the original. That
does not mean that curious new readers will not enjoy this new comic. It just
means those more familiar with the entire breadth of the original will enjoy it
even more. It does not begin with any central plot. Rather it wanders through
various scenes and realities between the world, other worlds and the dreaming.
The opening scene may even seem odd at first as it is set on a faraway world
with three sentient life forms and it focuses on the intelligent plants and one
in particular. The end of that scene is perhaps a hint of what is to come at the
finish of this chapter. As I said there are changes of scenes and some old
familiar faces appear in them. One of those is the Corinthian who is setting a
plan in motion but it will be interrupted when he is unceremoniously transported
to Dream’s London office in the early 1900s. This series is set prior to the
events in PRELUDES AND NOCTURNES so it is a prelude to the main SANDMAN body of
work, hence the title Overture. We see two other members of the Endless, Destiny
and Death. She has come to her brother for advice and alludes to the opening
scene on that planet far away. We also see interactions between Dream and those
who serve him from his office manager to his librarian. The dialogue serves to
add some characterization and plot points to ponder as Dream is compelled to
journey half a universe away where he will meet the beings at the heart of the
major plot to come. JH Williams III is a good choice to carry the art chores on
this story. There are many changes of scene, each with its own distinct style.
It is amazing how Williams can vary things so much and do each one equally well.
From an alien planet to scenes in black and white with the panels drawn into the
individual teeth of the Corinthian in a two-page spread. The closing major scene
is a double fold out with multiple characters and it is splendid. Williams does
more than compliment the words. He also tells the story through the layout,
depictions and art choices. Those who may have feared a return to this series
after so many years would not live up to the legend can rest those fears. It is
hard to find anything wrong with this book.
Title: CATACLYSM
Issue Number: 0.1
Title Story: Vision
Publisher: Marvel
Writer: Joshua Hale Fialkov
Artists: Mico Suayan, Mirco Pierfederici and Leonard Kirk
Colors: Nolan Woodard
Letters: Clayton Cowles
Cover Artist: Michael Komarck
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
Perhaps the seminal event of the Ultimate Universe is about to take place. The
set up was put in motion in the Marvel 616 Universe as the abuse of time travel
fractured space and time allowing Galactus to pass from the normal Marvel
Universe to the Ultimate Universe. The first interaction with creatures of this
other universe occurred in the mini-series HUNGER and now the main event will
run in the restarted Ultimate titles, X-MEN, SPIDER-MAN AND ULTIMATES. In fact
the subtitle of CATACLYSM is “The Ultimates Last Stand.” Galactus has not
reached Earth yet but he is on the way. This prelude issue is the story of his
encounter with the Ultimate version of The Vision. In the Ultimate Universe the
Vision is a female sentient robot who was created to warn the world of
apocalyptic threats, specifically the world-devouring drone swarm called Gah Lak
Tus. That swarm was previously defeated but as we saw in HUNGER not completely
destroyed. It brief return appearance was enough to set off a reaction inside
Vision and she and her lover Sam Wilson, aka the Falcon, head off to the Bahamas
where Tony Stark and Sue Richards are examining the ashen remains of the Gah Lak
Tus swarm. But it is Vision who is able to interface with the microscopic
remains of sentience and that alerts her to the main threat approaching Earth,
Galactus! Through the mind contact she learns of the history of Galactus in
Universe 616 and the terrible power he holds. If he is not stopped it could mean
the end of the Ultimate Universe. That is the setup of the plot. This story
deals with her confrontation with the situation. Just as importantly it explores
the concept of artificial intelligence. Do androids Dream? Can they feel
emotions? Can they truly love another? Is there a difference between choosing a
course of action because it is the only logical thing to do and doing it because
one is selfless and brave? Rather just give us a “prelude” point one story prior
to the main event Fialkov tells a deeper story with strong characterizations and
meaning. You may not need to read this to follow the events in CATACLYSM but I
highly recommend it as a self-contained story worth reading.
Title: FOREVER EVIL: A.R.G.U.S.
Issue Number: 1 (of 6)
Title Story: Issues of Trust
Publisher: DC
Writer: Sterling Gates
Artists: Philip Tan, Neil Edwards & Javier Pina
Inkers: Jason Paz, Jay Leisten & Javier Pina
Colors: Nathan Eyring, Romulo Fajardo Jr. & Hi-Fi
Letters: Dezi Sienty
Cover Artists: Brett Booth, Mark Irwin & Andrew Dalhouse
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero
When the NEW 52 began we first met Steve Trevor as a liaison between the Justice
League and the government. More recently he has been working with Amanda Waller
in ARGUS and helped put together and lead the team that is the Justice League of
America. But the story of how he got mixed in with super heroes goes back six
years ago and it involves Wonder Woman. This comic actually details the first
meeting between Steve Trevor and Wonder Woman. Preserving the old canon he is
flying a search and rescue mission in a jet when the plane is struck by
lightning and he crash lands on Paradise Island. She saves him by pulling him
from the wreckage. This is the first detailing of the incident in the NEW 52 and
it plays on the story title as do other events further in the issue. The
Steve/Diana plot moves forward elsewhere in the issue as the two have become
close. It also reveals how and why ARGUS was formed. But this is primarily a
tie-in to FOREVER EVIL and soon we are back in the present as Steve wakens at
ARGUS headquarters having survived the clash between the Justice Leagues and the
Crime Syndicate when Zatanna teleported him away. Now he is dealing with other
issues – the explosion around Dr. Light’s body that destroyed a building leaving
some still buried in the rubble and the compromising of the identities of every
ARGUS agent around the world. Most of those agents have been hunted down and
killed by the Society of Evil. Steve is torn between helping out at HQ and
hunting down the Secret Society to help the Leagues. But his priorities are
changed when communications are partially restored and he learns of a major
threat at the White House. Too bad he is going to miss the big event back at
ARGUS HQ shortly after he leaves. Sterling Gates has given us a fast-paced story
that really shines a bright light on Steve Trevor and the mission of ARGUS. It
exists not only to deal with the super human allies of the government but also
to be America’s second line of defense should the heroes fail. Well that has
happened in FOREVER EVIL but ARGUS is devastated. Can Trevor still make a
difference somehow? Perhaps that is the basis of the mini-series. I was
surprised that there are three artists and three inkers but the do a pretty
decent job keeping things interesting visually. I have a feeling this series
will have more importance to the event going on than some of the other off shoot
series. Especially when you consider the final splash page cliff hanger. I
suggest you might want to get this one if not some of the others.
Title: SUPERIOR SPIDER-MAN TEAM-UP SPECIAL
Issue Number: 1
Title Story: With Mercy for the Greedy
Title Arc: The Arms of the Octopus
Publisher: Marvel
Writer: Mike Costa
Artist: Michael Dialynas
Colors: Rachelle Rosenberg
Letters: Cory Petit
Cover Artist: Alexander Lozano
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Super Hero
It began in ALL NEW X-MEN SPECIAL, continued into THE INDESTRUCTIBLE HULK
SPECIAL and ends here in SUPERIOR SPIDER-MAN TEAM-UP SPECIAL. It features a
team-up with the major characters of those three titles and surprisingly it is a
very entertaining crossover. It began as the time-displaced X-Men, minus Angel
who has gone off with the older Cyclops’ X-Men, are relaxing in New York City,
if that is possible, when they are attacked by a gamma-irradiated young Doctor
Octopus. This draws the attention of the Superior Spider-man whom we all know is
actually Otto Octavius in the body of Peter Parker. Together they defeated the
young Doc Oc. Since they need an expert in Gamma Rays they call in Bruce Banner
to help and then are attacked by the Abomination. After defeating him as well
they discover both are actually robots built by Hank McCoy’s former professor,
Dr. Jude. As the second chapter ended Dr. Jude managed to explode the helicopter
carrying the X-Men and Spider-Man. Meanwhile Hank McCoy has been back at Jude’s
lab with a young student of Jude’s trying to figure out what his end game is.
During the course of the story they all discover that Jude is generating gamma
rays and can use it to give himself super-human strength or create explosions by
super heating the air around him. Spider-man and the X-Men need to track him
down and contain him until Banner and McCoy can figure out a way to counter his
powers and capture Jude. As I said this is surprisingly entertaining. The
teaming of Banner and McCoy makes perfect sense and actually provides some
humorous moments as at one point Banner is so wrapped up in solving Jude’s
journal he does not even realize he is walking around naked having just
transformed back from being the Hulk. The other surprise is the attitude of
Otto/Spider-Man. In most of his stories he has had the superior attitude and
snarkiness of Dr. Octopus but in this story he takes on the role of mentor to
the very inexperienced X-Men and is even complimentary to them as he recognizes
there ability and innate intelligence. There is even a touching moment between
the young Scott and Dr. Banner when Scott seeks the answer to a logical
question. If there is a flaw here it is the art. It is not as polished as the
other two chapters of the story. Dialynas has a more ragged line style that is
less appealing but still carries the story forward with good execution of all
the basics otherwise. This whole series is a worthwhile effort and a fun story.
You can actually read this part without losing much of the plot. If you are a
Superior Spider-Man fan you may be put off by the seeming change in his attitude
but I wouldn’t let that stop you from getting this comic.
Title: THOR: CROWN OF FOOLS
Issue Number: One-Shot
Title Story: Thor: Crown of Fools
Publisher: Marvel
Writer: Bryan J.L. Glass
Artist: Andrea DiVito
Colors: Laura Villari
Letters: Joe Sabino
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Mythical Super Hero
As usual when one of their movies is about to debut Marvel puts out extra comics
featuring the movie characters. In this case it is Thor. The lead story is about
a quest about to be undertaken by the Lady Sif and the Warriors three. An
unnatural flocking of birds is occurring in Asgard and the innocent are in need
of protection by our heroes. As the birds start to leave Lady Sif urges the
others to join her in following them to the source of their enchantment. Thor at
first forbids the quest but since Odin has not ruled on it he cannot stop them
and so reluctantly joins them. They meet other enchanted animals along the way
that also attack and eventually arrive at a castle in a newly opened crevasse, a
fortress with no record of existing. It turns out the magic taking place not
only effects animals but also people as one by one the companions see visions of
their heart’s desire and turn on Thor who is not swayed so easily. But in the
end even he is tempted by a vision. It turns out there is another in the castle
who is using an ancient object of magical power. To save the day Thor will have
to resist the spell and somehow free his companions from its grip. This is an
adequate story. It is not bad for new readers who may have a new interest in the
character after seeing the latest movie. It is not great drama and wraps up
nicely in the end. Likewise the art is adequate, the characters are well defined
and the coloring is sharp but the script does not call for much background as
most of the action takes place in an empty castle. Fans looking for more depth
of story and art will be disappointed.
Back up story: “Whatever Happened to Balder the Brave?” by Walt Simonson, John
Workman Jr. and Christie Scheele with remastered coloring by Steve Oliff. This
is a reprint from an old THOR issue that is not credited. It is from the Jim
Shooter era at Marvel during Simonson’s run on the title. Further research
reveals it to be the first appearance of Malekith the Dark Elf in Thor #344 in
1984. This story was chosen because it is Malekith who plays a big role in THOR
– THE DARK WORLD, now showing at a theater near you. I find it odd that this
back up story is not highlighted on the cover of the comic to draw more
potential readers to it. The basic plot occurs at a time when Balder has passed
from the realm and is living in Nornkeep, the fortress of the Norn Queen,
Karnilla. Odin has discovered a dark secret and summons Balder from his self-
imposed exile to carry a message to none other than Loki, the person responsible
for Balder’s death. So dire is the message Odin believes even Loki will believe
Balder, known for his honesty. There is danger afoot that will affect the nine
realms and Balder will have to brave many dangers if he even wants to reach
Loki. But he has been changed since his death and has vowed never to harm
another having foresworn all violence. If he can get through many perils while
keeping this pledge he will find the very danger foretold by Odin right at the
side of Loki, the Dark Elf Malekith. The story plays out and has a few surprises
before a tragic ending. But this is an issue of Thor and so the sub plot in this
case has Thor at a time when he has taken a new human identity as construction
worker Sigurd Jarlsun. He has been keeping company with Melodi, whom is actually
Lorelei in a human guise. This is one of those issues where the lead character
spends less time in his own comic that the other characters. It is interesting
to take a look back to this comic from nearly thirty years ago. The main story
holds up well but the Thor subplot will may be confusing to new readers and of
course that plot is only three pages because it continued in the next issue in
1984. Still Simonson did a good job with the title and this inclusion makes the
comic worth the price.
Title: THOUGHT BUBBLE ANTHOLOGY
Issue Number: 3
Publisher: Image
Cover Artist: Alice Duke
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Anthology
This unusual comic has a lot going for it. It is the third annual anthology
collecting and showcasing new work from top industry professionals, favorite
independent comic creators and the winners of the Thought Bubble Comic Art
Competition from 2012 held at the Leeds Comic Art Festival, the United Kingdom’s
largest comic book convention. The contributing artists donated their
submissions free of charge and all profits from the sale go to Barnado
Children’s Charity. The Arts Council of England, Image Comics, Travelling Man
and Comicraft put it all together in a double-sized format, similar to a tabloid
newspaper in size. You get thirty two separate comic creations in this large
format for only $3.99 and the money made goes to a worthy cause. That in itself
is worthy of you time and money. That many entries are too numerous to review or
even list but in this volume you will find work from Jeffrey Brown, Richard
Starkings, Carlos Ezquerra, Fabio Moon, Gabriel Ba and many more. The opening
strip is a Judge Dredd/Elephantmen crossover written by Richard Starkings with
art by Boo Cook. It has Judge Dredd and Judge Anderson chasing after Hip Flask
who for some reason is himself dressed as a Judge with full uniform and
motorcycle. The puzzle is the characters exist a century apart so what is going
on? One of the cleverest comics I have ever read is “One Night in Comicopolis”
by Cameron Stewart. It follows a lady dressed in black and a wide-brimmed hat
who crosses the border carrying a “caption box” and is chased. The clever part
is that the dialogue and editorial comments are all related to the comic craft
and its conventional fundamentals. For example as she crosses the border the
visual has her stepping across from one panel to the other and her “variant
cover” worked perfectly. But soon a “thought bubble” chases after her. At one
point a character looking very much like Andy Capp sees the thought bubble
passing by and exclaims, “Hey, what’s the big idea?” while our heroine tries to
slow down the bubble by literally throwing “insults” at it. In the end it is the
caption box she has been carrying that will change everything. This is a fun
strip, well-constructed and perfectly executed. The two page “Rain Falling Like
Hammers” by Oliver Redding and Lee Barnett is a tale of an impending world
ending event and the reaction of one couple as it approaches. The art is
different but attractive to me and the ending is dramatic. The one page entry by
Nicholas Gurewitch is one explanation as to what caused the continental drift –
it is worth a chuckle. The first place winner in the 18+ category is called
“Believe in Yourself” by David Parkinson. It is the story of a small girl
attempting to shoot a basketball while the big and tall older boys continue
laughing at her. In a clever twist she uses their words, literally, to enable
herself to perform beyond all expectations. It is clever and the art is
spectacular. As I said, there is too much here to review in depth. Just the ones
I have mentioned make it worth your time and money. I guarantee you won’t be
disappointed with this comic.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
If you wrote "E-MAIL" on your envelope in the 1980's, you were writing to the
letter section of which comic book series?
"E-MAIL" was the letter section of "E-MAN" (First comics). The winner by the
dice is Mike Dooley.
Here was your no prize question:
Where was the first water supply system developed in New England?
In 1620 the Plymouth Colony established the first water supply system in New
England.
THIS WEEK’S TRIVIA QUESTION:
In the original Valiant Universe the last line of the UNITY SAGA refers to what
other familiar work of fiction?
Here is your no prize question:
What does the word MODEM stand for?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
Friday, November 1, 2013
Comic Reviews 11/1/13
REVIEWS
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: VELVET
Issue Number: 1
Title Story: Before the Living End
Publisher: Image
Writer: Ed Brubaker
Artist: Steve Epting
Colors: Elizabeth Breitweiser
Letters: Chris Eliopoulos
Price (USD): $3.50
Release Date: NOW ON SALE
Genre: Spy Thriller
Mature – Comics on the Edge
The title character of this book is Velvet Templeton. She is the secretary to
the director of a British intelligence agency, ARC-7. We learn from the
narrative right from the start that she also had intimate relations with a
number of the top operatives, each of which though he was the only one. That
seems incidental to the main plot at first. The time of the story is 1973. It
seems one of their best men, X-14, was gunned down in the street after
accomplishing his latest mission. Since he is the best the director is confident
he was not followed but that his killer was waiting for him – someone
compromised the mission. When the evidence points to a retired agent Velvet is
not buying it. She is sure he is being set up as the fall guy. It is only when
it is too late that she realizes that Frank Lancaster is not the only one being
set up. This comic has a number of things going for it. The strong female lead
is a multi-faceted character at the top of her game and better reasoning than
some of the higher paid people in the agency. We see by the end of the first
issue that she is more talented than we first thought and very resourceful. The
plot by Brubaker is as tight and compelling as you would expect from one of the
masters of the craft. Epting’s art is spot on with excellent use of layouts and
perspective. Each panel is painlessly composed for the right effect and the
coloring matches perfectly. This is a great thriller that leads up to a
thrilling cliffhanger climax making you want more.
Title: PRETTY DEADLY
Issue Number: 1
Publisher: Image
Writer: Kelly Sue DeConnick
Artist: Emma Rios
Colors: Jordie Bellaire
Letters: Clayton Cowles
Price (USD): $3.50
Release Date: NOW ON SALE
Genre: Western/Horror
Mature – Comics on the Edge
Image first issues have been getting a lot of press these days and many of them
have gone on to be collector’s items as the series become hits. If you follow
the pre-press on the Internet you know that PRETTY DEADLY and VELVET which hit
the racks the same week were both examples being touted as the next two great
hits from Image. Be that as it may I cannot heap the praise on this title as I
did on VELVET. In fact the post-press coverage has been very mixed. The few
critics I have read either love it or hate it. One comic shop owner went so far
as to rip up a copy in his store to emphasize to some regular customers his
displeasure with the comic. While I wouldn’t go that far I find I could not
really get into it myself. Like others I did not find the art very appealing.
Looking at it closely it is clear a lot of effort went into it but effort and
quality are two different things. Since art can be subjective you may not agree
but I found it often does not advance the story by trying to be too stylish. At
other times it is too busy and often muddled. The main action in this first
issue centers around two characters who give a performance of sorts on the town
gallows in the center of an Old West town. The man is apparently blind with a
bandage around his eyes and the young girl is in costume as a vulture, complete
with feathered cloak and a beak. The story they tell involves a girl married to
a prideful man who used her as a jewel to flash before other men but soon feared
he would lose her and so built a stone tower to hide her away. She became
despondent and begged death to come and take her, but death fell in love and
before the girl died she birthed his child. She was raised as a reaper of
vengeance and her name was Ginny. As the performance ends those who were
entertained offer money for their efforts. From there the plot goes in several
directions. The two are attacked on the outskirts of town and manage to flee to
the home of a friend. But there is more that happens in town as a tall woman
dressed in black comes looking for something and the trail will lead her to the
duo as well. There is no clear explanation who she is though the implication she
is the “Ginny” of the poem. It seems to me that these plot points, and some
others are thrown in here and there and then abandoned for another scene that
adds more mystery. By the end I was thoroughly confused as to where the focus of
the plot was as more characters are added, adversaries are suddenly allies, and
nothing is really clear about any of it. This may very well be a best seller
based on hype or maybe it is just my taste that won’t have me coming back for
more. We’ll see.
Title: SAMURAI JACK
Issue Number: 1
Title Story: The Threads of Time
Publisher: IDW
Creator: Genndy Tartakovsky
Writer: Jim Zub
Artist: Andy Suriano
Letters: Shawn Lee
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Cartoon Adaptation
All Ages
Here is another comic adapted from an animated series on the Cartoon Network. I
am not familiar with the source material but fortunately there is an
introductory recap of the set up on the inside cover. Jack is a Samurai with a
magic sword. He opposed the shape-shifting master of darkness, Aku, who was
trying to unleash unspeakable evil. Before Jack could end the bout Aku sent Jack
through a portal into the future, where Aku’s power rules. Now Jack struggles to
find a way back to his own time so he can undo the future. I like the premise
for its simplicity. It allows the writer to come up with any scenario imaginable
and sets up a light at the end of the tunnel for the protagonist – get home and
all this bad stuff will never happen. For this first issue Jack is in a dessert
land seeking the aid of a seer. There is hope here as the seer tells him of the
Threads of Time. The gods marked time with the rope until Aku stole it to learn
the secrets of time travel. When he was done he shredded the rope so no one else
could do the same. What Aku does not know is that fibers were left behind still
containing time travelling magic. If Jack can find the fibers he can rewind time
and his place in time. With that the major plot for the series is set. The first
issue will have our hero stumble into an underground arena where he must fight
the six warriors of the spider being Dreezun in order to get the first fiber.
This is a fun book. The characters are purposely exaggerated for effect and have
funny names like Headclaw the Stabbist and Arcus the Clubifier. The visuals are
an important part of the overall effect of the story and this style fits
perfectly. This is the kind of comic that appeals to young kids and old people
alike.
Title: MARVEL: NOW WHAT?!
Issue Number: ONE-SHOT
Publisher: Marvel
Cover Artist: Skottie Young
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Comedy
All Ages
I always enjoy comic books that make fun of the mainstream comics. This one
starts right on the cover implying that the kid versions of Marvel heroes have
been overdone. Sure enough in the opening bit Skottie Young, the writer and
artist is faced with his characters who now want a cut of the profits and so he
ponders what other ways he can make money off of Marvel concepts. The book is a
series of short stories and the premise is also a parody of MARVEL NOW, hence
the title MARVEL NOW WHAT?! Elliott Kalan and Jacob Chabot Have Apocalypse
introduce the evolution of Marvel from infinite X-men books to infinite Avengers
books to resurrecting old characters. Then he gets into some all new characters
for Marvel NOWER like Red Cable, Thing Jr. and Spider Storm. In “The Puppet’s
Master” Otto Octavius has opted for a life in entertainment using his metal arms
to manipulate puppets as Doctor Octopuppet. When he competes on a television
talent show he finds he is better suited for another occupation. There is
section after section of silliness. Cenac and Kalan investigate the real story
behind Xavier Academy. Lucas Hazlett and Jacob Chabot show a different side as
Xavier hires a couple to help the mutants learn how to function as a team but
Brenda and Brandon don’t realize that the students have real super powers as
they try to teach them how to pretend to read minds or fly. One of the better
segments is by Sara Schaefer and Steve Lieber. In “Cap-Fished” a lonely Captain
America has been corresponding online with a swimsuit model but it turns out to
be the Red Skull’s latest plot to catch him unaware. It is hard to fight a super
villain when you are heartbroken. Even funnier is “Ladies Who Brunch” by Sara
Benincasa, John Devore and Tania Del Rio. This one has She-Hulk, Sue Storm and
The Wasp enjoying brunch when Doctor Doom enters the place. He just wants to
eat, they think he is there to do evil and before you know it there is battling.
My favorite is “Intervention” by Scott Apsit and Declan Shalvey. Uatu believes
he has been summoned by Reed Richards but when he arrives he finds all the other
Watchers waiting. This is a Watcher intervention to help Uatu toe the line and
stop messing around with humanity – sort of an anti-intervention intervention.
And the punch line is even better. Well, it is not laugh-aloud funny but most of
it is clever and made me smile. But here is a disclaimer – chances are my sense
of humor is probably way different than yours – ask anybody. Still, I think
everyone can have a good time with this comic, especially if you are a Marvel
fan.
Title: WOLVERINE AND THE X-MEN
Issue Number: 37
Title Story: Part 9
Title Arc: Battle of the Atom
Publisher: Marvel
Writer: Jason Aaron
Artist: Giuseppe Camuncoli
Inker: Andrew Currie
Colors: Matt Milla
Letters: Clayton Cowles
Cover Artist: Ed McGuinness & Marte Garcia
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
The Battle of the Atom crossover event in X-Men books is drawing to a close. In
fact the last chapter is on the racks as you read this. This is the penultimate
issue that draws together various players for the final chapter. That is a tall
order since there are six different groups of X-men involved. You have the
original X-Men brought forward into the present by the present day Beast hoping
to influence them to change their course in lives when they go back. We also
have the X-Men led by Wolverine, the X-Men led by Cyclops and the X-Men led by
Kitty Pride – all of which are current day mutants and have comic books of their
own. Things got complicated when a group of X-Men from the future appeared
demanding the original X-Men go back to the past and Wolverine and some of the
others agreed. But this new group turned out to be a future version of the
Brotherhood of Evil. Illyana travelled to their future and brought back, you
guessed it, ANOTHER group who claim to be the real X-Men of the future. But the
Brotherhood group has managed to take over the Jean Grey School and capture the
original X-Men. They successfully fought off the combined forces of Cyclops’ X-
Men and the real future X-Men. The Brotherhood’s mission was apparently to
forcibly send the originals back to their own time but when they tried to do
just that the time device would not send them back. Someone or something is
preventing this from happening seemingly rendering the whole point of the Battle
of the Atom moot and guaranteeing that the ALL NEW X-MEN title will continue on
for the near future! With more forces arriving to oppose them the Brotherhood
mutants make an escape in a Blackbird with the original X-Men still captive.
They have one last play to make and it is going to be at a place where things
all started – Cape Citadel where the X-Men first fought Magneto. The story is
not exclusively X-Men as we also look in on Dazzler who has become a mutant
liaison to SHIELD. They have been alerted about the security breach at Cape
Citadel and are approaching the scene in a helicarrier. The point of this
chapter, as I said, is to bring all the players together for one final
confrontation that begins and leaves us on the brink of something big coming in
the last chapter of the story. The interesting thing about this whole mess is
seeing current people meeting future selves. Some from the future are surprises
to not only the regular X-Men but the reader as well. Some of these guys are
grown up versions that have turned evil. Some are descendants and are either
good or bad. It makes for interesting meetings and conversations. Some deaths
have already occurred and I believe more will come. But will any of the current
day X-Men die? That is the unanswered question. I found myself liking this event
more than I thought I would and look forward to reading BATTLE OF THE ATOM #2 to
see how it ends. Like many of these Marvel events certain things happen to set
up a new status quo for some of the characters involved. The art has been as
good as it can be all along. Hopefully the ending will not disappoint.
Title: JUSTICE LEAGUE DARK
Issue Number: 24
Title Story: Tiny Evils
Title Arc: Blight
Publisher: DC
Writer: J.M. Dematteis
Artist: Mikel Janine
Colors: Jeromy Cox
Letters: Rob Leigh
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
I picked up this issue to see what is in store for DC’s supernatural heroes. I
do not read it on a regular basis but this tie-in to Forever Evil begins the
threads of another event in the supernatural books involving a new adversary
called Blight. It begins with John Constantine waking up in the House of Mystery
surrounded by mouse-sized little monsters or demons all dressed exactly like
him, some are even smoking cigarettes. As his head clears he begins to realize
what has gone before. He was involved in the Trinity War and Pandora’s Box
proved to be a gateway for the Crime Syndicate to enter this world. He thought
he could control the box but it turned out just the opposite. He remembers the
Crime Syndicate taking out the three Justice Leagues just before he was blasted
by a green light. Now he is alone in the House of Mystery and haunted by demons
he assumes are being spawned by his own psyche. The other thing he realizes is
that he cannot sense any of his teammates. They are not here or anywhere else in
the world. He is most concerned about Zatanna and is despondent that just maybe
after all these years evil has finally won. Well the story does not end with him
hopelessly moping around as either the House, or some other force transitions
him to a series of scenes, seemingly in places around the world but with a book
based on magic characters and the supernatural you never know what you are
looking at. As he sees people in different scenes, for example a couple eating
dinner, clearly at odds with each other but not speaking, he notices a mist of
some sort hanging over the woman. With each scene – people ignoring a homeless
person, a man drowning his sorrows at a bar, school boys taunting a smaller kid
– the mist appears above them and grows bigger, with two widening blank white
eyes and a sharp toothed grin. DeMatteis is setting up the growth of an entity
that feeds on little evils and grows stronger as little evils multiply. Maybe
the devil is a projection of our own sins? It is an interesting concept that
will be built upon in the aforementioned arc. There is another player (perhaps)
involved later back at the House of Mystery. It is hard to tell at first if she
will be good or bad for John but she is someone he is familiar with. What
appears to be happening is the gathering of a new team and just maybe that is
what John needs to find the old one. Part of the reason I am not fond of these
kind of characters is that often times what you see is not what is real or you
just can’t tell real from imagined or magic from an outside force. It will all
make sense at some point but in the meantime there is a lot of speculation by
both the main character and the reader. This is not what grabs me, but that is
not to say it is poorly written or executed. Mikel Janine provides some of the
best art I have seen considering the demands of the script. The final splash
page is outstanding. I leave it to fans of the genre to decide if this is worth
following month to month.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
What other comic cover did THE SIMPSONS COMICS #1 pay homage to?
THE SIMPSONS covered FANTASTIC FOUR #1, which is the most "homage" comic cover
in the world -- unless that's ACTION #1. The winner this week is Jeff Campbell.
THIS WEEK’S TRIVIA QUESTION:
If you wrote "E-MAIL" on your envelope in the 1980's, you were writing to the
letter section of which comic book series?
Here is your no prize question:
Where was the first water supply system developed in New England?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
The comics reviewed are chosen by David not by THAT’S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.
Title: VELVET
Issue Number: 1
Title Story: Before the Living End
Publisher: Image
Writer: Ed Brubaker
Artist: Steve Epting
Colors: Elizabeth Breitweiser
Letters: Chris Eliopoulos
Price (USD): $3.50
Release Date: NOW ON SALE
Genre: Spy Thriller
Mature – Comics on the Edge
The title character of this book is Velvet Templeton. She is the secretary to
the director of a British intelligence agency, ARC-7. We learn from the
narrative right from the start that she also had intimate relations with a
number of the top operatives, each of which though he was the only one. That
seems incidental to the main plot at first. The time of the story is 1973. It
seems one of their best men, X-14, was gunned down in the street after
accomplishing his latest mission. Since he is the best the director is confident
he was not followed but that his killer was waiting for him – someone
compromised the mission. When the evidence points to a retired agent Velvet is
not buying it. She is sure he is being set up as the fall guy. It is only when
it is too late that she realizes that Frank Lancaster is not the only one being
set up. This comic has a number of things going for it. The strong female lead
is a multi-faceted character at the top of her game and better reasoning than
some of the higher paid people in the agency. We see by the end of the first
issue that she is more talented than we first thought and very resourceful. The
plot by Brubaker is as tight and compelling as you would expect from one of the
masters of the craft. Epting’s art is spot on with excellent use of layouts and
perspective. Each panel is painlessly composed for the right effect and the
coloring matches perfectly. This is a great thriller that leads up to a
thrilling cliffhanger climax making you want more.
Title: PRETTY DEADLY
Issue Number: 1
Publisher: Image
Writer: Kelly Sue DeConnick
Artist: Emma Rios
Colors: Jordie Bellaire
Letters: Clayton Cowles
Price (USD): $3.50
Release Date: NOW ON SALE
Genre: Western/Horror
Mature – Comics on the Edge
Image first issues have been getting a lot of press these days and many of them
have gone on to be collector’s items as the series become hits. If you follow
the pre-press on the Internet you know that PRETTY DEADLY and VELVET which hit
the racks the same week were both examples being touted as the next two great
hits from Image. Be that as it may I cannot heap the praise on this title as I
did on VELVET. In fact the post-press coverage has been very mixed. The few
critics I have read either love it or hate it. One comic shop owner went so far
as to rip up a copy in his store to emphasize to some regular customers his
displeasure with the comic. While I wouldn’t go that far I find I could not
really get into it myself. Like others I did not find the art very appealing.
Looking at it closely it is clear a lot of effort went into it but effort and
quality are two different things. Since art can be subjective you may not agree
but I found it often does not advance the story by trying to be too stylish. At
other times it is too busy and often muddled. The main action in this first
issue centers around two characters who give a performance of sorts on the town
gallows in the center of an Old West town. The man is apparently blind with a
bandage around his eyes and the young girl is in costume as a vulture, complete
with feathered cloak and a beak. The story they tell involves a girl married to
a prideful man who used her as a jewel to flash before other men but soon feared
he would lose her and so built a stone tower to hide her away. She became
despondent and begged death to come and take her, but death fell in love and
before the girl died she birthed his child. She was raised as a reaper of
vengeance and her name was Ginny. As the performance ends those who were
entertained offer money for their efforts. From there the plot goes in several
directions. The two are attacked on the outskirts of town and manage to flee to
the home of a friend. But there is more that happens in town as a tall woman
dressed in black comes looking for something and the trail will lead her to the
duo as well. There is no clear explanation who she is though the implication she
is the “Ginny” of the poem. It seems to me that these plot points, and some
others are thrown in here and there and then abandoned for another scene that
adds more mystery. By the end I was thoroughly confused as to where the focus of
the plot was as more characters are added, adversaries are suddenly allies, and
nothing is really clear about any of it. This may very well be a best seller
based on hype or maybe it is just my taste that won’t have me coming back for
more. We’ll see.
Title: SAMURAI JACK
Issue Number: 1
Title Story: The Threads of Time
Publisher: IDW
Creator: Genndy Tartakovsky
Writer: Jim Zub
Artist: Andy Suriano
Letters: Shawn Lee
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Cartoon Adaptation
All Ages
Here is another comic adapted from an animated series on the Cartoon Network. I
am not familiar with the source material but fortunately there is an
introductory recap of the set up on the inside cover. Jack is a Samurai with a
magic sword. He opposed the shape-shifting master of darkness, Aku, who was
trying to unleash unspeakable evil. Before Jack could end the bout Aku sent Jack
through a portal into the future, where Aku’s power rules. Now Jack struggles to
find a way back to his own time so he can undo the future. I like the premise
for its simplicity. It allows the writer to come up with any scenario imaginable
and sets up a light at the end of the tunnel for the protagonist – get home and
all this bad stuff will never happen. For this first issue Jack is in a dessert
land seeking the aid of a seer. There is hope here as the seer tells him of the
Threads of Time. The gods marked time with the rope until Aku stole it to learn
the secrets of time travel. When he was done he shredded the rope so no one else
could do the same. What Aku does not know is that fibers were left behind still
containing time travelling magic. If Jack can find the fibers he can rewind time
and his place in time. With that the major plot for the series is set. The first
issue will have our hero stumble into an underground arena where he must fight
the six warriors of the spider being Dreezun in order to get the first fiber.
This is a fun book. The characters are purposely exaggerated for effect and have
funny names like Headclaw the Stabbist and Arcus the Clubifier. The visuals are
an important part of the overall effect of the story and this style fits
perfectly. This is the kind of comic that appeals to young kids and old people
alike.
Title: MARVEL: NOW WHAT?!
Issue Number: ONE-SHOT
Publisher: Marvel
Cover Artist: Skottie Young
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Comedy
All Ages
I always enjoy comic books that make fun of the mainstream comics. This one
starts right on the cover implying that the kid versions of Marvel heroes have
been overdone. Sure enough in the opening bit Skottie Young, the writer and
artist is faced with his characters who now want a cut of the profits and so he
ponders what other ways he can make money off of Marvel concepts. The book is a
series of short stories and the premise is also a parody of MARVEL NOW, hence
the title MARVEL NOW WHAT?! Elliott Kalan and Jacob Chabot Have Apocalypse
introduce the evolution of Marvel from infinite X-men books to infinite Avengers
books to resurrecting old characters. Then he gets into some all new characters
for Marvel NOWER like Red Cable, Thing Jr. and Spider Storm. In “The Puppet’s
Master” Otto Octavius has opted for a life in entertainment using his metal arms
to manipulate puppets as Doctor Octopuppet. When he competes on a television
talent show he finds he is better suited for another occupation. There is
section after section of silliness. Cenac and Kalan investigate the real story
behind Xavier Academy. Lucas Hazlett and Jacob Chabot show a different side as
Xavier hires a couple to help the mutants learn how to function as a team but
Brenda and Brandon don’t realize that the students have real super powers as
they try to teach them how to pretend to read minds or fly. One of the better
segments is by Sara Schaefer and Steve Lieber. In “Cap-Fished” a lonely Captain
America has been corresponding online with a swimsuit model but it turns out to
be the Red Skull’s latest plot to catch him unaware. It is hard to fight a super
villain when you are heartbroken. Even funnier is “Ladies Who Brunch” by Sara
Benincasa, John Devore and Tania Del Rio. This one has She-Hulk, Sue Storm and
The Wasp enjoying brunch when Doctor Doom enters the place. He just wants to
eat, they think he is there to do evil and before you know it there is battling.
My favorite is “Intervention” by Scott Apsit and Declan Shalvey. Uatu believes
he has been summoned by Reed Richards but when he arrives he finds all the other
Watchers waiting. This is a Watcher intervention to help Uatu toe the line and
stop messing around with humanity – sort of an anti-intervention intervention.
And the punch line is even better. Well, it is not laugh-aloud funny but most of
it is clever and made me smile. But here is a disclaimer – chances are my sense
of humor is probably way different than yours – ask anybody. Still, I think
everyone can have a good time with this comic, especially if you are a Marvel
fan.
Title: WOLVERINE AND THE X-MEN
Issue Number: 37
Title Story: Part 9
Title Arc: Battle of the Atom
Publisher: Marvel
Writer: Jason Aaron
Artist: Giuseppe Camuncoli
Inker: Andrew Currie
Colors: Matt Milla
Letters: Clayton Cowles
Cover Artist: Ed McGuinness & Marte Garcia
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
The Battle of the Atom crossover event in X-Men books is drawing to a close. In
fact the last chapter is on the racks as you read this. This is the penultimate
issue that draws together various players for the final chapter. That is a tall
order since there are six different groups of X-men involved. You have the
original X-Men brought forward into the present by the present day Beast hoping
to influence them to change their course in lives when they go back. We also
have the X-Men led by Wolverine, the X-Men led by Cyclops and the X-Men led by
Kitty Pride – all of which are current day mutants and have comic books of their
own. Things got complicated when a group of X-Men from the future appeared
demanding the original X-Men go back to the past and Wolverine and some of the
others agreed. But this new group turned out to be a future version of the
Brotherhood of Evil. Illyana travelled to their future and brought back, you
guessed it, ANOTHER group who claim to be the real X-Men of the future. But the
Brotherhood group has managed to take over the Jean Grey School and capture the
original X-Men. They successfully fought off the combined forces of Cyclops’ X-
Men and the real future X-Men. The Brotherhood’s mission was apparently to
forcibly send the originals back to their own time but when they tried to do
just that the time device would not send them back. Someone or something is
preventing this from happening seemingly rendering the whole point of the Battle
of the Atom moot and guaranteeing that the ALL NEW X-MEN title will continue on
for the near future! With more forces arriving to oppose them the Brotherhood
mutants make an escape in a Blackbird with the original X-Men still captive.
They have one last play to make and it is going to be at a place where things
all started – Cape Citadel where the X-Men first fought Magneto. The story is
not exclusively X-Men as we also look in on Dazzler who has become a mutant
liaison to SHIELD. They have been alerted about the security breach at Cape
Citadel and are approaching the scene in a helicarrier. The point of this
chapter, as I said, is to bring all the players together for one final
confrontation that begins and leaves us on the brink of something big coming in
the last chapter of the story. The interesting thing about this whole mess is
seeing current people meeting future selves. Some from the future are surprises
to not only the regular X-Men but the reader as well. Some of these guys are
grown up versions that have turned evil. Some are descendants and are either
good or bad. It makes for interesting meetings and conversations. Some deaths
have already occurred and I believe more will come. But will any of the current
day X-Men die? That is the unanswered question. I found myself liking this event
more than I thought I would and look forward to reading BATTLE OF THE ATOM #2 to
see how it ends. Like many of these Marvel events certain things happen to set
up a new status quo for some of the characters involved. The art has been as
good as it can be all along. Hopefully the ending will not disappoint.
Title: JUSTICE LEAGUE DARK
Issue Number: 24
Title Story: Tiny Evils
Title Arc: Blight
Publisher: DC
Writer: J.M. Dematteis
Artist: Mikel Janine
Colors: Jeromy Cox
Letters: Rob Leigh
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero
I picked up this issue to see what is in store for DC’s supernatural heroes. I
do not read it on a regular basis but this tie-in to Forever Evil begins the
threads of another event in the supernatural books involving a new adversary
called Blight. It begins with John Constantine waking up in the House of Mystery
surrounded by mouse-sized little monsters or demons all dressed exactly like
him, some are even smoking cigarettes. As his head clears he begins to realize
what has gone before. He was involved in the Trinity War and Pandora’s Box
proved to be a gateway for the Crime Syndicate to enter this world. He thought
he could control the box but it turned out just the opposite. He remembers the
Crime Syndicate taking out the three Justice Leagues just before he was blasted
by a green light. Now he is alone in the House of Mystery and haunted by demons
he assumes are being spawned by his own psyche. The other thing he realizes is
that he cannot sense any of his teammates. They are not here or anywhere else in
the world. He is most concerned about Zatanna and is despondent that just maybe
after all these years evil has finally won. Well the story does not end with him
hopelessly moping around as either the House, or some other force transitions
him to a series of scenes, seemingly in places around the world but with a book
based on magic characters and the supernatural you never know what you are
looking at. As he sees people in different scenes, for example a couple eating
dinner, clearly at odds with each other but not speaking, he notices a mist of
some sort hanging over the woman. With each scene – people ignoring a homeless
person, a man drowning his sorrows at a bar, school boys taunting a smaller kid
– the mist appears above them and grows bigger, with two widening blank white
eyes and a sharp toothed grin. DeMatteis is setting up the growth of an entity
that feeds on little evils and grows stronger as little evils multiply. Maybe
the devil is a projection of our own sins? It is an interesting concept that
will be built upon in the aforementioned arc. There is another player (perhaps)
involved later back at the House of Mystery. It is hard to tell at first if she
will be good or bad for John but she is someone he is familiar with. What
appears to be happening is the gathering of a new team and just maybe that is
what John needs to find the old one. Part of the reason I am not fond of these
kind of characters is that often times what you see is not what is real or you
just can’t tell real from imagined or magic from an outside force. It will all
make sense at some point but in the meantime there is a lot of speculation by
both the main character and the reader. This is not what grabs me, but that is
not to say it is poorly written or executed. Mikel Janine provides some of the
best art I have seen considering the demands of the script. The final splash
page is outstanding. I leave it to fans of the genre to decide if this is worth
following month to month.
*****
TRIVIA CONTEST!!!! WIN REAL PRIZES!!!!!
If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only. Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.
Last week’s trivia question:
What other comic cover did THE SIMPSONS COMICS #1 pay homage to?
THE SIMPSONS covered FANTASTIC FOUR #1, which is the most "homage" comic cover
in the world -- unless that's ACTION #1. The winner this week is Jeff Campbell.
THIS WEEK’S TRIVIA QUESTION:
If you wrote "E-MAIL" on your envelope in the 1980's, you were writing to the
letter section of which comic book series?
Here is your no prize question:
Where was the first water supply system developed in New England?
Folks, you never know who among the readers is knowledgeable about the question
so don’t hesitate to send in an answer – even days after it appears.
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